Download !!INSTALL!! The Song Enjoy

While this song is commonly interpreted as referring to an intimate moment that the narrator does not want to be ruined by any "unnecessary" words, a much darker interpretation of the song is also possible wherein it is describing how the narrator wants to keep his girlfriend quiet and submissive, valuing her only for her body. The band themselves have endorsed the former interpretation, so I am not suggesting that my fan theory actually describes the writers' intended meaning, merely that the song also makes sense in the darker context I provide.

"Enjoy Yourself" is a song by American rapper A+, released as the only single from his second studio album, Hempstead High (1999). It samples the 1976 Walter Murphy song "A Fifth of Beethoven".[1] Released in October 1998, the song reached the top five of the UK Singles Chart and number 63 on the US Billboard Hot 100. It was also commercially successful in several European countries and Japan.[2]

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"Enjoy the Silence" is a song by English electronic music band Depeche Mode. Recorded in 1989, it was released as the second single from their seventh studio album, Violator (1990), on 5 February 1990. The single is certified Gold in the US and Germany.[7] The song won Best British Single at the 1991 Brit Awards.[8]

Songwriter Martin Gore created a ballad-like first version of the song, which the band took into the studio in 1989. At band member Alan Wilder's insistence, the song was re-worked into the up-tempo version released on the album.[9]

In an retrospective review, Andy Healy from Albumism wrote that the song "combined much loved elements of lush synth beds, haunting melodies, and aching lyrics, which coalesced with house beats and slick guitar lines." He added, "Gahan's vocals are intimate and seductive as they draw you in, with lyrics that examine the quiet satisfaction of a relationship, those tender moments when silence fills the void and your lover is in your arms and the world ceases to exist. There was something inviting. Something powerful in those declarations. Something that you could latch on to and feel a part of."[13] AllMusic editor Tim Di Gravina stated that it is one of Depeche Mode's "greatest songs", with a "pristine and lush yet punishing musical environment", and "lyrics of violence and darkness".[14] Upon the release, Bill Coleman from Billboard called it an "engaging charmer"[15] and a "more radio-viable effort" than the group's last hit, "Personal Jesus". He noted further that the track "blends [the] quintet's recognizable techno-pop melodies with trendy house grooves."[16]

The video uses a slightly different mix of the album version of the song (the most notable difference being a new and extended introduction) that has not been released in any audio format. The final long shots of the king walking through the snow are not Gahan but rather the video's producer, Richard Bell. Gahan had left the set, tired of the cold in Switzerland (recounted by Gahan in the intro to The Videos 86>98 and to the DVD of The Best of Depeche Mode Volume 1).

There are three edited versions of the Corbijn-directed video. The "official alternative version" begins with a group shot of the band, then Andy Fletcher looks towards his right as the song begins. Shots of Dave Gahan dressed as a king singing directly to the camera are intercut with scenes of his walking through the Scottish Highlands, the coast of Portugal and the Swiss Alps. The video ends with Gahan singing the last line, "Enjoy the silence", then putting his finger in front of his lips as if to quiet the viewer.[21][22] The "official version" begins with a group shot of the band, but this time it is Martin Gore who looks to his right as the song begins. This version omits the shots of Gahan singing directly to the camera. The only verses Gahan is shown singing are "Words are very unnecessary/They can only do harm." The video ends with Gahan sitting on a deck chair in the snow while the last line, "Enjoy the silence", is sung.[23] There are also differences in the group shots of the band standing together between the two versions. The "alternate" version is similar to the "official alternative version", except it omits entirely the oudoor shots of Gahan walking through nature and includes even more group shots of the band, including one of Gahan and Fletcher breaking into laughter and smiles.

On 2 December 1989, "Enjoy the Silence" was performed live on Peter's Pop Show in Germany.[24] On 19 December 1989, a promotional single for "Enjoy the Silence" was pressed.[25] In 1990, a promotional video for "Enjoy the Silence" was shot by French TV (for the TV Show "Champs-lyses" with Michel Drucker) featuring Depeche Mode lip-synching the song while standing on the observation deck atop the South Tower of the original World Trade Center.[26]

Mike Shinoda's "Enjoy the Silence 04" was a distortion guitar-driven version of the song, in which he imprinted Linkin Park's distinctive nu metal sound. Its animated music video was directed by Uwe Flade. Monitors in the animation show performances of "Enjoy the Silence" excerpted from Devotional and One Night in Paris, as well as footage from a concert from The Singles Tour filmed in Cologne in 1998 for MTV.

