Download Untouchable Song

When fans think of a perfect ballad with build up and a huge swell, we often think of songs like All Too Well, Enchanted, Treacherous, The Moment I Knew, The Archer, Dear John, etc. all for obvious reasons.

The lyrics already are super Taylor, even with it being a cover. She makes a non-Taylor song quintessentially her. The lyrics, tempo, and instrumentals are in line with the best Taylor ballads that I mentioned.

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"Untouchable (Swizz Beatz Remix)" is a song by rapper Tupac Shakur. The song was released as a remix by Swizz Beatz and Krayzie Bone and was used to promote the 2006 posthumous album Pac's Life. Tupac recorded the song in June, 1996, just prior to the Makaveli recording sessions.[citation needed] The original version has never been officially released. In the Swizz Beatz remix, rapper Krayzie Bone replaces the original featured artists, recording his part sometime in 2005. As the song was released as a promotional single only, no official music video for the song was created. The song contains lyrics similar to other Tupac songs, such as "Killuminati", "Untouchable (Freestyle Version)" and "Capture The Flag".

"Untouchable" is a song performed by British all-female pop group Girls Aloud, taken from their fifth studio album Out of Control (2008). The song was written by Miranda Cooper, Brian Higgins and his production team Xenomania, and produced by Higgins and Xenomania. Influenced by trance music and Balearic beat, the album version of "Untouchable" is almost seven minutes long.

Remixed for single release in April 2009, "Untouchable" memorably became Girls Aloud's first of only two singles to miss the top ten on the UK Singles Chart, breaking a run of 20 top ten hits. The song received generally favorable reviews from most contemporary music critics, who praised its ambition. "Untouchable" would be the final release by the group before their hiatus.

"Untouchable" is a trance-inspired "rave ballad," which marries "Balearic guitar lines with a pulsating techno throb."[1] The song is Girls Aloud's longest yet, at a full runtime of 6:45. "Untouchable" follows the common verse-chorus form, but includes a number of instrumental solos. Nadine Coyle sings a middle 8 ("Without any meaning, we're just skin and bone...") as the music drops out. The song builds back up and concludes with a final chorus.

The "emotional twangy guitar noise" heard in the song was the result of Xenomania musician Jason Resch responding to Higgins' request for something "special".[2] Higgins left the song at its full length, knowing that "The Promise" and "The Loving Kind" would be the first two singles and he could remix "Untouchable" for single release at a later point. The song was "chopped and changed for its single release", with Girls Aloud's vocals being vocodered.[3]

"Untouchable" received generally favourable reviews from music critics. Slant Magazine said that it was "one of Girls Aloud's finest achievements."[1] Matthew Horton of The Quietus labelled the song as an "epic, a nearly-seven-minute monster".[10] Similarly, John Murphy from MusicOMH called the track an "epic seven-minute electro-thumper which builds slowly, explodes into life, drops out brilliantly, then bursts back into life".[11] In a blog for BBC, Fraser McAlpine agreed that "it's epic and dreamy and a bit of a diversion from the usual GA pattern while still being recognisably very Girls Aloud."[12] It was also praised by NME's Jaimie Hodgson, described as "post-Ibiza power-balladeering".[13] The song was referred to as "fast, electronic and fantastic" with an immense build-up to the chorus by Peter Robinson from Popjustice.[14] Talia Kraines of BBC Music felt "the Balearic bliss of epic seven minute marathon Untouchable [...] prove[s] that you don't have to be brassy to be brilliant."[15]

Michael Cragg from The Guardian called it a proper "statement song", as well as "the band's most effortless-sounding single" without ever feeling overly long.[16] Nick Levine of Digital Spy said the song "serves as the centrepiece" on the album and that even the radio edit "remains surprising, thrilling and strangely moving - in short, classic Girls Aloud."[3] Matthew Chisling from AllMusic deemed it "the album's most club-friendly smash".[17] Newsround declared it "seems to want to be a ballad and a dance track without doing either well."[18] GayNZ.com's Andrew Grear stated that the song "works....but possibly not as well as the girls were hoping."[19] Andy Gill from The Independent called it a "stomp-a-matic filler" from the album.[20]

"Untouchable" entered the UK Singles Chart on 29 March 2009 at number 54.[21] It entered the top forty three weeks later.[21] On 3 May 2009, it officially reached number eleven.[22] On the Irish Singles Chart, the song entered at number 38 and peaked at number nineteen.[22] After the single failed to achieve top ten success when it was released late April 2009, a fan-created Facebook campaign was started nearly a year later (January 2010). The group hoped to push the single into the top ten, reviving and continuing Girls Aloud's streak.[23] The campaign failed, with "Untouchable" only charting at number 152.[24]

