The Addamses are an odd, old-money clan who delight in the macabre and are seemingly unaware or unconcerned that other people find them bizarre or frightening. The family members were unnamed until the 1960s. Matriarch Morticia and daughter Wednesday received their names when a licensed doll collection was released in 1962; patriarch Gomez and son Pugsley were named when the 1964 television series debuted.[1] The Addams Family consists of Gomez and Morticia Addams, their children, Wednesday and Pugsley, and close family members Uncle Fester[b] and Grandmama,[c] their butler Lurch, and Pugsley's pet octopus, Aristotle. The dimly seen Thing (later a disembodied hand) was introduced in 1954, and Gomez's Cousin Itt, Morticia's pet lion Kitty Kat and Morticia's carnivorous plant Cleopatra in 1964. Pubert Addams, Wednesday and Pugsley's infant brother, was introduced in the 1993 film Addams Family Values.[d]

The first Addams Family cartoon was published in 1938, in a one-panel gag format. Charles Addams became a regular contributor to The New Yorker, and drew approximately 1,300 cartoons between then and his death in 1988. 58 of these would feature the Addams Family, almost all of which were published in the 1940s and 1950s. Members of the family were introduced one by one, with Morticia first, Gomez (based on Thomas E. Dewey) joining four years later, Pugsley, and finally Wednesday and Fester shortly after. Addams indicated that Fester resembled himself, "plus a little more hair."[6] A Christmas 1946 strip, showing the family pouring boiling oil on carolers, was well received and was later sold on Christmas cards.[8] Outside of The New Yorker, Addams also published several collections, the most notable being Dear Dead Days: A Family Album in 1959. The family members were initially not named; Wednesday was first given a name in 1962 for a licensed doll collection, while the others were named during the development of the television series in 1963.[9] The editor of The New Yorker, William Shawn, prevented any further Addams family cartoons from being printed after the 1964 launch of the television franchise.[9]


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The 1964 television adaptation brought the series to a much wider audience and was well received publicly. Producer Nat Perrin took a "less evil" approach to the characters and stories than Addams had in the cartoons, emphasizing lighter, more comedic elements. Stephen Cox later referred to the series as "more zany than spooky". The popular series, broadcast on the ABC network, ran only two seasons. No official reason was given for the cancellation, though Smithsonian Magazine speculated that it was due to the adoption of colour programming on the network the following year.[9] Charles Addams himself was less happy with the series, criticising the characters for being "half as evil" as in the comics.

Hanna-Barbera parodied the show in November 1964 by introducing a family named "The Gruesomes" to The Flintstones, and the Gruesomes appeared occasionally in Flintstones media into the early 1970s.[6] The studio later animated a 1972 Addams Family crossover with Scooby-Doo, which led to a 1973 animated series. The animated incarnation featured a new cast except for Felix Silla, who returned as Cousin Itt. The show had good ratings and spawned a line of children's merchandise, but only aired 16 episodes. A pilot was also produced that year for a new live action series entitled The Addams Family Funhouse, using a different cast. The pilot was aired in 1973 but never picked up for a full series.[6]

A 1977 special, Halloween with the New Addams Family, reunited most of the original cast from the 1964 series, with Blossom Rock absent due to her health. The made-for-TV movie faced issues during production and was poorly received. It was shot using a house set that had been constructed for the horror film Ben, which didn't resemble the original Addams mansion and caused technical issues with lighting. The film was widely criticised for the script, direction, and the performances of some of the actors. Jackie Coogan in particular was recovering from a mild stroke during filming.[6][9]

Charles Addams married Marilyn Matthews Miller in 1981, in an Addams family themed ceremony conducted in a cemetery.[7] Filmways, the production company of the 1964 series and holder of some franchise rights, was purchased in 1982 by Orion Pictures. The 1987 retirement of William Shawn allowed a brief return of the cartoons to The New Yorker, though Addams himself died only a year later. While largely inactive in the United States, the franchise did however see a wave of popularity in Australia, brought on by widely watched reruns on TCN-9. New merchandise was released in Australia and a "Morticia Boutique Dress Shop" opened in Melbourne in 1988. A satellite-linked interview with surviving members of the original cast was also aired on Australian television. A fan quoted by Cox credited the tone of the Addams family for its success in 1980s Australia, noting that the characters were "less American" than the Munsters, and that Australians had a different life-style. Astin reprised his role as Gomez for a 1989 episode of Nick at Nite's Sitcom Zone, in which he introduced reruns of shows for a two-hour programming block. A 1989 video game Fester's Quest was developed by Sunsoft, and is now considered among the worst games of all time. To promote the game some black-and-white advertisements were filmed using the characters.[12][6]

Following the wave of interest in the franchise, a 1992 animated television series notably saw John Astin reprise his role as Gomez, almost thirty years after his first appearance in the role in 1964. It was nominated for four Daytime Emmy Awards, including one for Astin.

