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What exactly does it mean if for example a song is written in C Major? Does it mean the song's notes cannot contain any sharps or flats? Does it mean the song can only have chords from ABCDEFG but use the major chords of those scales which could mean sharps and flats?

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A song is regarded as being in the key of C major if the pitch C is its key center, if the notes in the song chiefly fall in the C-major scale (as opposed to the C-minor scale, or one of the other scale-modes based on C), and the chord triad of C major serves the function of the tonic chord throughout the chord progressions in the song.

There are exceptions to everything. A song would generally be regarded as being in the key of C major if it started out in C major, even if it ended in another key. Some songs stay in the same key all the way through, and some songs change keys. Or it could start in C major but incorporate chords borrowed from other keys, use melody notes outside of the notes in the C major scale, or it could leave the key of C major entirely at one point, only to return to C major before it ends.

When you write down a song, in most notations, you necessarily pick a key, because the notation requires that you write down absolute notes. Exceptions to this include Nashville numbers and Relative Sol-Fa

Often there are compromises to be made. For example, you are singing and accompanying yourself on guitar. You think your C major chord on the guitar sounds particularly nice. But that means you have to play a Bb major later in the song, and you always mess those up, so you play in D instead -- but in D you find your voice strains to reach the lower notes, so you try playing in E instead. The more voices and instruments are involved, the more complicated this gets.

First, you really need to have a good understanding of what major and minor scales are. Once you know that, you can more easily understand chords. Then, you should study basic chord progressions for each key, which are based on scales. You are not necessarily limited to the sharps and flats in a given key just because you are writing in that key, but you will generally stick to them, which means you are writing music in that key. Writing in C Major does mean there are no sharps and flats, but it is possible to have sharps and flats in the music by means of accidentals. It sounds as though you would really benefit from getting a private teacher out taking some theory classes. Good luck with your endeavors.

Eg Brown Sugar by the Rolling Stones starts in G. Then the main riff begins on a Cmaj .. next chord is an Ebmaj which doens't fit CMaj at all, and the sung notes are generally in line with a Cminor, yet I would say the whole song is in C major because if you try playing a Cmin chord instead of C major, it just doens't work.

I think it's more about where the song "feels" like it wants to home back to (Cadence?), and making that something that you have to work out or wait for builds the tension that is the skill in good songwriting. Brown Sugar seems to 'want' to resolve to a C Major after the context of a verse / chorus.

Some songs have an ambiguous key, such as My Woman from Tokyo (Deep Purple) - verses are in Emaj, choruses in Gmaj. Which key is it in? I don't know :-) I guess at that point you have to just go with the first played chord which is Emaj.

If a song is in a key of C major, it cannot contain any sharps or flats, not even in the chord. As it follows in the major scales,WWHWWWH and the chords, I ii iii IV V vi vii(The capital letters are major, the small ones minor, and the one with the circle thing is diminished.) It means C major, D minor, E minor, F major, G major, A minor is how you play C major key.C major and it's relatives are the easy keys to play in because you just play all the white notes.

Now, to answer your question, to write a song in a certain key (all songs have their keys) means the notes that are going to be used are the only ones the key is in. So for example, Am, a relative of C major to make it easy, all white notes are the only ones that are going to be used, however there are exemptions. If a song has key change, for example A minor to B minor, well then as soon as the key has changed then the notes has changed, too. The minors formula is WHWWHWW and if you look at that carefully at your instrument it means that B minor has C and F for its sharps. Then you have the notes the song is going to use. I recommend you study scales so music will be a lot easier. I hope this helps and I hope my post isn't too complicated. =)

A friend from out west has started a series of posts on facebook about what different advent and Christmas songs mean; I thought they were well done (all that he does is well done, actually), and asked if I could put them, the discussions, up on my blog. He said I could, so here is his first.

