Accordingly, revellers at the Rainbow Towers were treated to an energetic, thought provoking and ghetto-centric performance. There was a cocktail of artistic and musical performance from Winky D and other artists he collaborated with on his Eureka Eureka album. They included eye-catching and entertaining collaborative performances with Tocky Vibes, Holy Ten, Shingai and others. The audience was treated to a high octane musical fiesta and as such there was infectious resonance between Winky D and his audience as evidenced by the two-way musical communication between Winky D and his legion of his fans that convincingly resulted in contagious and voluntary singalongs by the audience and the turning of Rainbow towers auditorium into a sea of white lights from the cell-phone torch lights of the fans.

However, by the first day of the New Year, the Eureka Eureka album had ignited a very fiery and polarising debate among the various sections of the Zimbabwean public. That is, they emerged two diametrically opposed camps , who had competing and contradicting opinions and views on the lyrics of some of the songs. On one end of the musical spectrum were sections of Zimbabweans who fully embraced the politically charged and thought provoking songs and performances of Winky D. However, on the sensitively opposite end you had sections of the Zimbabwean public who felt disturbed and uncomfortable with socially and politically conscious songs and performances of Winky D.


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The Gaffa, Winky D, has dropped a new album compilation this year (2023) titled Eureka Eureka. This is a follow-up to his last successful album compilation released in 2019 tagged Njema. As usual, the Zimdancehall prowess was addressing a lot of social issues around Zimbabwe in lyrical form. He engaged various artistes in the movement including Nutty O, Saintfloew, Holy Ten, Tocky Vibes, Shingai, Anita Jaxson, Mwenje Mathole, Enzo Ishall, Exq, Killer T, Qounfuzed, Herman etcetera.

This philosophical and pedagogical reasoning by Baldwin is quite provocative and illustrative in light of the furore, controversy and deeply polarising reception that greeted the release of Winky D latest album titled Eureka Eureka on 1 January 2023.

Accordingly, revellers at the HICC were treated to an energetic, thought-provoking and ghetto-centric performance. There was a cocktail of artistic and musical performance from Winky D and other artistes he collaborated with on his Eureka Eureka album. They included eye-catching and entertaining collaborative performances with Tocky Vibes, Holy Ten, Shingai and others. The audience was treated to a high octane musical fiesta and as such there was infectious resonance between Winky D and his audience as evidenced by the two-way musical communication between Winky D and his legion of fans that convincingly resulted in contagious and voluntary sing-alongs by the audience and the turning of the Rainbow Towers auditorium into a sea of white lights from the cellphone torch lights of the fans.

However, by the first day of the New Year, the Eureka Eureka album had ignited a very fiery and polarising debate among the various sections of the Zimbabwean public. That is, there emerged two diametrically opposed camps who had competing and contradicting opinions and views on the lyrics of some of the songs. On one end of the musical spectrum were sections of Zimbabweans who fully embraced the politically charged and thought-provoking songs and performances of Winky D.

This is because the Zanu PF government has a notorious record of de-platforming musician-activist pedagogues and protest music. Artistes such as Thomas Mapfumo, Leonard Zhakata, Oliver Mtukudzi and even Winky D himself have had their musical products and performances censored and banned in Zimbabwe. Evidence gathered so far points to the fact that already musical content off this latest album is not receiving kind airplay.

Winky D wants to restore Zimdancehall to its default ghetto settings. His 13th album, Eureka Eureka, challenges culture capture by self-seeking patrons and state actors. Noted for his conceptual dynamism and pro-poor devotion, Winky D has repeatedly thrown his weight against trends to influence the industry in his own direction. Will Zimdancehall respond to his latest call?

Winky D launched his album at a packed Harare International Conference Centre (HICC) on 31 December 2022 and many songs on it have seen the ruling Zanu PF blowing its top, fuming over criticism of its corruption record. 2351a5e196

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