Although most of the humor derives from the fact that they share macabre interests, such as putting each other and themselves in the way of bodily harm (none of which seems to have an effect), the Addamses are not evil. They are a close-knit extended family. Morticia is an exemplary mother, and she and Gomez remain passionate towards each other; as established in the television series, she calls him "bubbeleh",[19] to which he responds by kissing her arms, behavior which Morticia can also provoke by speaking a few words in French (their meanings are not important; any words in French will do). The parents are supportive of their children (except in the 2019 film when Wednesday arrives home wearing a pink dress). The family is friendly and hospitable to visitors; in some cases, it is willing to donate large sums of money to causes (television series and films), despite the visitors' horror at the Addamses' peculiar lifestyle. The characters were unnamed until the advent of the 1964 television adaptation, except for Wednesday and Morticia who were first named for a 1962 licensed doll collection.[9]

The remake series ran on Saturday mornings from 1992 to 1993 on ABC after producers realized the success of the 1991 Addams Family movie. This series returned to the familiar format of the original series, with the Addams Family facing their sitcom situations at home. John Astin returned to the role of Gomez, and celebrities Rip Taylor and Carol Channing took over the roles of Fester and Grandmama, respectively. Veteran voice actors Jim Cummings, Debi Derryberry, Jeannie Elias and Pat Fraley did the voices of Lurch, Wednesday, Pugsley and Cousin Itt, respectively. New artistic models of the characters were used for this series, though still having a passing resemblance to the original cartoons. Two seasons were produced, with the third year containing reruns. Oddly in this series, Wednesday maintained her macabre, brooding attitude from the Addams Family movies. Still, her facial expressions and body language conveyed the happy-go-lucky, fun attitude of her portrayal in the original television show. The original Vic Mizzy theme song, although slightly different, was used for the opening.

A theme song for the 1964 TV series as well as a soundtrack album the next year were released, both composed by Vic Mizzy and the latter containing all of his compositions for the series entitled Original Music From The Addams Family.[49]

The Addams Family is an American macabre/black comedy sitcom based on Charles Addams's New Yorker cartoons. The 30-minute television series was responsible for taking the unnamed characters in the single-panel gag cartoons and giving them names, back stories, and a household setting. It was spearheaded by David Levy, who created and developed the series with Donald Saltzman in cooperation with cartoonist Addams, who gave each character a name and description for the first time. The series was shot in black-and-white, airing for two seasons on ABC from September 18, 1964, to April 8, 1966, for a total of 64 episodes. The show's opening theme was composed and sung by Vic Mizzy.

Series creator David Levy explained the premise of the show to syndicated columnist Erskine Johnson in August 1964: "We have made [the family] full-bodied people, not monsters ... They are not grotesque and hideous manifestations. At the same time we are protecting the images of [Charles] Addams' 'children', as he refers to them. We are living up to the spirit of his cartoons. He is more than just a cartoonist. He's a social commentator and a great wit."[8] The tone was set by series producer Nat Perrin, who was a close friend of Groucho Marx's and writer of several Marx Brothers films. Perrin created story ideas, directed one episode, and rewrote every script. The series often employed the same type of zany satire and screwball humor seen in the Marx Brothers films, in addition to wordplay, physical comedy, and occasionally slapstick. One running gag labeled people who were not members of the family as "strange" or complained of their behavior. Another one was members of the family trading objects when they collided; in "Cousin Itt and the Vocational Counselor", Gomez ends up with Morticia's knitting and Morticia has his cigar. Other running jokes were about strange food and drink, e.g. toadstools and hemlock; bats, the dungeon, the cemetery, and other "creepy" things; and Gomez's glee at losing money on the stock market. It lampooned politics ("Gomez, the Politician" and "Gomez, the People's Choice"); modern art ("Art and the Addams Family" and Morticia's painting in several episodes); Shakespeare and other literature ("My Fair Cousin Itt", and other episodes); the legal system ("The Addams Family in Court"); royalty ("Morticia Meets Royalty"); rock n' roll and Beatlemania ("Lurch, the Teenage Idol"). 2351a5e196

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