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gayhorse420 asked: The first time I listened to Sometimes I Still Feel the Bruise I was really fascinated by how much it sounded like Mexican folk music like something written by Jose Alfredo Jimenez because of the lyrical content and vocal melody (and also a lot of stuff I can't quite put my finger on). I've always imagined a mariachi arrangement of the song and think I might make one soon, but I also wanted to ask you if there was anything in particular that inspired you in writing the song?

austinnormancore-deactivated201 asked: Is it weird if people name their artistic endeavors after something in your music, like if a band named themselves after a lyric or song title? I'm curious to know what your reaction is when you see something like that.

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Thank you for the beast that is the Best Overplayed Song Spotify playlist ? . It's a very good and easy one to pull up if I need to have a playlist in a group of varried people and it hasn't missed once yet so far. My own playlists tend to be more... anisongs, songs I hyperfixated on for 2 weeks, a collection of this one thing or another. It's a great playlist to have available :D

Hi, I'm Freeced! I write songs about anime, video games, and all the other things that make me happy. From time to time I also write fiction about my OCs and silly little comics about ghosts (which I draw by myself and very poorly). I'm a fan of cute BL ships and soft slice-of-life stories as well as hack-and-slash shonen manga and anime, sci-fi and fantasy, and old school creature features and film noir. I also like dinosaurs kind of a lot. Outside of writing and producing my own songs, I also write, voice act, and produce music for other content creators, so if you're interested in comms or otherwise working together, please reach out! I specialize in lyric writing and vocal performance for songs about games and anime, but I also do VA for original characters and create custom looping background music in a lo-fi style. Basically, if there's something you think I'd be a good fit for, it doesn't hurt to ask!

I'm the same anon who asked about the song lyrics. I actually didn't know that the booklets contained the song lyrics, only the album description things, and I totally forgot about the online shops. For some reason, I always assumed that new songs would always be bundled together into an album, but I suppose that's not exactly the case? They could be standalone and stuff? That clears up a lot actually. Thank you for clarifying!

Sorry if this has been asked before or if it might be something obvious, but where do you get Evillious songs and their lyrics from? Like, maybe this is because I'm an English speaker and don't know all the outlets these songs come out from, so its no wonder if the song themselves are already out somewhere I don't know. But I am curious how you get a hold on the song lyrics specifically to translate, especially since (as far as I know) not all songs come with lyrics or videos of them?

This song is owning up to my own mistakes, and accepting the fact that with making mistakes comes consequences; however, it also comes with the opportunity to course correct and become a person of character.

This song is self explanatory, I needed a way to show my gratitude to all those who have listened, loved, or touched our lives. I want to make sure that those who follow ANBERLIN realize that this decision had nothing to do with chaos or turmoil within the band, It was those outside the band who become our passion.

Seen the marks of skeleton keys is referring to those who have ANBERLIN tattoos; to me that has become one of the highest forms of compliments ever. I wish I could do more than add a simple line in a song to say thank you.

This song is for all the dreamers, those that sacrifice for the their goals. Those who work two jobs to pay for University, those who leave friends and family behind to explore a promising future, those who view financial woes as just a marker that they are one step closer, and for those significant others that stand behind us every step of the way.

This song is about my faith, and the humbling experience that a God powerful enough to create the universe still has time to communicate to me through others, his Word, and (for me) signs & wonders.

Citizen? It\u2019s weird\u2014the way they floated between very different niches: Emo Tumblr and this Rosy, Pretty Tumblr. I\u2019ve said this a million times, that Citizen\u2019s success with Youth largely had to do with the aesthetic. This aesthetic was bizarrely similar to Lana\u2019s and The NBHD\u2019s etc. The album art was an image that fit into the Look of their Tumblr realm. Flowers were a big deal for it; they were a dealbreaker! If a Lana fan sees the image\u2014YOUTH spelled out in red, pink, yellow flowers against a white background\u2014they will likely want to know more. The image became ubiquitous. You could reblog it and not even know it was an album cover. This is partly because a fundamental philosophy of this Tumblr realm\u2014the one in which Lana was the all-powerful Goddess\u2014consisted of this obsession of youth, of being young, of being a reckless teenager, of staying young, of not having responsibilities, of having so many emotions, of living forever, of being invincible. And a lot of Lana\u2019s music relied on the idea of youth as well; her song \u201CLolita,\u201D a bonus track on Born to Die, is a prime example of this. It fulfilled the Tumblr fantasy of being young and reckless\u2014it perpetuated this desire to be desired, to be notorious, to be hedonistic. And a lot of this was because we were bored. We were privileged and bored! The only way to satisfy this was to play a character in a James Franco movie (O.K. fine\u2014I\u2019m really just referencing Palo Alto). Tumblr, in a way, helped us figure out our sexualities, but also kind of messed it up. Were we reblogging aesthetic images that said \u201CDaddy\u201D because we thought it was pretty or because we had a daddy kink? And if we thought we had a daddy kink, did we actually? Or did the Internet just make us want to be edgy and sexually interesting?

