Planet of the Apes is a 1968 American science fiction film directed by Franklin J. Schaffner from a screenplay by Michael Wilson and Rod Serling, loosely based on the 1963 novel by Pierre Boulle. The film stars Charlton Heston, Roddy McDowall, Kim Hunter, Maurice Evans, James Whitmore, James Daly, and Linda Harrison. In the film, an astronaut crew crash-lands on a strange planet in the distant future. Although the planet appears desolate at first, the surviving crew members stumble upon a society in which apes have evolved into creatures with human-like intelligence and speech. The apes have assumed the role of the dominant species and humans are mute creatures wearing animal skins.

Taylor is placed with a captive female, whom he later names Nova. He observes an advanced society of talking apes with a strict caste system: gorillas are the military force and laborers; orangutans oversee government and religion; and intellectual chimpanzees are mostly scientists and doctors. The ape society is a theocracy, while the apes consider the primitive humans as vermin to be hunted and either killed outright, enslaved, or used in scientific experiments. Taylor convinces Zira and her fianc, Cornelius, that he is as intelligent as they are; one way by making a paper airplane. Dr. Zaius, their orangutan superior, arranges for Taylor to be castrated against Zira's protests. Taylor escapes and finds Dodge's stuffed corpse on display in a museum. He is soon recaptured, in the process revealing that he can speak, which alarms the apes.


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When the group arrives at the cave, Cornelius is intercepted by Zaius and his soldiers. Taylor holds them off by threatening to shoot Zaius, who agrees to enter the cave to disprove their theories. Inside, Cornelius displays remnants of a technologically advanced human society pre-dating simian history. Taylor identifies artifacts such as dentures, eyeglasses, a heart valve, and, to the apes' astonishment, a talking human doll. Zaius admits he has always known about the ancient human civilization. Taylor wants to search for answers. Zaius warns Taylor against finding an answer which he does not like, adding that the now-desolate Forbidden Zone was once a lush paradise. After Taylor and Nova are allowed to leave, Zaius has the cave sealed off to destroy the evidence, while charging Zira, Cornelius, and Lucius with heresy.

Taylor and Nova follow the shoreline on horseback. Eventually, they discover the remnants of the Statue of Liberty, revealing that this supposedly alien planet is actually Earth, long after an apocalyptic nuclear war. Understanding Zaius' earlier warning while Nova looks on in shock, Taylor falls to his knees in despair, condemning humanity for destroying the world.

The film won an honorary Academy Award for John Chambers for his outstanding make-up achievement. The film was nominated for Best Costume Design (Morton Haack) and Best Original Score for a Motion Picture (not a Musical) (Jerry Goldsmith).[32] The score is known for its avant-garde compositional techniques, as well as the use of unusual percussion instruments and extended performance techniques, as well as his 12-tone music (the violin part using all 12 chromatic notes) to give an eerie, unsettled feel to the planet, mirroring the sense of placelessness.

TV Globo, Brazil's largest and most important television network (and the second-largest commercial TV network in the world just behind the American ABC TV), aired from 1976 to 1982 a sketch comedy show called Planeta dos Homens (Planet of the Men) where, among regular sketches and parodies, three apes (Charles, a chimp, Socrates and Gibinha, orangutans) from a highly evolved ape planet, tried to comprehend the illogical human civilization, ending with the catchphrase: "You don't need to explain me, I just wanted to understand it!" Planeta dos Homens went on for years as one of the highest-audience levels TV shows in the country.

Malibu Creek State Park, part of which was formerly the 20th Century Fox Movie Ranch, was the location of the astronauts' initial encounter with primitive humans and superior apes, and of Cornelius, Zira and Taylor's escape from Ape City.

Planet of the Apes is an American science fiction media franchise consisting of films, books, television series, comics, and other media about a world in which humans and intelligent apes clash for control. The franchise is based on French author Pierre Boulle's 1963 novel La Plante des singes, translated into English as Planet of the Apes or Monkey Planet. Its 1968 film adaptation, Planet of the Apes, was a critical and commercial hit, initiating a series of sequels, tie-ins, and derivative works. Arthur P. Jacobs produced the first five Apes films through APJAC Productions for distributor 20th Century Fox; following his death in 1973, Fox controlled the franchise.

