This is a very leisurely discussion with a lot of kidding around, so it's not your usual podcast. But we do get to a lot of detail about Suspense history. For a more serious treatment of Suspense history, look for the YouTube video below.
Among the topics of this nearly 2-hour discussion are:
We spoke about other topics along the way. Enjoy!
YesterdayUSA producer Walden Hughes https://drive.google.com/open?id=14uapPnmo76eRAIM9OT3sT0xZ9DW37qZ4
Greg Bell, host of SiriusXM RadioClassics Channel https://drive.google.com/file/d/1H0Cqra6xdz0F6ip6qihHw4UZZEP77MV8/view?usp=sharing
John & Larry Gassman https://otrrlibrary.org/OTRRLib/Library%20Files/O%20Series/OTR%20Interviews%20with%20Joseph%20Webb/Collectors%20John%20&%20Larry%20Gassman%202018-07-20%2064kps.mp3
Other interviews https://otrrlibrary.org/OTRRLib/Library%20Files/O%20Series/OTR%20Interviews%20with%20Joseph%20Webb/
Click on the arrow in the image to start viewing.
The original presentation has been edited with additional slides AND some more audio commentary. The presentation is about 55 minutes long including the new material.
The audio, PDF and video files can be downloaded from https://sites.google.com/view/suspense-collectors-companion with a choice of multiple formats, including an mp4 video file if you want to download it or are not able to stream YouTube
American Radio Theater http://www.amerad.libsyn.com/webpage?search=suspense&Submit=Search+
Interview with Joy Jackson, ART https://drive.google.com/file/d/1j-J_tswJASdPm626-2dmxl_e3UhMT_03/view?usp=sharing
Wayback Radio recreation of the unaired Suspense episode that Auto-Lite refused to produce, The Hand by Mel Dinelli http://wayback.libsyn.com/the-hand
Interview with Mike Wheeler of Wayback about his experience in producing radio recreations; the discussion about The Hand begins at the 18 minute mark and ends at around 32 minutes. https://drive.google.com/file/d/1jAccSY2cC0AL9QLRmf5f_u3wdqDUOMS6/view?usp=sharing
Almost 20 years after its publication, the story was still controversial. Gilman explained her reasons for composing the story in the October 1913 issue of The Forerunner, the magazine she edited...
Charlotte Perkins Gilman, "Why I Wrote 'The Yellow Wallpaper'" (1913)
Many and many a reader has asked that. When the story first came out, in the New England Magazine about 1891, a Boston physician made protest in The Transcript. Such a story ought not to be written, he said; it was enough to drive anyone mad to read it. Another physician, in Kansas I think, wrote to say that it was the best description of incipient insanity he had ever seen, and--begging my pardon--had I been there? Now the story of the story is this: For many years I suffered from a severe and continuous nervous breakdown tending to melancholia--and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887. I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over. Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again--work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite--ultimately recovering some measure of power. Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it. The little book is valued by alienists and as a good specimen of one kind of literature. It has, to my knowledge, saved one woman from a similar fate--so terrifying her family that they let her out into normal activity and she recovered. But the best result is this. Many years later I was told that the great specialist had admitted to friends of his that he had altered his treatment of neurasthenia since reading The Yellow Wallpaper. It was not intended to drive people crazy, but to save people from being driven crazy, and it worked.LA Times editor Jerry Cohen and others in Hollywood knew the Scott Flohr story well: a convicted safecracker San Quentin prisoner reforms his life to become a radio, television, and movie writer. Cohen had his creative juices flowing when he wrote about the arrest in his January 6, 1965 story. Was it jealousy over Flohr's notoriety? Or was it a sarcastic needling of Flohr and a faked reform?
Hear master impressionist Keith Scott's marvelous use of the LA Times as the opening of a beloved OTR detective program! https://soundcloud.com/user-178790815/keith-scotts-impression-of-a-newspaper-item-as-an-otr-show-open
A PDF of the letter can be downloaded at https://drive.google.com/file/d/1IfZyZDIAaiaWopHfTqUy0Z83Xk2KcRAr/view?usp=sharing The original is archived at Mount Holyoke College in the Edward R. Murrow papers.
For a fuller discussion, be sure to watch the Suspense YouTube video noted above.
Email suspenseOTR@gmail.com You will get a vacation responder with links to some of the latest resources. But I will respond to individual emails usually same day.
Cobalt Club http://cobaltclubannex.forumotion.com/ free to join, I post there as "greybelt" -- Cobalt Club is the most active forum of OTRdom, with great sounding shows posted every day, and lots of research and historical items posted about the golden age, its series, and individual programs.
Facebook OTRR page https://www.facebook.com/groups/1677714482510214/
Snailmail Joe Webb, 3650 Rogers Rd. #275, Wake Forest, NC 27587