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The Stranger is a 2022 Australian psychological crime thriller film written and directed by Thomas M. Wright, starring Joel Edgerton and Sean Harris.[3][4] Based on the non-fiction book The Sting: The Undercover Operation That Caught Daniel Morcombe's Killer by Kate Kyriacou, and inspired by the murder investigation of Daniel Morcombe,[1] the film follows an investigation of a child abduction case, with an undercover police officer (Edgerton) in a sting operation tasked with getting close to and forming a friendship with the prime suspect (Harris).

The film premiered at the Cannes Film Festival on 18 May 2022, under the Un Certain Regard section.[5] It had a limited theatrical release in Australia by Transmission Films on 6 October 2022 and streamed worldwide on Netflix on 19 October.[6][7] The film received positive reviews from critics.

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In April 2020, during the COVID-19 pandemic in Australia, it was announced that the film, under the working title, The Unknown Man, would begin filming in South Australia as soon as enough of the COVID-19 restrictions were lifted. Written and directed by Wright, it was produced by and stars Joel Edgerton. Sean Harris played the second lead role. The film was originally announced at Berlin's European Film Market in February, and was made by Anonymous Content and See-Saw Films, with support from Screen Australia and the South Australian Film Corporation.[8][9][10][11][12]

On the review aggregator website Rotten Tomatoes, 92% of 48 critics' reviews are positive, with an average rating of 7.5/10. The website's consensus reads: "A masterful blend of genre elements, The Stranger brings a tautly told mystery to life with simmering tension and a pair of outstanding lead performances."[14] Metacritic, which uses a weighted average, assigned the film a score of 74 out of 100, based on 10 critics, indicating "generally favorable" reviews.[15]

In July 2022, due to the film being inspired by the Daniel Morcombe murder investigation, Morcombe's parents "demanded" that the filmmakers stop using his name to market the film and were upset that they continued to do so.[1]

The producers of the film responded with a statement: "The Stranger is a fictionalised account of the undercover police operation that resulted in a successful murder prosecution. Out of our deepest respect for the family, the name of the victim is never mentioned in the film and the film does not depict any details of the murder. Nor is the family represented in the film in any way. Instead it tells the story of the unknown police professionals who committed years of their lives and their mental and physical health to resolve this case and others like it. When the film was first in development, the producers approached the family to make them aware of the film. They declined to be involved. It is a decision we continue to respect."[1]

Brian Tallerico is the Managing Editor of RogerEbert.com, and also covers television, film, Blu-ray, and video games. He is also a writer for Vulture, The Playlist, The New York Times, and GQ, and the President of the Chicago Film Critics Association.

The Stranger is a 2022 Australian crime thriller written and directed by Thomas M. Wright. English actor Sean Harris stars as Henry Teague, a man suspected of the abduction and murder of a teenage schoolboy. Australian actor Joel Edgerton, also one of the film's producers, plays Mark Frame, an undercover cop tasked with getting the truth out of Teague years after the crime. That happens via an elaborate police sting operation that recruits Teague into a fake drug-running ring, promising a hefty payout and a place for the jobless drifter to belong.

The movie premiered at the Cannes Film Festival in May and had a limited Australian release before it began streaming Oct. 19 on Netflix, where it's spent two weeks on the global top 10 list. The film is a spare, perfectly paced psychological thriller that explores the uneasy friendship between Teague and Frame, as well as the formidable burden and cost of keeping one's true identity a secret, as both men do.

The Stranger was nominated for 11 Australian Academy of Cinema and Television Arts Awards this year, including best film, best direction, best lead actor, best supporting actor, best supporting actress and best cinematography, a much deserved recognition of the movie's lyrical visuals, which build the moody suspense.

The film is based on crime reporter Kate Kyriacou's book The Sting: The Undercover Operation That Caught Daniel Morcombe's Killer. The book details the covert scheme that ultimately led to a secretly recorded confession by Cowan, an original person of interest in the high-profile case who had earlier denied any involvement in the boy's disappearance. Days after Cowan confessed to killing the child and was charged -- you can watch a remarkable short video clip of the actual arrest here -- law enforcement finally found the evidence they'd hoped for to push forward a prosecution: Morcombe's remains.

