We did notice a difference between songs rendered through a Pono Player and the same ones on either a stereo or a MacBook Pro. Mostly, we preferred on the Pono where the bass sat in the mix, which we noticed was less of a bitrate issue and more of the Pono Player's on-board mix of pre-amp and digital audio converter (DAC). We confirmed this preference after countless volume adjustments to make sure the Pono wasn't just tricking us with volume bumps. We should point out that this bass improvement was most noticeable on pop-rock albums; jazz and classical have plenty of bass action going on, but in those cases, it was actually the higher-end sounds (like an endlessly banged high-hat) that sounded noticeably brighter and crisper compared to other sound sources.

Just wondering how many are using the players. I have the original KS yellow and 3 black from Fry's Electronics (RIP). They all work fine. The yellow has the internal memory full and the 64gb card. I never change the songs in either location on this on player. The black models just have big memory cards and the internal memory stays empty, except for the Ayre/Cardas sweep tones. Memory cards are never loaded via PonoPlayer. The memo card is inserted directly into the computer and music is copy/pasted. All the batteries are fine.


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Pono's stated goal to present songs "as they first sound during studio recording sessions", using "high-resolution" 24-bit 192kHz audio instead of "the compressed audio inferiority that MP3s offer" received mixed reactions, with some describing Pono as a competitor to similar music services such as HDtracks, but others doubting its potential for success.[2][6][7][8][9][10][11]

PonoMusic was founded in 2012 by Young, along with Silicon Valley entrepreneur John Hamm as the company's CEO.[14] The name was derived from pono (.mw-parser-output .IPA-label-small{font-size:85%}.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-small{font-size:100%}pronounced [pono]), a Hawaiian word for "righteousness."[1]

Pono really does sound great. Music is crystal clear, with details bursting out. In at least one album -- The Queen Is Dead" by The Smiths - I heard guitar parts and stringed instruments I thought I had never heard before. The whole album, if I could put a single word on it, shined. Led Zeppelin'sIV album from 1971 sounded epic, bombastic and fresh. John Bonham's drums thundered with deep, resonant tones. And Michael Jackson'sThrillerwas a sonic treat, its 80s synthesizers, and Jackson's vocals, blaring. The dynamic compression that typically kills digital pop songs seemed to be all gone.

These are personal questions. But they're the types of questions other people will probably ask themselves when it comes to this device. The Pono only plays music. There's no texting, calling or Facebook on this. And if you want to get the most out of it, it could involve spending a lot buying albums you may already own. Many albums in Pono's store cost between $US15 and $US25, and individual songs cost at least a couple dollars or more.

The albums I purchased in the Pono store were a few notches above CD quality, at 48 kHz/24 bit, 88.2 kHz/24 bit, and 96 kHz/24 bit. This higher-than-CD quality is what makes them "high resolution". The tracks are derived from the original studio master recordings of songs. The company also says the hardware in the device, made in partnership with audio and video equipment maker Ayre Acoustics, makes the music sound better.

Going back to the player, the user interface is okay. It's not as fluid as navigating around, say, the music app for the iPhone. But it has a touch screen that's responsive enough and lets you swipe through albums and songs. There are three large buttons on the front of the unit, for power controls and volume. The remote controls on most headphone cords will not work with Pono. There's a headphone jack, and a line-out jack for connecting to a stereo or speakers.

Give it a listen, bring your regular music player and headphones, and try to compare the same songs on the different devices. You may decide that Pono sounds better. Or you might drive yourself crazy.

Ua mau mai e ka pono Mai ka Makua lani mai Ke hui nei mkou I kona loko maika`i Hui: Hosana `ia ke Akua Ma n lani ki`eki`e Ka waiho `ana mai I k kkou ola Ke hui mai mkou Makua me keiki Lkahi p ka mana`o I ho`okahi pu`uwai Eia n mkou Ke mele `oli aku nei Ma ka inoa o ka Haku Iehowa Sapaota E ala like n hoa E pali no ka pono E mau ke kpa`a Ma ka pono o ka `uhane Kaulana kia hui Ma n hana o ka pono `O ka hui Kula Sabati O ka l welona a ka l Eia kkou pau I `koakoa mai nei E `ike i n hana Kaulana o Iubile E n hoa luhi nei E h`ola n ka mana`o Ma ka pono o ka `uhane E ola ai kkou Ho`okahi n mkia Nna i kuhikuhi mai N hana e ulu ai Ka pono no kkou Nna i alaka`i a`e I kkou pau Me ke ao mlamalama O ka lanakila mau Hau`oli p kkou I kia la maika`i H i Kula Sapati O Ka welona a ka la Perpetual is the righteousness That comes from the Father above Let us gather together In His goodness and grace Chorus: Praised be God In the high heavens His laying down For our lives We gather together Parents and children As one in mind And one in heart Here we all are Joyfully praising In the name of the Lord Jehovah of the Sabbath Arise all ye saints Stand fast for righteousness Forever faithful In the goodness of the Spirit This renowned union In the works of righteousness The Sabbath day throng Of the twilight Here we all are Having gathered together To witness the works And celebrate the Jubilee Ye wearied laborers Comfort and salvation to your minds Through the goodness of the Spirit That we may live One in purpose He, the Lord, directs The work that is inspired For the good of us all It is He that leads Each and everyone of us With enlightend knowledge Of continual victory We are overjoyed This blessed day At Sunday worship Until the twilight

Source: Translated by K`eo Kawa`a - Moses W. Kaaneikawahaale Keale, more commonly known as Keale Ta Kaula (Keale, the prophet) was one of Ni`ihau's most famous and powerful christian leaders. Born in Kalalau, Kaua`i, about 1828, he was an excellent hunter, not brought up in the new christian religion. One day, as he was hunting, he followed a white goat up a cliff and became stranded on a ledge. A falling rock hit him, causing him to lose his balance and tumble into the river called Makani Kahoa. As he plummeted down the cliff, he called out, "If there really is a God, he will save me and I shall spend the rest of my life serving him". His fall was broken by a pandanus tree and he was pulled from the river by his dog. Another version varies a little, but the facts, the fall and rescue by his dog are the same in this story of his conversion. Keale started his first church in Waimea, Kaua`i and was led to Ni`ihau where he was greatly loved and respected as a kahu and for his gift of prophecy. Many songs were written in his honor and he in turn wrote many prayers and hymns for his church that are still used today.

IM describes the process of pelu fishing, the song "Ka Nai Aupuni" and the mottos and phrases in that song's lyrics, and the lyrics of various other songs. L Kkahekahe in Hilo is also discussed, as well as some history of Puuanahulu on Hawaii Island.

Helen Avero talks about the L Kkahekahe. 3680 - IM speaks with her. They talk about the pelu.Ralph Alapai talks about going fishing with his step father at night. Kipukai. They talk about Kpkai, also Kuhiau. They talk about various places on Kauai. A lot of people composed songs before. They talk about songs. ff782bc1db

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