The song has been covered by many artists, including charting versions by the Joe Loss Orchestra and Billy Vaughn Orchestra. Various other versions topped the charts in France (Marcel Amont), Belgium, the Netherlands (The Jumping Jewels) and West Germany (Billy Vaughn).
The tune is believed to have been originally composed as "Tell the World," although who wrote the song is disputed. One story suggests that it was written by Stephens and Torres of the String-A-Longs, who were called the Leen Teens in their early days. The song was recorded at Norman Petty's studio in Clovis, New Mexico. Keith McCormack, who was the singer for the band, caught a cold and became too hoarse to sing at the recording session, so they recorded instead two instrumentals.[4] Petty took their master recording of the song to Warwick Records who then signed them.[5] How "Tell the World" became "Wheels" is believed to the result of an error; according to one story, "Tell the World" was backed by Petty's composition entitled "Wheels", but the labels for the two sides were switched by accident by Warwick Records when the record was pressed, and "Tell the World" became "Wheels".[6] However, Torres said that Petty switched the labelling of the song deliberately,[7] and when the song became a hit, Petty claimed composition credit for a song he did not write on the basis of what was given on the label.[4] In 1964, the parties agreed to share the credit, subsequently the Broadcast Music copyright agency recorded all three as the composers.[4][8]
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The String-A-Longs version sold 7 million copies, while all versions of the song sold 16 million combined.[4] The band, however, was not properly compensated for their work as Warwick Records declared bankruptcy when the band tried to get a settlement from Warwick. The band was owed $700,000, the equivalent of $ 7 million in 2004.[6]
The song became popular in France where it was recorded by Marcel Amont with French lyrics under the title "Dans le cur de ma blonde". It topped the French and Belgian charts for many weeks in July and August 1961.[22][23]
The song "Wheels", alongside the song "Word Forward", was recorded for the band's Greatest Hits album with producer Butch Vig. Both songs were written during the Echoes, Silence, Patience & Grace tour and had their first versions recorded at Grand Master Studios in Hollywood in 2008,[1] later being recorded at the Foo Fighters's own Studio 606 in Los Angeles. Lead vocalist Dave Grohl invited Vig to work on the songs while at a party, and the successful outcome led Grohl to invite him to produce the band's next album Wasting Light.[2]
Benjamin Sheehan from Billboard magazine says:"The song has a Weezer-meets-The Fray vibe, and it flies out of the gate with feedback-laden riffs, well-timed stutter stops and a gentle balance of electric and acoustic guitars. Four-chord loops nicely underscore Grohl's frustration as he mourns life's failure to meet his expectations. Grohl sings during the opening verse, 'I wanted something better, man/I wished for something new'. For an act of this stature and talent, it's hard not to agree just a little".[3] Alternatively, Pitchfork described the song as: "particularly aggravating, sounding something like a half-hearted attempt at a country-rock crossover."[4]
The song debuted at #73 on the Billboard Hot 100, which was their highest charting Billboard Hot 100 single since their 2007 hit "The Pretender". The song topped the Hot Rock Songs charts for two consecutive weeks.[5]
"Wagon Wheels" is a Western song written by Billy Hill and Peter DeRose in the early 1930s. Members of the Western Writers of America chose it as one of the Top 100 Western songs of all time.[1]
The song was used as the title song in the 1934 western movie Wagon Wheels, starring Randolph Scott and Gail Patrick.[2] It was sung by Everett Marshall in the Ziegfeld Follies of 1934.[3]
I'm not very hopeful as that's all I remember about it, I don't remember lyrics or even the genre it's and older song. It could be hard wheels of any kind on pavement. Any help at all is appreciated.
The song was released as a single (with "Country Dreamer" on the B-side) prior to Band on the Run and was not included on the British release of the album. However, Capitol Records vice president of promotion Al Coury persuaded McCartney to include it on the American release. The song peaked at number 10 in the US chart on 12 January 1974 and at number 12 in the UK chart.[1][2]
"Helen Wheels is our Land Rover. It's a name we gave to our Land Rover, which is a trusted vehicle that gets us around Scotland. It takes us up to the Shetland Islands and down to London. The song starts off in Glasgow, and it goes past Carlisle, goes to Kendal, Liverpool, Birmingham and London. It's the route coming down from our Scottish farm to London, so it's really the story of the trip down. Little images along the way. Liverpool is on the West coast of England, so that is all that means."[3]
Call upon the wheels, master, call upon the wheels,
Weary grow the holidays when you miss the meals,
Through the Gate of Treason, through the gate within,
Cometh fear and greed of fame, cometh deadly sin;
If a man grow faint, master, take him ere he kneels,
Take him, break him, rend him, end him, roll him, crush him with the wheels.
