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When I'm listening to music on my Android using Music Player, I want to see what song I'm listening to on my lock screen, and maybe even play/pause and go forward/backward on the playlist, but not change the playlist.

By default, the stock player has the player controls in Android. Play a song from your stock music player app (the one which was originally included in your mobile) and play a song. When you turn off the screen and get back to the lock screen, you must be able to see the player controls.

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You can also try Sony Walkman which offers a number of features including lock screen controls. You can also use an app like Simply Lockscreen to enable music player functionality to your lock screen.

On your Andriod phone, when you can't see the music playing, on the lock screen. All you need to do is go to your phone settings and enter 'Apps & Notification' click on the music app, tap on the data usage and then clear your cache.."IT'S DONE"... That's all you need to do. It's pretty simple right?

But you should only do this if you don't care about your playlists anymore, cause as you clear your cache it removes all the playlists you've created from your music app and then your songs will start showing on the lock screen again.

A simple user interface is basically a must for any Android app. Well, the developers behind AIMP know that exactly well. Now, while the music player may seem too straightforward and simple, it does have what it takes to deliver the perfect offline music playback experience.

The best part is that the app can handle pretty much all the audio file types. That includes the lossy and lossless formats. It even features a 29-band equalizer, which is a rare feature among the music player apps for Android.

In the free version, you get a 10-band equalizer with 32 different presets. With this, it becomes easy to make your wireless or wired headset output audio the way you want. And like AIMP, the jetAudio music player for Android has support for lossy and lossless audio files.

But what really makes MediaMonkey stand out is its ability to sync music files from your computer. It does that through WiFi, making importing your music library from your PC easier. You can also use a USB cable to import the files.

Moreover, you get a built-in tag editor, letting you instantly change things to your favorite audio files. The free version also brings Chromecast support, allowing you to stream your offline music files wirelessly without going through extra steps. Other highlights include a sleep timer, a handy playlist manager, and support for podcasts.

A rave (from the verb: to rave) is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno,[1] hardcore, house,[1] and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.

While some raves may be small parties held at nightclubs or private homes, some raves have grown to immense size, such as the large festivals and events featuring multiple DJs and dance areas (e.g., the Castlemorton Common Festival in 1992). Some electronic dance music festivals have features of raves, but on a larger, often commercial scale. Raves may last for a long time, with some events continuing for twenty-four hours, and lasting all through the night. Law enforcement raids and anti-rave laws have presented a challenge to the rave scene in many countries.[2] This is due to the association of rave culture with illegal drugs such as MDMA[3][4] (often referred to as a "club drug" or "party drug" along with MDA[5]), amphetamine, LSD,[3][4] GHB,[3][4] ketamine,[3][4][6] methamphetamine,[3][4] cocaine,[4] and cannabis.[7] In addition to drugs, raves often make use of non-authorized, secret venues, such as squat parties at unoccupied homes,[8] unused warehouses,[9] or aircraft hangars.[10][11] These concerns are often attributed to a type of moral panic surrounding rave culture.[by whom?][citation needed]

In the late 1950s in London, England, the term "rave" was used to describe the "wild bohemian parties" of the Soho beatnik set.[12] Jazz musician Mick Mulligan, known for indulging in such excesses, had the nickname "king of the ravers".[13] In 1958, Buddy Holly recorded the hit "Rave On", citing the madness and frenzy of a feeling and the desire for it never to end.[14] The word "rave" was later used in the burgeoning mod youth culture of the early 1960s as the way to describe any wild party in general. People who were gregarious party animals were described as "ravers". Pop musicians such as Steve Marriott of Small Faces and Keith Moon of The Who were self-described "ravers".[15]

In the mid to late 1980s, a wave of psychedelic and other electronic dance music, most notably acid house music, emerged from acid house music parties in the mid-to-late 1980s in the Chicago area in the United States.[20] After Chicago acid house artists began experiencing overseas success, acid house quickly spread and caught on in the United Kingdom[21][22] within clubs, warehouses and free-parties, first in Manchester in the mid-1980s and then later in London. In the late 1980s, the word "rave" was adopted to describe the subculture that grew out of the acid house movement.[23] Activities were related to the party atmosphere of Ibiza, a Mediterranean island in Spain, frequented by British, Italian, Greek, Irish and German youth on vacation, who would hold raves and dance parties.[24]

By the 1990s, genres such as acid, breakbeat hardcore, hardcore, happy hardcore, gabber, drum & bass, post-industrial and electronica were all being featured at raves, both large and small. There were mainstream events which attracted thousands of people (up to 25,000[25] instead of the 4,000 that came to earlier warehouse parties). Acid house music parties were first re-branded "rave parties" in the media, during the summer of 1989 by Genesis P-Orridge during a television interview; however, the ambience of the rave was not fully formed until the early 1990s. In 1990, raves were held "underground" in several cities, such as Berlin, Milan and Patras, in basements, warehouses and forests.[26]

Rave music may either refer to the late 1980s/early 1990s genres of house, new beat, breakbeat, acid house, techno and hardcore techno, which were the first genres of music to be played at rave parties, or to any other genre of electronic dance music (EDM) that may be played at a rave.

The genre "rave", also known as hardcore (not to be confused with hardcore punk) by early ravers, first appeared amongst the UK "acid" movement during the late 1980s at warehouse parties and other underground venues, as well as on UK pirate radio stations.[27] Another genre called "rave" during the early 1990s, was the Belgian hardcore techno music that emerged from new beat, when techno became the main style in the Belgian EDM scene.[28]

The "rave" genre would develop into oldschool hardcore, which lead onto newer forms of rave music such as drum and bass, 2-step and happy hardcore as well as other hardcore techno genres, such as gabber and hardstyle.[29]

A sense of participation in a group event is among the chief appeals of rave music and dancing to pulsating beats is its immediate outlet.[43][44] Raving in itself is a syllabus-free dance, whereby the movements are not predefined and the dance is performed randomly, dancers take immediate inspiration from the music, their mood and watching other people dancing. Thus, the electronic, rave and club dances refer to the street dance styles that evolved alongside electronic music culture. Such dances are street dances since they evolved alongside the underground rave and club movements, without the intervention of dance studios. These dances were originated in some 'scenes' around the world, becoming known only to ravers or clubgoers who attempt to these locations. They were originated at some point that certain moves had begun to be performed to several people at those places, creating a completely freestyle, yet still highly complex set of moves, adaptable to every dancer change and dance whatever they want based on these moves. Many rave dancing techniques suggest using your body as an extension of the music, to loosen up, and let the music flow through the body to create a unique form of movement.

A common feature shared by all these dances, along with being originated at clubs, raves and music festivals around the world and in different years, is that when YouTube and other social media started to become popular (around 2006), these dances began to be popularised by videos of raves performing them, recording and uploading their videos. Therefore, they began to be practised outside their places of origin, creating different scenes in several countries. Furthermore, some of these dances began to evolve, and these dance scenes are not totally related to the club/rave scenes they were originated anymore. Also, the way of teaching and learning them have changed. In the past, if someone wanted to learn one of these dances, the person had to go to a club/rave, watch people dancing and try to copy them. On internet and social media society, these dances are mostly taught on video tutorials and the culture spreads and grows inside those social media, such as melbshuffle.com, glowsticking.com and dasklub.com foruns, Flogger on Fotolog, Rebolation, Sensualize and Free Step on Orkut and Cutting Shapes on Instagram, and many more new to come.[45] ff782bc1db