The futuristic video was inspired by Stanley Kubrick's classic science fiction film 2001: A Space Odyssey.[4] Girls Aloud appear in "sci-fi inspired PVC leotards,"[28] travelling through space and approaching Earth in illuminated glass spheres (resembling meteorites), falling at impossible speeds toward Earth.[4] After the second verse, the words "Alert: Condition Red" appear on the screen and the girls have trouble in their bubble-like force fields. They begin to plummet through Earth's atmosphere, with the spheres erupting in flames. Still burning, they pass an aeroplane and approach a city. The video ends with televisions showing the breaking news as they hit the ground, with a reporter describing it as a "meteor shower" before turning to static. Digital Spy lauded the "Untouchable" music video as "almost as exciting as the song itself."[29]

The first performance of the song occurred at the Dancing on Ice semi-finals on 15 March 2009. Girls Aloud entered on wires suspended from the ceiling and performed the song whilst ice dancers Torvill and Dean skated around them. Girls Aloud wore draped Grecian dresses. Smoke followed the group as they were lowered down on to individual podiums. As Nadine sang the final verse, Torvill and Dean were raised into the air on wires.[30] The song ended with an explosion of pyrotechnics. Torvill and Dean were criticised for "completely and utterly ruining the momentum and energy."[31]

"Untouchable" was one of the most significant performances of Girls Aloud's 2009 Out of Control Tour. The song is "performed over the crowd on a flying platform,"[32] which Girls Aloud used to travel to a smaller stage in the middle of the arena. The group wore science fiction-inspired outfits, designed by Welsh fashion designer Julien MacDonald, along with the rest of the show's costumes.[33] According to Lauren Mulvenny from the Belfast Telegraph, the performance got "a great crowd reaction."[34] The song was performed on 2013 with the girls singing it on a stage in the middle of the arena.[35]

UntouchableAlbumTaylor's VersionGeneral informationArtistTaylor SwiftReleasedOctober 26, 2009

April 9, 2021 (Taylor's Version)Recorded2007-2008

November 2020-February 2021 (T.V.)GenreCountryLength5:11

5:12 (T.V.)AlbumsFearless Platinum Edition

Fearless (Taylor's Version)LabelBig Machine Records

Republic Records (T.V.)Writer(s)Swift

Cary Barlowe

Nathan Barlowe

Tommy Lee JamesProducer(s)Nathan Chapman

Christopher Rowe (T.V.)Fearless Platinum Edition track list"Jump Then Fall""Untouchable""Forever &

Always (Piano Version)""Untouchable" is the second track from the platinum edition of American singer and songwriter Taylor Swift's second studio album, Fearless, released on October 26, 2009, through Big Machine Records. It is also the fifteenth track from her debut re-recorded album, Fearless (Taylor's Version), released on April 9, 2021, through Republic Records. The song is a cover, with Luna Halo being the original artist.[1][2]

\"Untouchable\" is an up-tempo anthem that addresses police brutality, racial profiling, white privilege and systematic racism in America. The song also mentions other social issues such as segregation, poverty, high crime rates and low job availability.

In the second verse, the rapper speaks plainly to the message of his song, \"Throughout history, African-Americans have been treated like s---/And I admit, there have been times where it's been embarrassing to be a ... white boy, white boy.\"

I like that this song remains vague, because when push comes to shove, it is merely the best representation of the pain of letting somebody go. Somebody, a lover likely, who you know your time has ended with. Maybe she betrayed, maybe things just weren't working out, or maybe he knows he has to move on for whatever reason, but... god, he loved her. He still loves her. But he has to let her go. And this song is the best attempt I've ever heard at converting that pain into sound.

I guess women like to pretend they're happy with ordinary men who aren't in love with them. They prefer relationships safe and secure while in the bottom of their hearts they'd die for a passionate true lover who'd die for them; they usually hurt the feelings of that man and pretend they don't want to be with him. I think that chiefly depends on the man rather than the woman. Well, i mean we don't have to let go. Letting go means no Untouchable by Anathema; if he has really let it go, then why bother writing a song about it?!

I think once again Anathema made a album that is all a only song... a only story.I think weather Systems is all about life, love and death... Is about been in love and in a way you know that you are dying.. So if you follow this line the first song .. Untouchable Part 1. Is about love some one.. love too much. is your dream your real love.... in the goods and bad moments... and realize that you are close to death.. then.. let that person go.. e24fc04721