Enjoy Enjaami was released on 7th March 2021 and soon started presenting record-breaking stats of viewership on Youtube. By May 2021, the song had already garnered a whopping 3.7 million likes and almost 195 million views on the video streaming platform. Belonging to the genre of the Tamil folk form Oppari, the song smashed all the definitions of success and language. It had crossed 2 million Spotify plays within 2 weeks of its release. It also became the first Tamil song (non-film) to amass 100 million-plus views.

Soon after its release, Enjoy Enjaami was bombarded with praise from across the world for the pathbreaking song and the powerful message it carries and delivers so subtly about coexistence and generational oppression.

The instrument Parai: The opening of the song alone is very powerful as we listen to the people play a flat drum called Parai, again an instrument played by the dalits during funerals. Now the use of such an instrument breaks so many stereotypes and blurs the line between happiness and lament, which continues throughout the song while popularising something that is considered malignant.

The title: Enjoy Enjaami translates to enjoy, my dear. Enjaami is itself a word that screams love and rebellion simultaneously. Enjaami actually is a loving exclamation used by elders for the children but it was also used to refer to the masters. Thus, the title effectively kills two birds with one stone.

The expression and movements: The otherwise celebratory-looking dance moves that have chest-beating too are channelising the aggression while presenting a unified front. While the beautiful smiling faces of the workers are a symbol of rebellion as they sing, dance, and enjoy the song. It depicts that they are still alive and dignified, contrary to popular belief.

From an ancient time, the funeral song has been looked down upon and shunned by society. The same is ruling the hearts of the people who are making reaction videos, reels and are dancing with the Dalits. Breaking stereotypes and redefining values is what art and music do, the song Enjoy Enjaami is just epitomising the notion prolifically.

A song can be defined as a musical and metrical composition which comprises a lyrics (words) in rhymed stanzas and melody, that is meant to be performed by using the human voice (vocals), especially in combination with musical instruments.

Performed by South Indian playback singer Dhee and lyricist-rapper Arivu, the song was released on March 7 and quickly went viral on YouTube and other online media platforms. In the first week, it was watched by 20 million people and has now climbed to over 190 million, a first for a non-film Tamil song.

The song, which is performed in a Tamil dialect mainly spoken by Sri Lankan plantation workers and in South India, was directed by Amith Krishnan and produced and composed by Santhosh Narayanan. Krishnan is best known for The Rice Mill Story, a deeply-moving short film about the tragic plight of a bonded labourer at a rice mill and the death of his baby daughter.

According to thousands of Buzzfeed quizzes, your music taste can say a lot about you. From the songs you choose, these quizzes can tell which Harry Potter house you belong to or what era of Kylie Minogue your fashion sense is. Of course, it's all nonsense.

They found that people who scored highly on psychopath tests were more likely to rate songs like No Diggity and Lose Yourself by Eminem. People at the least psychopathic end of the spectrum were more likely to be fans of My Sharona by The Knacks and Titanium by Sia. Two songs you should now claim to love with passion.

No Diggity and Lose Yourself were named by the researchers, but other songs were better predictors of psychopathy. The scientists declined to name these songs for fear of disrupting future experiments. We're guessing Galway Girl by Ed Sheeran.

Everyone seems to presume that this song is about a man, or sex. But this is not the case, and quite frankly, unsatisfyingly simplistic. The entire album Post was, conceptually, a collection of musical "letters" to different individuals special to her when she moved from Iceland for the first time, to London; hence the name Post. "Army of Me" was to her little brother; "Cover Me" to fellow producer Neelee Hooper; "Possibly Maybe" to ex-lover Stephane Sedounai; "Headphones" to tape-maker Graham Massey; and "I Miss You" to some future, unknown lover. ff782bc1db