Nandita's frantic attempts to interview Natha get worse when Rakesh does not find Natha or anyone else in Peepli to interview. She seems unimpressed with Rakesh's compassionate stand towards Natha and believes that as reporters their duty lies in reporting and following the news and nothing else. On the other hand, "Bharat Live" continues to be successful in their attempts to interview. Yet as time goes on, Natha does not die. Meanwhile, the Sammaan Party realise that if Natha commits suicide, they will lose the elections. The rural headmen secretly kidnap Natha and hold him ransom for money from the opposition. Yet their plans are foiled when Rakesh discovers Deepak and his men holding Natha hostage at a Peepli barn. A rush occurs when people from Apna Dal, the CPI, ITVN, Bharat Live and Peepli villagers all rush to find Natha. In the confusion, a spillage accident from a Petromax lamp sets fire to the barn, which explodes and Rakesh is killed. The Government officials mistake Rakesh for Natha and refuse to pay Natha's family the compensation money due to the death being an accident. Meanwhile, Natha is in fact alive and flees to Gurgaon and is seen working as a day labourer in the construction industry.

Peepli Live began as a script written by NDTV journalist Anusha Rizvi called The Fallen. In 2004 Rizvi asked Aamir Khan to read her script and, although he initially refused as he was preoccupied with shooting Mangal Pandey: The Rising, he eventually decided to finance the film after she described the plot to him.[7] In an interview, Khan explains the meaning of the movie title: "When we were looking for the right title before we began the publicity and promotions of the film, we came up with Peepli Live. Peepli is the village that film is set in, the "live" part is meant to indicate: here is a story that is happening in Peepli that the filmmaker is bringing to you live. That's why it's Peepli Live."[8] Peepli Live was filmed on various locations in Madhya Pradesh such as Bhopal, Indore, Tikamgarh, Khurai as well as in New Delhi. Maxima Basu designed the costumes aptly capturing the rural essence of the film. According to Aamir Khan, many of the actors are Adivasis from the sub-urban area of Bhopal, Bhadwai in Madhya Pradesh.[9] Other cast members are from playwright Habib Tanvir's theatre troupe Naya Theatre.[10]


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Deepak: lf you look closely you 'll see Natha's footprints. Whether escape or abduction, here's where Natha perched himself for the last time. And here's the fruit of his toil, his faeces, commonly known as shit. Take a close look. Do not cringe at the sight, for, as long as we live, we will continue to shit. Psychiatrists claim that faeces reflect our mental state. The complexion of our shit is a window to the inner self. But here we see a mixture of hues. Therefore, before reaching any conclusions we need to bring in experts as Mr Natha was no ordinary man. For Bharat Live this is Kumar Deepak, live from Peepli.

Notwithstanding the authentic picture of rural India depicted in Peepli Live, the film is clear that its rural protagonists and its Anglophone audience belong to completely different worlds. Though rich in satirical detail, the film is "humanist" rather than political, in that it is both non-committal and deceptive in its approach to rural indebtedness and in its treatment of the media. Peepli delivers the subliminal message that little can be done about rural indebtedness because its economic/political causes cannot be identified.

"It's like an epidemic," says Aamir Khan, the Bollywood veteran who produced Peepli Live. Between 1991 and 2001 alone, 200,000 farmers took their own lives, he says. "That's really a scary and heartbreaking thought."

Local politicians and the media come in for a merciless skewering. "There's a local election happening at that point in time, which is why things completely spiral out of control," Khan says. Meanwhile, ruthless TV news crews jockey to film Natha's imminent suicide live.

Flashback: A pock-marked government official comes to Natha's house in a jeep to deliver Lal Bahadur -- the government's rural hand pump scheme. Without providing him the means to set it up, the official takes Natha's thumb impression and drives off in a cloud of dust. The green hand pump -- of no use to man or beast in the household -- sits in the centre of Natha's small hut.

"I keep thinking about this very scary situation -- are we in 10, 20 years going to have passports and visas for our villagers to come to the city while we live in our guarded fort like structures? Then we'll have only four little Indias -- in the metros -- the rest will be anarchy."

Peepli Live is a lively and living document on the `other' India, that lives beyond the neon lights and the cruising metros. Another ace up Aamir Khan's sleeve! This time as producer of a film that has loads to say, without being boring and didactic.(more) be457b7860

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