Crowd at a 1979 Mass Strike Meeting of Metalworkers in São Paulo, Brazil
Date taken: 27 March 1979
Photographer: Enmo Brauns
Where taken: Vila Euclides Stadium in São Bernardo do Campo, São Paulo
Source: From negatives held in CEDEM-UNESP Archive
Envelope for the negatives from which this photo was scanned and reproduced.
Scan of transcription of speech by union president Lula on 27 March 1979 found in the archive of the “political-social” police in São Paulo.
Questions
Under what circumstances does the date or even hour that a photograph was taken make a difference? How might this constrain meaning-making?
Is a photo where this matters different in nature than a photo where it is irrelevant or can’t be known? Is a photograph an event, in essence, or merely an emblem or icon?