Lee's talent search yielded Brett Booth in 1992, and J. Scott Campbell in 1993.[citation needed] Apart from McFarlane's Spawn, Wildstorm produced the most consistently, commercially successful comics from Image. These included Lee's own titles WildC.A.T.s and the teen-hero title Gen, illustrated by J. Scott Campbell.[citation needed] Like many other Image titles, some of the WildStorm titles suffered from inconsistent completion and shipping, resulting in "monthly" comics coming out every few months.[citation needed] This era produced a number of titles of varying popularity including Gen, WildC.A.T.s, Stormwatch, Deathblow, Cybernary, and Whilce Portacio's Wetworks.
In 1995, Wildstorm created an imprint called Homage Comics, centered on more writer-driven books.[citation needed] The imprint started with Kurt Busiek's Astro City and The Wizard's Tale, James Robinson's Leave It to Chance (with Paul Smith), and Terry Moore's Strangers In Paradise. Subsequently, the imprint featured works by Sam Kieth, including The Maxx, Zero Girl and Four Women, three of Warren Ellis' pop-comics mini-series, Mek, Red, and Reload, and Jeff Mariotte's weird western Desperadoes.
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1997 also saw a revamp of all the Wildstorm Universe titles, including comic-books by writers such as: Alan Moore, Warren Ellis, Adam Warren, Sean Phillips, and Joe Casey. After this revamp the new Wildcats series, Stormwatch and DV8 took the places of the most popular and most commercially successful comics of the Wildstorm Universe.[citation needed] Wildstorm also made a presentation to Lucasfilm Ltd. in an attempt to obtain a license for the lucrative Star Wars license,[10] but lost to the incumbent Dark Horse Comics.
Due to declining sales across the U.S. comics industry, and his view that his role as publisher and growing family demands interfered with his role as an artist, Lee left Image Comics and sold WildStorm to DC Comics in late 1998,[11][12] enabling him to focus once again on art.[1][13] The deal went into effect in January 1999.[14] DC hailed the decision as one that would "strengthen both WildStorm's ability to expand its editorial goals and diversifying DC's output".[15] WildStorm was editorially separate from DC Comics, and the two companies maintained offices on opposite coasts: Wildstorm in California, and DC in New York City. DC's acquisition of WildStorm allowed their respective universes to co-exist, and characters from either universe could appear in the titles of either imprint.[citation needed]
I hope Johns manages to bring out the best in Lee, or at least allow him to continue to grow as a storyteller as well as an illustrator, although the fact that Johns is "just" a comics writer, rather than being Frank freaking Miller, makes me have my doubts.
I was never a huge fan of anything Image except Spawn, since most of their characters seemed like poorly drawn, unrealistically muscular rip-offs of Marvel heroes. But I always had a soft spot for his Wildstorm work. The art here is nothing less than phenomenal, and it is a shame that DC, among other dramatic changes in the company, will be closing Wildstorm comics by December this year.
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