Dreams and Nightmares is the debut studio album by American rapper Meek Mill, released on October 30, 2012, by Maybach Music Group and Warner Bros. Records. Mill intended for it to be authentic and more cohesive than his mixtapes, having a stronger connection through both vocals and beats. The album features guest appearances from Kirko Bangz, Rick Ross, Nas, John Legend, Drake, Wale, and Mary J. Blige, among others. Production was primarily handled by Jahlil Beats and Boi-1da, alongside the likes of Tone the Beat Bully and Key Wane. The recording took place from January to September 2012, including sessions in a studio bus on the Club Paradise Tour. Sessions were also held in Los Angeles and Miami, and multiple recordings were included on Mill's ninth mixtape, Dreamchasers 2 (2012). The dreams represent Mill making money as a performer, while the nightmares are based on coming up from his neighbourhood.

"Amen" was released as the lead single in June 2012, followed by "Burn" and "Young & Gettin' It" later that year, before "Believe It" in early 2013. Music videos were produced for all of the releases, while the lead single and "Young & Gettin' It" both charted on the US Billboard Hot 100. Mill embarked on the Dreamchasers Tour for further promotion in August 2012, performing at 16 cities in the United States. Dreams and Nightmares received generally positive reviews from music critics, who mostly commended Mill's development into mainstream rap. Some praised his rapping, while a few critics highlighted the dreams theme. The album was named to 2012 year-end lists by multiple publications, including Rap Radar and The Source.

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In early October 2012, Mill shared the track list for Dreams and Nightmares, which showed the two bonus tracks.[13] Around the same time, Mill revealed that major musical acts like Nas, Rick Ross, John Legend, and Mary J. Blige were set to be featured. He also announced an appearance from fellow rapper and Maybach signee Wale, who described Mill as being in a "special moment" when wanting to make history.[11][14] At the end of October 2012, Mill was detained by the Philadelphia Police Department on his way to the album's listening party. The department could not disclose the reasoning, though he was angry at having to share handcuffs with the Rolex watch on his wrist for the cover art.[15][16] Mill explained the conception of Dreams and Nightmares, detailing that the dreams represent "being on tour and television, gettin' paid for doing what I love to do", while "the nightmares was just makin' it to this point, the hard work and bein' in the streets".[17] He elaborated that there was darker incidents during his younger years in Philadelphia, alluding to acts he considered bad and unspecified violence.[17]

Mill summarized Dreams and Nightmares: "The dream part is me living as an artist making money touring across the world, and nightmares touches on everything that it took for me to make it from the streets."[33] The album features Mill reflecting on his earlier struggles in life, showing how he became credible and juxtaposing these with his current situation.[1][30][34] He tells his story of reaching triumph from the struggles,[25] including crime,[29] drug dealing,[1][35] and growing up in a rough urban area.[31] Mill expresses a desire for money and disregard for the associated fame, albeit acknowledging his wealth is tainted by how it was earnt.[25][1][29][35] He also boasts of his lifestyle, while maintaining his dedication and grit.[25][31][35] The rapper ventures between dreams and nightmares,[31] which are represented by his successes and inner demons, respectively.[25][1][28]

Dreams and Nightmares begins with the title track, which relies on piano stabs and strings.[25][1][32] The track has a beat switch in the middle to transition from the dreams to the nightmares portion; Mill changes from celebrating victory to rapping angrily about issues in his past.[25][1][35] "In God We Trust" features a maximalist beat, over which Mill raps forcefully about killing a man.[36] "Young & Gettin' It" contains elements of club and usage of Auto-Tune,[37][38] with lyrics about the strength to sell drugs from Mill and a hook from fellow rapper Kirko Bangz.[29][32] Soul elements, hallow chimes, and filtered moans back Mill hypothesizing a conversation warning his father's murderer he will kill him on "Traumatized", expressing loss and regret.[25][1][27][29] "Believe It" begins with Rick Ross referencing Miley Cyrus and Justin Bieber, before Mill touches on struggle and triumph.[26][36] Rick Ross appears on the next track "Maybach Curtains", alongside Nas' guest verse and crooning from Legend.[25][29][35] The track features pop and R&B elements, and Mill recalls drug dealing.[1][27] "Amen" maintains these elements and has a gospel beat,[27][36] alongside Mill and Drake discussing sexual exploitation and excessive wealth.[1]

