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Actually tisa82, I said mid-day, by which I meant around noon. As I remember, the group gathered at a coffee shop by 7:30 am, walked as a group to the entry of the Vatican Museum, waited for a while with a few other groups while our Walks of Italy guide gave us headsets and some orientation, then entered just after 8:00 am. Passed quite quickly through the Museum and went to the Sistine Chapel where we spent about 20 minutes with very few other people, able to see the beautiful floor with plenty of room to sit on the few benches and look up at the incredible ceiling. No talking and NO photos inside. Then we went back through the Museum, as it began to fill with people. Walked back past the Sistine Chapel which was totally mobbed with people by then, and went directly into St. Peter's Basilica. After the guide showed us around, around 11:30 or so, the tour ended. We could wander some more in St, Peter's if we liked, as I did, then it took a while to poke around outside, stop in a book or gift shop, and leave the Vatican, which I did at about 12:30 pm.

I have heard excellent reports about both these company group tours and the tours offered by the sites themselves. Either is vastly superior to just roaming around yourself, with a guide book and even an audio tour, I think. A good guide can bring things to life and answer all kinds of questions. In terms of Walks of Italy and its Pristine Sistine tour, or any other very early morning tour, I do not know if you can get in that early, and visit the Sistine Chapel when it is empty like that, with just arrangements through the Vatican. Also, there is a door directly from the Museum near the Sistine Chapel into St. Peter's supposedly only available to people in tour groups, not sure how they define that. Enforcement appears to vary with the crowdedness and individual guard, according to comments on this forum. If you do not use that door, I understand you need to walk all the way back through the Museum, and then around the outside, to get back to St. Peters, a long walk and quite some time involved. You also need to do that if you have checked anything at the entrance, to go pick it up.

Hopefully yours were good. I know mine were. They've been nothing but supportive of me throughout my twenty-something years of life thus far, and I couldn't be more grateful to God for Him putting them in my life. Granted, they're not perfect, but I've learned to love them warts and all.

What we hear from Demeter implies they're very laidback and laissez-faire; what Lucian says about them implies that they're strict, meticulous and incredibly smothering. These perspectives, of course, are incomplete fragments of a greater portrait of both of them. The Evernight parents make their first appearances about halfway through Season 2 (the season that I plan on being the most Lucian-centric), and from there we get to know the real them.

With that said, let's talk about their individual characters and important relationships, starting with Mr. Evernight. He's a very straightforward fellow- not the kind of guy who'd get caught up in emotional BS, but the one who'd talk you through that emotional BS and hopefully leave you in a better place by the end of your chat. He's insightful, experienced, and real.

Greg is a good character, don't get me wrong; he's just not a good father for the majority of SU's run. If the show had simply kept Greg as he was in the first two seasons- an active figure in Steven's life who knew when to call out the Crystal Gems when it seemed like his son was going through too much or it seemed like they didn't respect him- he'd have been a good father and a truly great character. I'd've loved to see a more active, protective version of him, but alas, the show is over and the damage has been done.

Another good Disney example would be Julieta and Augustn Madrigal from Encanto. I'd argue that these two are the first truly great theatrical Disney parents. They're not only very complementary, but they're incredibly supportive and protective (Augustn's "I was thinking of my daughter" line still makes me smile like an idiot) towards their hija menor Mirabel throughout the entire film. Granted, they're not active participants thrusting the story forward, but still.

Before we had begun our tour, Enrica had brought us to the front of the Colosseum and gave us an overview of the entire area, explaining the changes the area saw from the Roman Republic through the Julius/Agustus line to Nero and up to the middle ages. This helped a lot when we then went into the Domus Aurea because with all things historic, context is everything.

Seventy years ago, I was born so prematurely that I was not expected to survive the first day, let alone the first year, throughout which (I am told) I spent not one minute without a fever. My prematurity affected my lungs in such a way that I have had pneumonia about a dozen times. Now and then, I was close to being carried off. Spinal meningitis, wound trauma with near-exsanguination, and falling into a crevasse each brought me to the point where I thought there would be no return, as did those attending me. In regard to the illnesses, think ice baths, weeping parents. Each time, in pain or delirium, fully or semi-conscious, shocked or at rest, I felt the most comforting, wonderful presence, a happiness beyond description, a sense of completion, and a sense of joy. Falling into the crevasse, I saw, as if for an eternity but in no more than seconds, galaxies of sun-sparkling particles that followed me after I had smashed through a deceptive crust of hardened snow, the latter phrase a perfect metaphor for what is here asserted. Weightless among a thousand golden stars, I felt neither fear nor regret, but rather the assurance that everything made sense, everything was ultimately just, and all would be redeemed in a perfect, timeless universe, a divine work of art.

Simple acceptance, even if it is demanded as in the test of Abraham, has never been the habit of an argumentative people. I myself come from the Hasidic tradition, in which, paradoxically, the requirement of intense lifelong study to understand the divine, along with close attention to all opportunities of intermediation, exist in perfect harmony with the conviction that God may also speak directly to each person without any intermediation whatsoever, either intellectual or structural. Although seeking God through study may reveal him, study as I see it is more a necessity for understanding and properly and humbly dealing with the lightning bolts of force unleashed within the soul when apprehending him. If life itself requires education, then encounters with that which is deeper and superior to life itself must require even more education.

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All through eternity Beauty unveils His exquisite form in the solitude of nothingness; He holds a mirror to His Face and beholds His own beauty. he is the knower and the known, the seer and the seen; No eye but His own has ever looked upon this Universe. His every quality finds an expression: Eternity becomes the verdant field of Time and Space; Love, the life-giving garden of this world. Every branch and leaf and fruit Reveals an aspect of His perfection- They cypress give hint of His majesty, The rose gives tidings of His beauty. Whenever Beauty looks, Love is also there; Whenever beauty shows a rosy cheek Love lights Her fire from that flame. When beauty dwells in the dark folds of night Love comes and finds a heart entangled in tresses. Beauty and Love are as body and soul. Beauty is the mine, Love is the diamond. They have together since the beginning of time- Side by side, step by step.

Now, I have a confession to make: I have been one of those aforementioned academic snobs who cannot see the forest for the trees. I once sat in on a Masters-level course concerning the Golden Age of Dutch painting. The structure of the course was as such: little (if any) assigned reading and two hour classes geared around the discussion of slides. Where were the books on historical context? Where were the articles on the analysis of Dutch symbolism? What was I supposed to be learning, exactly? The answer became clear: I was learning how to see. Through my own Clark-like experience, I was being taught how to understand an image through the simple act of looking. I learned more from this approach than any other course I have ever taken in which I was actually enrolled. From this experience, I learned that it is not only OK to just appreciate art but also gained a boundless appreciation for Dutch art. ff782bc1db