Eye Of A Tiger Song Download !LINK!

Well...I've been properly put in my place Holy hell this song is a killer to sing in the original key. I remember messing around with this song years ago, but only for fun(with zero intention of ever performing live.) But lately, my voice feels like it is on steroids, so I've been looking for some fun songs to throw together. I've always felt like Tiger would be great in a set, so I found a karaoke track and started singing(thinking I would sail through it with no problems.)

Man, after 2nd chorus, my support was locking up and I couldn't catch my breath like I had just done 100 crunches or something. THIS SONG NEVER LETS UP!!!! I recorded probably 5 takes in a row, and no matter how light I tried to sing(relative of course, still modal voice) I still had blips and pitch issues along with almost passing out by the time I hit the High C after second chorus(this to me is the hardest part of the song, because there is no let up until after 2nd chorus.) Did I mention: THIS SONG NEVER LETS UP!!!

Eye Of A Tiger Song Download

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So, after this, I of course ran to youtube to find live recordings...and thankfully this song is old enough so people actually sang this shit live back then. ***All of the recent versions with Dave and Jimi both have it down 3 half steps(the song is certainly manageable here.)***

I think Jimi fails because he's putting too much volume and muscularity on the lower notes. You can only sing this song if you're simply a master with the mix voice/master at the passagio/master pop/rock tenor, really.

Btw. it's cool how even Arnel struggles with the high Cs (perhaps he's having a hard time hearing the other guys, being so loud himself in the chorus, but I suspect he could let go of some tension) - but at the end of the song he goes even higher with very intense phrases. I have to try those myself - why stop at the high C? ;)

hey buddy! i've done that song live, and you are so right. it is very challenging. it is very physically demanding, i agree. i found a little more relief when i added additional quick breaths between phrases.

there's an 11-part interview on youtube (not sure which part) where he discusses how much he feared the high c on that song, and how many times he missed it. then he goes on to say... but someone told be how to do it, and it was solid from then on, or something to that effect.

I was in Austin last weekend and saw this band South Austin Moonlighters, and damn it fired me up. It's a 4 piece and all the guys are virtuosos on their instruments but they're also all GREAT SINGERS! They sang their balls off every song(I only stayed for 2 sets) and by the time I left, they had received 4-5 standing ovations. It was very re-affirming to me after being beaten down by Party Band singing for so long. Man...go big or go home.

This is a very cool thread. I might add that if you listen to the original STUDIO version of this song, it isn't as beefy sounding as f.ex. Jimi sings it live in the first youtube clip in this thread. Still it sounds great. IMO, there is such a thing as TOO much beef (and too little, for big songs like this).

Jonpall, for sure. Especially if you're in one of the Metal Shop type bands where you're all over the map and singing a lot of very high 80's screamer type stuff. Again, my problem with the local bands(we have all the pwe/costume bands here in Dallas) is that all of the songs come off incredibly generic, but of course, the whole point is to throw a SERIOUS PARTY, and to that end they certainly deliver! On the flip side, Daniel Formica sounds great doing all his stuff, so there's middle ground in there for sure.

I think jonpall is right. If you approach this song too heavy, you will crash and burn. And it's easy to want to start out belting because the crunchy guitars are thumping out the thrill of the fight.

I could probably sing this song but I would end up sounding like ronws, instead of Jamie. And who wants that? Yech. Better to wear myself out trying to sound like a carbon copy of the original. And the original can't even sound like himself, live.

Actually what I am used to see is people trying to brute force these songs and doing the same old, "almost good" thing, so concerned in not braking and lasting to the end of the song, that the person almost forget the audience. Or the pseudo-technical singing, forcing vibrato and resonance in an attempt to "sound cool".