The Internet changed what it meant to be a teenager\u2014especially a teenage girl. To be a teenage girl on Tumblr was to be unified with one another in our privileged boredom and living vicariously through these songs. Citizen\u2019s songs were, instead, the soundtrack of our boredom. Youth was the kind of record to hang up on your wall\u2014and it was a symbol of simple sadness. Songs to cry to, songs to scroll Tumblr to and stare at photographs of older guys with knuckle tattoos. If they\u2019d abandoned the emo sound and gone with indie like The NBHD and The 1975 and Arctic Monkeys, they would\u2019ve fit in perfectly. They were close, but it was too specific, not palatable enough, just a little too edgy.

It\u2019s a violently depressing song\u2014one that plays heavily with misanthropy. But maybe what people liked about it was this razor-sharp edge\u2014this flirtation with danger, because that\u2019s what we liked about Jesse Rutherford anyway, he was a bad boy. Mat Kerekes\u2026 he was not. He was a sad boy, a soft boy\u2014and when did we start appreciating those? Either way, he didn\u2019t fit the role. He didn\u2019t have the Look for flower crown edits.

The 1975\u2019s appeal is almost too easy, algorithmic. Matty Healy knew what he was doing making the first line of \u201CRobbers\u201D: \u201CShe had a face straight out of a magazine.\u201D Or even when he was titling the songs: \u201CSex,\u201D \u201CTalk!\u201D \u201CM.O.N.E.Y.\u201D Do I even have to write about their impact? I was never too into them, to be honest\u2014I was probably aware of how palatable it was, how directly Tumblr it seemed. Girls on Tumblr would find out \u201CChocolate\u201D was actually about heroin and giggle to themselves, feeling mischievous. The album itself is a Tumblr feed. This is why only they could fill the fucking 50 minute record with a bunch of totally forgettable songs\u2014a song can sound completely forgettable, like \u201CFallingforyou\u201D does, but the title makes up for it, along with the probably-most-reblogged-lyric-fucking-ever: \u201CI don\u2019t want to be your friend / I want to kiss your neck.\u201D It was made to float in between photographs of hickeys and chokers on Tumblr. I remember listening to the song, being bored out of my fucking mind, and finding out the lyric comes at 2:54 with absolutely no payoff. I wanted to like the song for its aesthetic, but\u2026 jeez.

8tracks was, I think, someone trying to take advantage of Tumblr\u2019s obsession with using music as an aesthetic. Because Tumblr didn\u2019t have the ability to stream songs or make playlists, 8tracks filled that in. It was the musical component. Except it was ephemeral; it shut down at the end of 2019 because its model was\u2026 insufficient. They saw an opportunity, and it made sense, but it didn\u2019t really make sense. Like a lot of things on Tumblr, the best part about it was just the idea of it. Like cigarettes.

Recently, Andrew Unterberger of Billboard, whose taste I admire, wrote about the immortality of The NBHD\u2019s hits. People still put on \u201CSweater Weather\u201D when fall approaches. TikTok, also, has started reviving it\u2014which teenagers on the app probably will with all Tumblr-loved songs, because the aesthetics of the Internet aren\u2019t too different now. If anything, they want even edgier art. If 100 Gecs is what interests this generation\u2019s teens, then damn, I guess I was boring for getting a thrill from Alex Turner singing \u201CMaybe I\u2019m too busy bein\u2019 yours / To fall for somebody new.\u201D But maybe as our time with the Internet stretches out, what we need to preoccupy ourselves when we\u2019re bored and privileged needs to be more. As we spend more time online, we demand more things, crazier things to live vicariously through. Our attention spans are too short for The 1975\u2019s lackluster instrumentals\u2014the only solution is\u2026. hyper pop. We want an overload. We don\u2019t want a soundtrack that plays in the background, we want batshit music in our face. Okay, maybe the aesthetics of the Internet are different now, but the groundwork is the same\u2014bored, privileged, getting hornier with by the second. Maybe the hyper pop that\u2019s blowing up now is the product of teenagers spending time on Tumblr and wanting to make the soundtrack for it themselves. ff782bc1db