The horror comics of the early 1950s etched themselves upon my mind in a series of disconnected scenes: a hand pushing up from a grave, a grinning skull with rubies for eyes, a little boy who didn't like cats. I devoured this stuff, and after a while I began to realize that some of it was superior to the rest. The titles published by E. C. Publications were more dramatically drawn, scarier and unsurpassed in the department of divine retribution.

Six months or a year after I discovered "Tales from the Crypt" and the other E. C. comics, they were taken off the stands during a national anti-comics frenzy. Dr. Frederick Wertham's "Seduction of the Innocent" charged that kiddies were becoming sadists because of horror tales, and overnight we were flooded with talking magpies.


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And so, alas, my career as a sadistic madman was nipped in the bud. It was not until 1969 that Richard Shickel's "The Disney Version" fearlessly exposed the sadomasochistic tendencies of Mickey Mouse and friends, and by then it was too late. The E. C. comics had become collector's items.

There the story might have rested, if it weren't for Milton Subotsky, British producer of horror movies and old-time E. C. fan. Subotsky bought the movie rights for all the E. C. horror titles from their publisher, William M. Gaines, and "Tales from the Crypt" is the first film made from the material.

In the movie version, he is played with suitable ham by Ralph Richardson. Five people are taking a conducted tour of a crypt (actually, London's Old Highgate Cemetery) when they suddenly find themselves in a creepy stone throne room. The Crypt Keeper enters, they ask what the hell is going on and the answer is - wouldn't you know - hell itself.

The five stories all work on the principle that an evildoer should be punished ironically by his own misdeed. I don't want to reveal the punishments, of course; but I will say that the inmates of a home for the blind (led by Patrick Magee, the writer in "A Clockwork Orange") plan a particularly painful revenge upon their cruel superintendent (Nigel Patrick).

In addition to such distinguished names as Richardson, Magee and Patrick, the movie also features good old horror-film superstars like Peter Cushing, Joan Collins and (unless I'm mistaken) Vincent Price in an unbilled walk-on. The direction is by Freddie Francis, who has something of a cult following among horror fans, and the visuals and decor have been planned in bright basic colors and gray, so they look something like comic panels. One further note: If Santa Claus knocks at your door tonight, don't answer.

Encryption is never out of the spotlight in this industry, but the methods that businesses can deploy to encrypt their data are wide-ranging. Daniel Brecht examines the pros and cons of the various solutions on offer

Software-Based EncryptionSoftware encryption programs are more prevalent than hardware solutions today. As they can be used to protect all devices within an organization, these solutions can be cost effective as well as easy to use, upgrade and update. Software encryption is readily available for all major operating systems and can protect data at rest, in transit, and stored on different devices. Software-based encryption often includes additional security features that complement encryption, which cannot come directly from the hardware.

The protection granted by these solutions, however, is as strong as the level of security of the operating system of the device. A security flaw in the OS can easily compromise the security provided by the encryption code. Encryption software can also be complicated to configure for advanced use and, potentially, could be turned off by users. Performance degradation is a notable problem with this type of encryption.

When a device is used on a host computer, a good hardware-based solution requires no drivers to be loaded, so no interaction with the processes of the host system is required. It also requires minimum configuration and user interaction and does not cause performance degradation.

A hardware-based solution is most advisable when protecting sensitive data on a portable device such as a laptop or a USB flash drive; it is also effective when protecting data at rest. Drives containing sensitive data like that pertaining to financial, healthcare or government fields are better protected through hardware keys that can be effective even if drives are stolen and installed in other computers.

Self-encrypted drives (SEDs) are an excellent option for high-security environments. With SEDs, the encryption is on the drive media where the disk encryption key (DEK) used to encrypt and decrypt is securely stored. The DEK relies on a drive controller to automatically encrypt all data to the drive and decrypt it as it leaves the drive. Nothing, from the encryption keys to the authentication of the user, is exposed in the memory or processor of the host computer, making the system less vulnerable to attacks aimed at the encryption key.

Hardware solutions, however, might be impractical due to cost. Hardware encryption is also tied to a particular device and one solution cannot be applied to the entire system and all its parts. Updates are also possible only through device substitution.

Companies need to consider factors like impact on performance, backup, security and available resources to decide on proper encryption implementation. Businesses should consider the risks involved in losing the data they handle, but also how long they need to keep data encrypted and how well they would be able to manage encrypting keys with each solution.

When data is at rest, especially on removable devices, hardware-based encryption is often best. By encrypting entire disks or USB drives, everything is secure, from directories to file systems to content. Authentication should be done prior to booting so that not even the OS is started if the user is unauthorized. However, smaller companies might find it hard to justify the expense even for the added security and better systems performance.

If data is in transit, however, file level encryption is more appropriate: files and folders are singularly encrypted and stay encrypted regardless of how and where they are transferred. Possibly less expensive, these solutions are prone to a number of drawbacks from performance degradation to less-than-perfect protection due to hackers exploiting OS and memory vulnerabilities that expose encryption keys.

Encryption is necessary and is the best mechanism to protect data confidentiality, integrity and genuineness. It minimizes the chance of security breaches and adds layers of protection to secure data. Costs related to data loss and requirements dictated by law should be incentive enough for all businesses to adopt solutions, regardless of whether they are hardware-based or software-based.

Sources state that the film was actually completed, however it was shelved because the concept required a primarily black cast. However, it was shot with a primarily white cast because it was thought that an all-black cast would not be commercially viable. Because of this, Dead Easy was shelved by producer Joel Silver due to not wanting to be labeled a racist.

There's no script release for either of the lost tales movies, but it could be possible that either film was reworked into another film. Just as Ritual was released as a stand-alone film before being rereleased with a crypt keeper introduction, and as it was later revealed movies such as From Dusk Til Dawn and The Frighteners were written with the intention of being released as a Tales from the Crypt films. 152ee80cbc

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