My work begins with a simple intuition: an image does not need to represent something in order to be meaningful. It can operate as a field of forces, where light, color and structure interact in ways that evoke movement, tension and emergence. Rather than constructing images as fixed compositions, I approach them as spaces where forms gradually appear, overlap and dissolve.
Digital media allows me to work with layers of transparency and subtle chromatic transitions. Through this process, the image becomes less an object and more a site of accumulation and resonance. Each layer interacts with the others, producing shifts in perception that cannot be entirely predicted. The work grows through this dialogue between intention and transformation.
Light plays a central role in this process. It is not treated merely as illumination, but as a structural element of the image — a way of revealing intensity, depth and direction. In many cases, forms seem to emerge from within the image itself, suggesting an internal movement rather than an imposed design.
My interest in abstraction is therefore not purely formal. It relates to the possibility of creating images that remain open: images that do not close themselves in a single meaning, but instead invite the viewer to experience a moment of becoming. The image becomes a space where perception can slow down and where attention can rediscover the subtle dynamics of appearance.
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