I also think that with the lyrics "it's in the eye of the tiger," you can carry the phrase in ah formation. But if you haven't worked on going through passaggio in one unaltered pure vowel, this could be tough. The reason I think that is because a singer might be in the habit of using breath support differently on different vowels and not realizing it. But if you work each vowel until breath support has the same effect in every vowel. Ah is a tall vowel and suitable for high notes and one would theoretically think this should be easier. I can hear Jamie tilting the a back to cat. Because he is dipthonging.

analog - Although I haven't tried this song I know exactly what you mean. This song starts out on G4 right in the middle of the passagio - and stays up there just pounding the passagio. So much of the song lies right in the passagio making it a real pain - just like a lot of Journey songs.

I keep on being reminded of Dante's comment about the IR's - which are working hard to keep those folds closed in high chest voice - they fatigue very fast. That's why Jimi can nail the C5's at the beginning, but toward the end he can't even hit them. The IR's are worn out. Now, if he were to lighten up to take some strain off them he'd be ok - but - he would NOT deliver that signature tone. Or - if he were on some sort of endurance program to strengthen them (like a weight lifter would) maybe he would last. Or - space the songs out such that the IR's can recouperate so they are fully rested by this song....

I don't know man...I've sung this song live a million times and that end part is the real bitch but 99.9999% of people(myself included) just cheat to MLN at the end when it modulates. I agree if you try to sing it full voice after the change and all the way through would be a real bitch. Also, by that point in the song I'm out in the crowd getting chicks to sing along so...that's how I cheat it

For the fun of it and for training purposes, I just sang this song quickly a capella into my mobile phone, so the quality is bad and there is digital distortion. I hope some of you can try to listen past that and focus in on just my voice. Later I might record it properly. What do you think?

"Someday" is a song by Canadian pop band Glass Tiger. It was released on 1986 as the third single from their debut studio album The Thin Red Line through Capitol Records in Canada and Manhattan Records worldwide. The song was written by members Alan Frew and Al Connelly and by producer Jim Vallance.[1] "Someday" also won a Juno Award in the category Single of the Year.[2]

The music video for "Someday" was directed by Storm Thorgerson, who had also directed the "Thin Red Line" clip previously.[4] The clip shows Alan Frew talking with his "girlfriend" through a telephone call, alternating with scenes of the band performing the song, with two female backing vocalists.

Daniel Tiger takes control of his feelings when he\'s mad in this video clip. He sings a song about feeling mad and learns that if he\'s feeling mad it\'s up to him to turn his feelings around so that he can have fun again. The learning goal of this clip is to help children deal with their mad feelings.

Daniel Tiger and his friends have all had sad experiences with a rained out picnic, a ruined sand castle and a dirty favorite outfit, but through this song they learn that even when things seem bad they can \\"turn it around and find something good\\". The learning goal of this clip is to help children deal with disappointment.

In this video excerpt, Daniel Tiger and his friends sing a song about conquering anger by counting to four. They find that getting mad when things go wrong is normal, but when you get mad, stop, count to four, and then you\'ll be able to reflect and come up with a solution to the problem that makes you happier. In the related activity, use music and movement to help children practice slowing down and controlling their actions. Before children can think clearly enough to deal constructively with their angry feelings, they need self-control in order to slow down and calm down.

"My Town" is a song by Canadian band Glass Tiger. Released in August 1991 as the fourth single from their third studio album, Simple Mission, Rod Stewart appears as a featured vocalist. Composition inspired by Celtic music, "My Town" was written by Glass Tiger bandmates Alan Frew, Alan Connelly and Wayne Parker, as well as Jim Cregan, who co-wrote two of Stewart's other hits. The song's lyrics are a tribute to Frew's hometown, Coatbridge, Scotland, and Stewart was invited to record the song with Glass Tiger because of his Scottish ancestry.

It became Glass Tiger's sixth top-10 hit in Canada, climbing to number eight on the RPM Top Singles chart in November of the same year and ending the year as Canada's 52nd-most-successful single. In the United Kingdom, due to Stewart's appearance, the single became the band's first song to chart since "Diamond Sun" in 1988,[1] peaking at number 33 on the UK Singles Chart. Elsewhere, "My Town" managed to chart in Germany, where it peaked at number 51. 2351a5e196