Hello Manish. Are we talking about cm or inches? If you work with 14x20 cm I would totally reccomend the scanner. The quality is definitely better and you can scan at much higher resolution than you would get with any DSLR. I already own a mirrorless but I bought the scanner because it's very hard to photograph the artwork with decent light. If you were talking about 14x20 inches, well, you should try to do some stitching using the scanner you already have and see how the workflow is for you. Cameras are used when the artwork is very big or when the media is "3D" such as oil paintings where the paint can be some mm thick.

But for watercolors up to A4 size, scanner is the way to go, in my opinion.

Recently, I've been trying to get a hold on a scanner that I could use to digitize my art (very often watercolor and pastel paintings up to 100x70cm); so far I had been doing it with a camera, but flattening the innumerable bulges on a large watercolor paintings to have it photographed in a dozen small tiles under a cloudy sky and then stitching them together to get a 300dpi image file is too much work!


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Thus far I've been photographing the artworks and stitching the pieces (sometimes up to 20 photos per painting to produce a single 1:1-sized 300dpi reproduction). It's been very satisfying result-wise (I use a program called Hugin for the stitchings and while it's very fiddly, it's also extremely capable). But setting up the camera and the painting, shooting it in tiles, and then stitching them, are very tedious processes and very error-prone. I was hoping that a scanner would speed up and simplify the process by taking away inconsistencies (ie cameral misalignments, bad focus, paper buckling and (worse) having to wait for the perfect cloudy sky for the photoshoot)

I don't think there's anything optical that would prevent scanning larger transparencies with this scanner but it's certainly possible for that to be the case. For example if this is one of the models that uses a dual-focus system maybe it hasn't been rigged up for the full width of the v370. And if the scanner does have a dual focus system then the Epson software is only going to enable that when you scan with the transparency unit setting which probably restricts the area to the known lit region. I'm assuming if you have a scanner this inexpensive you probably didn't drop near its cost again on a Vuescan pro license. Otherwise you might have to fluid mount to the scan bed directly (which is not necessarily sealed for it) to get at the on-glass focal point of the reflective scanning mode.

The digitalliza system doesn't seem like a bad way to get film holders, just keep some things in mind: in transparency mode an Epson scanner will calibrate using an open space immediately before the area being scanned, give yourself that space. This may require making a spacing block to align the holder from the side of the scanner instead of the top or bottom. It's not going to do anything to solve your lighting problems because people seem to mostly be using them to scan beyond the normal frames into the sprockets of 35mm and frame markings of 120 on much higher-end scanners for a sort of photography "kitsch". 006ab0faaa

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