At the start of October 2012, Mill shared the cover art for the album. The artwork uses Mill's gold Rolex watch for symbolizing dreams, alongside handcuffs for nightmares.[16][40] Complex named the album cover the 18th best of 2012.[41] At the 2012 BET Hip Hop Awards, Mill performed "Amen" and "Young & Gettin' It".[42] During the months leading up to October, Mill played the album for Jay-Z and appreciated the feedback from someone of his status, getting along well with him personally.[43] In mid-October 2012, Mill and Rick Ross previewed it at Electric Lady Studios in NYC for rappers such as Jay-Z, Will Smith, and Wale, as well as singers Estelle and The-Dream.[44][45] Mill declared that he was staying true to his early days with "In God We Trust", delivering "that hard street shit" unlike much of mainstream rap.[45] At the premiere, Rick Ross said about Mill: "I'm proud of my homie. Everything he has accomplished, he earned himself."[46]

On October 19, 2012, Mill premiered "Maybach Curtains".[47] The next week, he appeared on MTV's weekly show RapFix Live to promote Dreams and Nightmares, performing his scrapped second verse from the song.[48][49] Hours before his appearance, the album leaked online and Mill responded by telling host Sway Calloway, "I ain't tripping. If people wanna buy your album, they're gonna buy your album whether it's gonna leak or not."[50] Dreams and Nightmares was released on October 30, 2012, through Mill's labels Maybach and Warner Bros.[28] The deluxe version was released simultaneously, featuring "Burn" and "Freak Show".[51] A day after the album's release, Mill held a release party in Atlanta, arriving on time after being detained.[16][52] On January 27, 2013, a music video for the title track was released, documenting Mill's career up to Dreams and Nightmares.[53]

AllMusic's Jeffries asserted that the album succeeds in the themes of both dreams and nightmares, finalizing it "is still satisfying and a step forward" for an album release after mixtapes, "slicked up and pimped out in a way that's entirely Maybach".[31] Similarly, Sargent from Pitchfork celebrated the record's transition to the mainstream after Mill's mixtapes for being "distinct in both voice and sound" as it shows his strengths, highlighting his emotion and themes.[26] The staff of XXL declared that "Dreams and Nightmares doesn't break new grounds in hip-hop", serving as a release for Mill to gain respect "on the verge of universal acceptance" like Rick Ross and Wale similarly did.[25]

Dreams and Nightmares appeared on year-end lists for 2012 of multiple publications. Rap Radar listed the album as the seventh best of the year; Paul "Big Homie" Duong believed that Mill continued the success of his Dreamchasers mixtapes and tells "the prison walls to the hall of fame storyline" to a top level, concluding "this is what dreams are truly made of".[85] The Source named Dreams and Nightmares as the 18th best album of 2012, while journalist Chris Morris picked it as the 10th best hip hop album for North Country Public Radio.[86][87] The record was named the 15th best hip hop album of the year by Spin.[88] For the 2014 issue of XXL that celebrated 40 years of hip hop, it was listed as one of the five best albums of 2012.[89]

Should you become a Nightmare, your game completely changes. You can still win, but only by consuming the dreams of the remaining Dreamers, or sending minions after them to prevent them from becoming more powerful than you. If nobody has escaped by the end of the game, the most powerful Nightmare is the victor.

This is a new edition of the diary kept by Federico Fellini, in which the great director faithfully recorded his dreams and nightmares.

A highly colorful journey into the boundless territory of a genius's imagination, this is a work that added a fundamental element to the study of Federico Fellini and his creative experience. From the late 1960s until 1990, the great director used this diary to represent his nocturnal visions in the form of drawings or, as he himself described them, "scribbles, rushed and ungrammatical notes."

Currently out of print, this new edition will include a critical introduction, as well as updated graphic design. It will be published in collaboration with the Municipality of Rimini as well as the Museo Nazionale del Cinema, the Centro Sperimentale di Cinematografia, and the Cineteca di Bologna (the three main Italian institutions in the field of cinema).

The volume will be released to coincide with the centenary of Federico Fellini's birth (January 2020), which will be celebrated in Italy with a traveling exhibition on the director that will start its journey from Milan in December 2019.

In the early 1900s, the Austrian neurologist Sigmund Freud established a revolutionary theory called psychoanalysis, related to the study of the unconscious mind. As his work took hold, a number of followers were invited to meet at Freud's apartment every Wednesday afternoon to discuss various ideas about psychology and the meanings of dreams. This group was called the Wednesday Psychological Society. It marked the beginning of the worldwide psychoanalytic movement. 0852c4b9a8

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