The novel is a satire that follows French journalist Ulysse Mrou, who participates in a voyage to a distant planet where speechless, animalistic humans are hunted and enslaved by an advanced society of apes. The ape species are sorted into classes: the gorillas are police officers, the chimpanzees are scientists, and the orangutans are politicians. Eventually, Mrou discovers that humans once dominated the planet until their complacency allowed the more industrious apes to overthrow them. The story's central message is that human intelligence is not a fixed quality and could atrophy if taken for granted.[1][2] Boulle considered the novel one of his minor works, though it proved to be a bestseller. British author Xan Fielding translated it into English; it was published in the United Kingdom as Monkey Planet and in the United States as Planet of the Apes.[3]

After optioning the novel's film rights, Jacobs spent over three years trying to persuade filmmakers to take on the project. He engaged a succession of artists to create test sketches and hired veteran television writer Rod Serling, creator of The Twilight Zone, to pen the screenplay.[5][6] Serling's script changed elements of Boulle's novel, introducing Cold War themes; notably, he devised a new twist ending that revealed the planet to be a future Earth where humans had destroyed themselves through nuclear warfare.[7] Production costs were estimated at over $10 million, a risk no studio in either Hollywood or Europe would assume. Jacobs and associate producer Mort Abrahams persevered and eventually persuaded Charlton Heston to star; Heston in turn recommended director Franklin J. Schaffner. The team recorded a brief screen test featuring Heston, which ultimately convinced 20th Century Fox the film could succeed.[5]

Heston played 20th-century American astronaut George Taylor, who travels to a strange planet where intelligent apes dominate mute, primitive humans. Kim Hunter and Roddy McDowall played the sympathetic chimpanzees Zira and Cornelius, and Linda Harrison portrayed Taylor's love interest, Nova. Maurice Evans played the villain, orangutan Minister of Science Dr. Zaius.[14] The finale, in which Taylor comes upon a ruined Statue of Liberty and realizes he has been on Earth all along, became the defining scene of the series and one of the most iconic images in 1960s films.[15] Planet of the Apes was released on February 8, 1968, and was a smash success with both critics and audiences. It was one of the year's 10 biggest money-makers in North America, taking in an estimated $22 million (nearly four times its budget) and earned rave reviews.[16][17] John Chambers received an honorary Oscar at the 41st Academy Awards for his make-up effects, the first ever given to a make-up artist.[13] Jerry Goldsmith's score and Morton Haack's costume design also earned Oscar nominations.[18] Fox approached Jacobs and Abrahams about filming a sequel. Though they had not made the film with sequels in mind, its success led them to consider the prospect.[19]

The story follows Franciscus's character, an astronaut who, while searching for Taylor, inadvertently follows him into the future. After encountering the apes from the first film, Brent finds Taylor imprisoned by a colony of subterranean human mutants who worship an ancient nuclear bomb. Kim Hunter, Maurice Evans and Linda Harrison returned as Zira, Zaius and Nova.[27] David Watson replaced Roddy McDowall as Cornelius, as McDowall was unavailable due to a scheduling conflict.[28] James Gregory played gorilla General Ursus and Paul Richards played mutant leader Mndez. The film opened on May 26, 1970.[27] Unlike its predecessor, Beneath was poorly reviewed; critics typically regard it as the worst of the Apes sequels other than the last one, Battle for the Planet of the Apes.[29] Nonetheless, it was a major box office hit, nearing the original's numbers. Despite a conclusion depicting the planet's nuclear destruction, Fox requested another sequel, creating a series.[30][31]

To work around the budget, as well as Beneath's seemingly definitive ending, the film took the series in a new direction by transporting Zira (Kim Hunter) and Cornelius (Roddy McDowall, returning to the role after being absent from Beneath) back in time to the contemporary United States, reducing the need for expensive sets and ape makeup effects.[26] In the film, Zira and Cornelius are initially accepted by American society, but the humans' fears that their child will bring about the domination of the human race by evolved apes leads to conflict. Jacobs' wife, Natalie Trundy, who appeared as a mutant in Beneath and would play the ape Lisa in the next two sequels, was cast as Dr. Stephanie Branton.[33] Bradford Dillman played Dr. Lewis Dixon, Ricardo Montalbn played Armando and Eric Braeden portrayed the villain, the president's science advisor Otto Hasslein.[34]

Based on the strong positive response to Escape, Fox ordered Conquest of the Planet of the Apes, though it provided a comparatively low budget of $1.7 million.[38] Paul Dehn returned as the scriptwriter, and producer Jacobs hired J. Lee Thompson to direct. Thompson had worked with Jacobs on two earlier films as well as during the initial stages of Planet, but scheduling conflicts had made him unavailable during its long development process.[39] For Conquest, Thompson and Dehn focused heavily on the racial conflict theme, an ancillary concern in the early films that became a central focus in Escape.[40] In particular, Dehn associated the apes with African-Americans and modeled the plot after the 1965 Watts riots and other episodes from the Civil Rights Movement.[39] Roddy McDowall signed on to play Caesar, the son of his previous character Cornelius.[41] Ricardo Montalban returned as Armando, while Don Murray played Governor Breck, Severn Darden played Kolp and Hari Rhodes played MacDonald.[42] be457b7860

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