EDIT: 1/1/2022 Thanks to everyone who commissioned songs this winter! We sent out this invitation with the hopes of accepting 10 commissions, and we have filled all 10 slots! However, if you are still interested, we are compiling a waitlist of projects that we hope to keep on the docket, so to speak. Let us know of your interest and we'll try to give an approximate timeframe. Thanks!
We have had a tremendous response to this project, and it's such a positive experience that we are once again accepting commissions for original songs! To date we have written and produced 45 commissioned songs, 18 of which have been featured on our Everyone A Song albums, with the second volume now complete and ready to be released on Nov. 5, 2021. If you're not familiar, here's how it works:
Trent will spend a little time on the phone or over email with you to chat about inspirations for a song. Do you have a parent or a child far away that you want to reach out to? Is there a funny story that your family tells that you'd love to turn into a song? Trent and The Steel Wheels will compose a song based on this conversation and record it just for you. You can hear how the process has played out for some of the previous commissioners by listening to our podcast, We Made You a Song, which delves into the stories and the musical inspirations behind a selection of the songs. Who knows, we may even tap you to contribute to a future podcast!
Times are busy for the Wheels, so we will only be opening up a few slots this winter. We will work on the project through the next few months, so while a commissioned song makes a great gift, we won't be able to deliver a final product by Christmas. We will be sweetening the pot with a nice selection of Steel Wheels swag, including one of 10 signed and numbered posters to commemorate the event.
Me thinks for the F-Series, Kingsong would need to be doing something that would get our minds to stop dwelling on a couple of big negatives of the S22, which is kind of dragging Kingsong down at the moment. They need to move past this.
We Made You A Song is a podcast about songs commissioned by fans and then created by The Steel Wheels during the 2020 Pandemic. Each episode explores the story behind the song, the people involved, and the songwriting process. This podcast is a creative collaboration between The Steel Wheels and WMRA.
By August 1980, Lennon went into the Hit Factory Studio in New York City to track the song and by September he did the vocals for it. Tragically, the song would be released posthumously in 1981 as the third and final single for his Double Fantasy album.
The wheels on the bus go 'round and 'round... and kids will play with this puzzle over and over! Lift the six pieces of the school bus to reveal different pictures underneath that show what's happening, and to hear the different verses of the classic children's song. Sing along as the wipers go, "swish, swish, swish," the horn goes, "beep, beep, beep," and more! The lyrics are on the back of the sturdy wooden resting board to help kids learn the words. Shaped wooden pieces with durable plastic pegs are easy for small hands to grasp, making this a perfect preschool puzzle (ages 2+) that helps with fine motor skill development, as well as auditory processing.
I would say you almost answered your question. They seek the song for life, yet in the end they seek the battlefield for life they can save. If anything, it's a poetic way to end the story of them fulfilling their search. They search to save life so that it may continue.
Brandon said it's more than a song, it's a way of life. The song itself would mean peace and harmony for all people. Robert Jordan said it can't be found, it's a way of life (to quote Brandon, quoting RJ, "The Tinkers never do find their damn Song.") Put another way, as Brandon wrote on the cover of one Memory Keeper's book: "journey over destination".
There is a slight flaw in everyone's logic regarding the song. If we look back to the Aiel singing there were three parts to the "song" of memory. The Aiel Sing their song as do those with the talent of having the "voice." Next there are the Ogier and their contribution of the songs of growing bridging the gap between the Tinkers, and last there are the Greenmen dancing around with their "magic" at work. Rand can sing the "song" under his breath and make things grow probably better than anyone else due to his connection with the land when he approaches Tuon for the second time.
However, what is generally being said is in fact true, that the Tinkers are searching for something from the past called "the song" and they will only know it when they find it. What they are searching in reality is a return to the old way where a majority of people follow the way of the leaf, or at least the majority respect it. It will be a time when they can stop traveling and gather as a people once more and live in safety and without fear in and among people as in the days of old. The song was stopped being sung by the Tinkers among all the turmoil for whatever reason. Maybe the breaking created far too much chaos for them to sing and harvest crops in a single afternoon as food was a worry during the breaking as we see the Seeker fretting as his people feed Ogier they came across. However, Tinkers in Rand's time seem to have an endless supply of vegetable soup which is so good apparently people attempted to infiltrate them to learn their secret recipe. So, maybe they know the song of growing but it isn't the same as it isn't tied to the lore that they have of how things used to be and that is what they truly seek. 2351a5e196
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