Air Force Band members and guests sing the new U.S. Space Force service song during the 2022 Air, Space and Cyber Conference in National Harbor, Md., Sept. 20, 2022. (U.S. Air Force photo by Eric Dietrich)
We connect and support people in building and sustaining vibrant communities through participatory dance, music, and song. We steward the living traditions of English country dance, contra and square dance, morris and sword dance, and the music that is an integral part of these traditions. Learn more
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The latest guest on From the Mic is Cis Hinkle. Cis has delighted contra and square dancers since 1985 with her skilled teaching, welcoming manner, playful enthusiasm and masterful selection of dances. She talks with Mary about the first time she stumbled into a contra dance in her native Atlanta; shares how she overcame stage fright and began calling all over the world; and brings us right up to her most recent pursuit, learning to call modern western squares.
Sec. 1. The song entitled, "On the Banks of the Wabash, Far Away," words and music by Paul Dresser, be and is hereby established as the state song of Indiana. The form in which this song shall be sung as the state song of Indiana shall be as follows:
'Round my Indiana homestead wave the cornfields,
In the distance loom the woodlands clear and cool,
Oftentimes my tho'ts revert to scenes of childhood,
Where I first received my lessons - nature's school.
But one thing there is missing in the picture,
Without her face it seems so incomplete,
I long to see my mother in the doorway,
As she stood there years ago, her boy to greet.
What are the universal features of music? We collect ethnographic text and audio recordings from all over the world. We use them to determine the behavioral, social, acoustical, and musical features that characterize the world's songs. This provides a public resource to advance the scientific and humanistic study of music.
NHS Discography contains transcriptions and analyses of 118 field recordings from the 30 world regions covered in NHS Ethnography. The songs represent four common social contexts: lullaby, love, dance, and healing. We selected recordings by reviewing published collections of world music, digitizing out-of-print recordings, and contacting anthropologists and ethnomusicologists to obtain unpublished field recordings. Each song was transcribed into music notation. A team of expert musicians then listened to each song while reading the transcriptions and coded the song into 40 variables. For instance, they indicated the song's tempo, instrumentation, melodic contour, and whether the song has a clear tonal center. These data reveal the underlying acoustical and musical structure of the world's songs.
Eventually we aim to create a modular, open-access platform where scholars can collaboratively annotate and expand the Natural History of Song, and where anyone can rigorously test many other ideas about music.
What ChatGPT is, in this instance, is replication as travesty. ChatGPT may be able to write a speech or an essay or a sermon or an obituary but it cannot create a genuine song. It could perhaps in time create a song that is, on the surface, indistinguishable from an original, but it will always be a replication, a kind of burlesque.
The Song of Songs (Shir ha-Shirim in Hebrew) is an unabashedly sensuous, even at times quite erotic, paean to love. Throughout its eight short chapters, an unnamed young man and young woman pursue one another through verdant fields and valleys lush with flowers. Their excitement to be together is palpable, captured in poetic stanzas like:
You have captured my heart, my own one, my bride. You have captured my heart, with one glance of your eyes, with one look at your dcolletage. How sweet is your love, how much more delightful than wine! (Song of Songs 4:9-10)
The Song of Songs is considered one of the five megillot (scrolls), which are read on major festivals. It is traditionally chanted in the synagogue during Passover, due to its thematic connection with springtime. Following the mystical tradition, some Sephardic and Hasidic Jews have a custom to recite it each week on Shabbat evening, as Shabbat serves as a renewal of loving vows between God and the Jewish People. While the tradition ascribes the its authorship to King Solomon (Song of Songs Rabbah 1:1), who lived in the 10th century BCE, modern scholars note the many literary parallels with other love poetry and wedding songs from both Babylonia and Egypt and suggest a later date of composition, perhaps around the fourth through sixth centuries BCE. 152ee80cbc
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