Grass Valley has released version 10.20 of its EDIUS X editing solution. A number of really useful functions have been added to the software. As always, EDIUS X users receive the update to version 10.20 free of charge.
The trial version can be used as a Pro or Workgroup trial version. The trial version is limited to 30 days and requires an internet connection. (Note: The regular EDIUS Pro full version only needs to be connected to the internet once every 60 days in order to check the license and to look for updates. The Workgroup version works without Internet connection.)
The trial version contains a watermark in the preview and the output. Apart from that, the trial version is equivalent to the EDIUS full version and can therefore be easily unlocked for an unlimited time by using a valid Pro or Workgroup serial number.
Edius 5 Serial Number 12
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Amsterdam, 13 September 2019 Today, at the IBC in Amsterdam Grass Valley presents version 9.50 of its EDIUS editing solution, which has been extended by a large number of particularly requested features. As always, EDIUS 9 users get the update to version 9.50 free of charge.
GV K2 Dyno Universe replay systems are optimized for 6X or 4K operation, and are both fully 6X/4K switchable. With K2 Dyno Universe, 4K and 6X replay are much more accessible. For instance, until now, 4K replay would typically require double the number of servers, double the rack space, and double the number of operators in comparison to HD. The result was that 4K replay has been impractical for most events.
When camera companies make new codecs for their video cameras, the engineers working on Premiere, Media Composer, Final Cut, Edius, Resolve, Vegas, and all of the other NLEs start working on ways in the codewriting to incorporate those codecs. The camera companies don't wait for the NLE companies, they simply release the new codecs. The speed they can get the codecs working is determined by the number of staff assigned, and by how easy the codewriting work is to do. Same goes for I/O devices, control surfaces, etc. Everything takes its own time, separately in each NLE, because every NLE is made and coded different. Same goes for new macOS versions. When any new macOS comes out, all of the NLE companies do the same process of testing their NLEs against it. Each one logs the number of bugs they've found, and the amount of work it might take to complete them. Then they begin the work. The number of bugs and the time to complete varies wildly, and by lots of criteria. Same goes for the firmware needed to run 3rd party devices (like in this case).
If something that one of those companies makes ends up breaking something in Media Composer, even accidentally, we do the best we can to identify those things prior to our own launching of Media Composer. We log the number of bugs we may find, and then begin fixing them. Then, once the fixes are done on our end, there's more work to be done -- we don't just deploy the fix. That's not how it works. We then send our changes to AJA, Blackmagic, etc, so that the engineers at those companies can test our changes with their I/O devices, and their own firmware, and make any changes to their own firmware that essentially makes our changes permanent into their firmware's codewriting. be457b7860
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