Interesting that this song comes from 9th century Catholic monastic life (Amillennial/replacement theology) but yet seems to reflect a current dispensational view of Israel being still saved as a nation in the future. Any thoughts on this? Catholics do not believe Israel has a national future in Gods program and take the Church as the new Israel. Yet this song reflects a very different view.

That Latin phrase means Glory to God in the highest! The idea is that our praise of God is both excellent and increasing in its level of adoration. The Latin phrase is shorthand for a doxology that is traced back to 300 AD.

Hi I'm Tomas from Real Guitar. Let's talk a little bit about what it means to be in a Key in Music and why that's important. First I'm gonna explain just a little bit of music theory. Now nothing complicated so don't worry and it's nothing you really have to memorize or anything but they will help this explanation go a little more smoothly.

Now we're gonna take those notes and form what we'll call a musical scale. In this case I want to use the C scale so instead of starting on A we're gonna start on the letter C and it's still going to go around in a circle but that's what I've written down here. C is the first note. They go D E F G A B and after B comes C again. You could start right here and just keep going around in a circle. Now if you say something its for an example in the key of C, what you're actually saying is that if you took this group of notes that that song revolves around those group of notes. The melody is basically comprised of those notes. The chords are comprised of those notes. So if you say it's in the key of C you're using notes from the C scale to make up the song for the most part.

If we make a chord out of the 1 the 4 and the 5 each of these chords will be a major chord. So in this case it'll be a C major, F major and the G major. If you're using the notes right out of the scale and you build chords out of the notes in the scale it's always gonna fall as a major on this 1, 4 and 5. Now this is important because if you play a song and you play the 1, 4 and 5 it's really gonna sound like the 4 and 5 are kind of setting you up to go back to the one chord. Let me show you an example. I'm gonna play Happy Birthday in the key of C so it goes happy birthday C to the 5, G, happy birthday to - back to the one - you. You hear it sounds like I want to go back there - happy birthday - none of my key - happy birthday I did the four chord - happy birthday - G5 and you see if I stop there don't you feel the tension that it wants to go somewhere? Back to C. Now you might be thinking there's other numbers in there besides the 1, 4 and 5. You can play a lot of songs with just the 1, 4, 5. So much music has been made with just the 1, 4 and 5 chords in a key but there are other notes in the scale and that means there are other chords.

Let's go to the 2, 3, and 6 chords. Each of these will end up being a minor chord. So this will be D minor in the key of C, E minor in the key of C and the 6 to A will be a minor in the key of C. So what that means if you're playing a song and you used the C chord, the D minor chord maybe the G chord to an F chord. It's gonna sound like it's in the key of C. It's made up of the notes and the chords that are from that key. You could apply the same thing starting on the different notes so I left an example here for the key of G. If we start on G and go through the scale G A B C D E it's going to be F sharp to make the scale accurate and starts back to G goes around in a circle again.

Most bird vocalizations are intended only for birds within a species. But all small songbirds species know the high seeeeeee call. When other birds hear this, they often freeze in position, sometimes for many minutes. If a species doesn't have or make this call themselves, at the very least they know what it means. It is to the benefit of the little victim birds that they all know the sound or make it, because it warns every little bird in the neighborhood that potential danger is near.

"He did a big benefit in the summer of '81 for Vietnam veterans in Los Angeles and met with vets," Onkey says. "After that tour ends, there's a number of places where he's trying to write about the Vietnam veteran experience, so the song grows out of that moment. And it starts out as something just called 'Vietnam.' "

But it still wasn't the song we know. In the version that became the title track on his 1984 smash album, Springsteen made one more change: turning up the volume and shouting out the lyrics almost as if for joy. Rarely has a man with nowhere to go sounded so triumphant.

As the musician later told WHYY's Fresh Air, he meant it that way. "The pride was in the chorus," Springsteen said to host Terry Gross in a 2005 interview. "In my songs, the spiritual part, the hope part, is in the choruses. The blues and your daily realities are in the details of the verses." 006ab0faaa