The film currently sits at 94% on Rotten Tomatoes. But as we've seen with Dahmer, another true-crime offering on Netflix, such grim retellings can renew trauma for victims. Morcombe's parents Denise and Bruce have strongly criticized The Stranger.

We had over 30 Huntington University film students along with 15 professional crew members work side by side with over 100 extras and a dozen SAG actors during the film shoot. Since that time, we have finished the post production process and are ready for distribution into theaters and online.

Farran Smith Nehme writes about classic film on her blog, Self-Styled Siren, and recently published her first novel, Missing Reels. She is a member of the New York Film Critics Circle.

The two national founders of the movement, Atiya Aftab and Sheryl Olitzky (both featured in the film) will join two local leaders of the Sisterhood, Lisa Killinger and Gail Karp, on a panel discussion with the audience, moderated by Pastor Melinda Pupillo, Chaplain of Augustana College.

Join us for a special screening of the Oscar-nominated documentary short film Stranger At The Gate from Executive Producer Malala Yousafzai on Sunday, April 9 from 1:00pm - 2:30pm in Pauling 216. The screening will be followed by a panel discussion with special guests Executive Producer Mohannad Malas as well as Bibi Bahrami and Richard McKinney who are featured in the poster and film.

This event is free and open to the public. Register here.

This event is brought to you be the Office of Student Leadership and Service Engagement, UNA-USA Soka University Chapter club, the Muslim Students Association and the Golden Eagle Film club.

Actor-turned-writer-director Thomas M. Wright, whose feature debut Acute Misfortune impressed many in 2018, utilizes a true-crime plot to sift through a stylish but sometimes ponderous meditation on male bonding, trust and identity in The Stranger. Pivoting around a high-intensity exhibition bout of chameleonic mimicry, mumbling and beard-growing from character actors Joel Edgerton (also a producer here) and Sean Harris, the film offers a fictionalized portrait of the massive undercover operation that cracked the infamous cold case of 13-year-old Daniel Morcombe, who went missing in 2003.

This near-metaphysical meditation on truth-telling is laced up with a police operation going on in the background, one that involves, among others, Jada Alberts, practically the only female character in the film, as a detective investigating the case of the missing child.

Future viewers watching on TV streamer channels may be inclined to use the subtitle option to follow the dialogue on The Stranger, while the film as a whole could also serve as a public service reminder on the advisability of sunscreen.

Join us for an evening of eye-opening entertainment as we celebrate the art of truly independent cinema in Charlotte, North Carolina and showcase the very best of original films from around the southeast and beyond!

Recognizing the contributions of independent filmmakers from all around the world, with a strong emphasis on locally and regionally produced short films, the Stranger Days Independent Film Festival strives to build community and establish positive connections by offering an outlet to artists often overlooked by the mainstream and providing viewers with an interactive experience in a diverse environment that is both welcoming and inclusive for all people.

The event will feature over six hours of film screenings, an awards ceremony honoring the very best in show, and a fully interactive film mixer afterparty in a fun, friendly, casual, and inclusive environment.

NO REFUNDS. NO RETURNS. NO EXCEPTIONS.

Once a film has been accepted, it cannot be withdrawn from competition. No refunds of any submission fees will be given for any reason, and no submitted materials will be returned for any reason. No exceptions.

WE DO NOT PAY SCREENING FEES.

We do not pay screening fees for ANY films, and we never will. Don't even ask.

(those who fail to acknowledge this will be permanently disqualified from our festival).

Submission to the Stranger Days Independent Film Festival (SDIFF) will be considered to be an acknowledgement of and agreement to all film festival rules, and grants the SDIFF full authorization to screen the submitted film, as well as use materials from the selected film for any/all screening and/or promotional purposes during the the year it was submitted, at the sole discretion of the festival directors. Event date(s) and location(s) are subject to change. Submission does not guarantee acceptance. Submission fees are non-refundable. SDIFF reserves the right to reject or disqualify any film at any time, for any reason. Selections, nominations, and awards are chosen by the selection committee and their decisions are final. be457b7860