"DRONE" explores the binaries of masculine and feminine and everything in between. Performing this binary is not about what it looks like to the audience or whether the audience can identify what looks inherently "masculine" or "feminine." It is about how the dancers feel these binaries within their bodies and how that varies from one person to another. During this process, a couple themes arose within the score work and choreography. What are the extremes, and what do they look like and feel like? When we think of an absolute middle between masculine and feminine binaries, what does that look like dance-wise? I got the inspiration for the title DRONE from Jess Humphrey when she pulled me aside during dance making. We had a discussion on what the middle ground between the masculine and feminine binary looks like. We both agreed that the "extreme" version of in-between can look monotonous, evenly paced, and never changing. This piece is a culmination and ongoing process of what my work has taken me through the last two years at San Diego State University's dance program.