On April 6, 1936,[1] Leple was murdered. Piaf was questioned and accused as an accessory, but acquitted.[5] Leple had been killed by mobsters with previous ties to Piaf.[19] A barrage of negative media attention now threatened Piaf's career.[4][1] To rehabilitate her image, she recruited Raymond Asso, with whom she would become romantically involved. He changed her stage name to "dith Piaf", barred undesirable acquaintances from seeing her, and commissioned Monnot to write songs that reflected or alluded to Piaf's previous life on the streets.[1]

I briefly considered doing her chanson raliste period at the start of her career when she sang of life on the mean streets of Pigalle, but I found myself more attracted to the brief interlude during the second half of WWII when she expanded her reach beyond the type of songs that had brought her some measure of fame:


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Although Moustaki did not write the music for "Milord," Piaf liked how his compositions were flavored with jazz and styles that went beyond France's borders. She sang a number of his songs, including "Le Gitan et La Fille" and "Eden Blues."

All of these songs are signature songs for Edith Piaf and are popular with men and women everywhere. They all have captivating stories and themes, which have captured the attention of listeners for decades.

I have many reasons for living and working remotely from France this summer, but I think my obsession with these songs and this language was one major catalyst. So obviously during my stay in Paris, I was constantly on the hunt for Piaf wherever I might find her.

Directed by Gil Marsalla, Piaf! The Show tells the story of famed French singer Edith Piaf through her unforgettable songs alongside original scenography and projections of unpublished images of Piaf from throughout her career. Legendary French actor Alain Delon says of the portrayal of Piaf by internationally acclaimed Nathalie Lermitte, It is because she is a great singer and a great actress that she does not imitate Piaf... but that she is Piaf on stage!"


Edith Piaf is a global legend, whose music is still enjoyed by millions of people around the world. In recent years, her songs have been used in blockbuster movies, international series, global advertising campaigns, and they have generated nearly 300 million streams to date. Piaf not only remains a musical icon, but she serves as an example of someone who fearlessly defied societal norms, becoming one of the strongest symbols of female empowerment to date. Thanks to state-of-the-art technology, her real journey can finally be told in her own voice.

Such heart touching lyrics. I did realize one thing after listening to this song, that although we listen and enjoy such songs and even feel as if we can relate to them, we really should be thankful for all the good things that we have in our lives. It may not be perfect or as good as others but we get only one shot at living. There is so much tragedy in the world, if we cry over each and every thing, we are taking for granted the little happy things we have and in a way insulting them by not appreciating them. So whatever be your pain, just know that there is someone in the world who has more sorrow in their lives than you. So be happy and life will be beautiful. I know its cliche-d but its the simple truth.

Late French singer Edith Piaf will be celebrated in a concert filled with her music and other famous songs from the 1900s to also honor the Liberation of Paris in 1944, with Mimi Pirard from SonoMusette to be the featured singer during the show at the Village Theatre and Art Gallery in Danville.

Despite passing away over 59 years ago, Piaf's legacy still resonates as an international musical star and the voice of French music that she produced about her own personal life through Chanson and Torch songs about love, loss and sorrow.

Pirard is set to use her powerful and emotional interpretations of Piaf's classic songs to provide a fresh and exciting take on the original music while keeping it faithful to its spirit and tradition, according to theater officials. Other musicians of SonoMusette will weave musette accordion, piano, guitar, upright bass and drums to create a musical tapestry for songs such as Piaf's and music made famous by other iconic French performers of the era.

Dunn believes that Piaf's legacy can easily relate to anyone today through her strength and resilience. She risked her own life and reputation during World War II by hiding Jewish colleagues, sang their banned songs in defiance, and helped French prisoners escape during her Germany tour while organizing charity events to support the families and victims of those who died in the camps.

Radio France Interview at, Carnegie Hall, March 20, 2001 (in French)This "Thing" about Edith Piaf, deep down, I always knew what it was...I call it a "coup de theatre". I am confortable with the character-it's dramatic, it's intense-and she echoes my emotions. Edith Piaf I always knew what I was doe-eyed about: The songs, each one of them. They grab you and never let you go. It's all in the text, not to mention her voice...we all know what it still does to us. When I dug into her repertoire, she had recorded hundreds of songs. It became obvious to me that her life was in her song, and my passion grew deeper with every tune.

At times, I tried to get away from the subject of Piaf (after all, my taste in music is diversified. I like blues, Jazz, Rock, and country .Creating a concept and scenario for a ballet ("Hearts") with her early songs allowed me to sing with a full symphony after years in Cabarets, but the best was yet to come and that's what I wanted to share with you.

Remember Hurricane Andrew? What does that have to do with Piaf? Right you are to ask! Well, mean old Hurricane Andrew blew over the house of the producer in charge of a two hour documentary on the life and songs of Edith Piaf. The research team was scheduled to leave for France for two weeks when that disaster happened in Miami, and the producer could not possibly join them. Somehow, someone at Lucas Films, maybe the receptionist, heard of me and recommended me (merci, cher coeur). To make a long story short, I left stocks, locks and bagels and flew to Paris on a short notice to conduct interviews with the composers who wrote for Piaf, the same ones I had adored silently through the years. Little did I know then that someday I would be in their houses, seated on their couches, shooting the breeze about Piaf...no time to faint, I assure you... We arrived late in Paris: Mr Druker, Ms Nelson and I. There was no time to check the hotel. I've been to Paris many times before, but somehow it seemed to take a long time to reach our destination. Of course, I couldn't sleep and waited eagerly for morning, so that I could start this incredible adventure. To our amazement, the "Best western " hotel we were booked in was in the midst of the most colorful of neighborhoods. I couldn't make out right away if it was Istambul, Tunisia or brooklyn, with the commotion, exotic middle Eastern foods,a nd the Kosher restaurants, but I'm not complaining. I am so happy to be here, I'll gladly eat Baklava and Couscous for breakfast!!

I was most fascinated with the older composers, the ones that had paved her way to stardom, and we met Michel Rivgauche, composer of many of Piaf's hits like "La Foule", Les blouses blanches" and the title of my Ballet"Hearts..Le Ballet es d". I had met him the year before at a luncheon given by "Les Amis d'Edith Piaf," and its President Bernard Marchois at a restaurant in the corner of Pere La Chaise cemetery. My first thought was, "How can anyone eat so close to a cemetery?" but not only do they eat, they also drink! The place was filled with people that had known Piaf really well..Bernard Marchois, Madame Chauvigny, wife of Piaf's musical director for 25 years, Robert chauvigny. I was in heave, so to speak! They served me Ricard, to welcome me, but no one told me that I had to mix it with water, and it took me 45 minutes to focus. No wonder the cemetery is so close by, one would think the're preparing you for it!. So when you go to Paris pour some water in your Ricard! After the lucheon, Mr Rivgauche and I and Bernard squeezed into a tiny Renaud and made our way through the cemetery to a small chapel, followed by a procession of cars, weegling their way through the "Streets" of Pere la Chaise.. I remember that in the Chapel there were twenty of us, on a crisp december day, and at that moment I fully realized that she was really gone...She seemed so alive through her songs. We were all waiting for the priest: behind us the door opened, and in came an old woman carrying a brown paper bag, she looked as if she was en route to shop at a market. She made her way up to the altar, reached in her bag and took out a portrait of Piaf in a small frame; she placed it on a chair facing us. She sat in a corner, never looking at anyone. The priest came in. I had an eerie feeling then that Piaf was trapped within those walls and that she did not like being gone. 006ab0faaa

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