Pan-European magazine Music & Media viewed the song as a "mellow floater".[12] James Hamilton from Music Week's RM Dance Update described it as an "African chanted haunting Euro hit"[13] and a "exotically atmospheric haunting ethereal drifter".[14] Ian McCann from NME wrote, "What language is this? A chant, a Soul II Soul sort of beat, those appalling South American pan pipes that they have on TV nature programmes whenever they show mountains, and presumably, the intention to get a Future Sound Of London kinda hit. But the lullaby works. I'm...gradually...falling...to...zzz."[15] James Hunter from Vibe deemed it "an eager pop confection of continental synths and excellent singing from "the rain forest pygmies of Africa"."[16] Mike Joyce from The Washington Post complimented it as "a dreamy slice of Euro-pop dance music blended together with the haunting voices of a Pygmy chorus and an unidentified female from the Solomon Islands, who implores 'Don't cry, don't cry, your parents are never coming back.'" He added, "Her pinched, plaintive voice is set off by wooden flutelike synth sounds, a programmed drum track, Pygmies chanting in the Central African Baka dialect, and additional vocals. The result is a curious, video-friendly synthesis of ancient and contemporary cultures."[17]
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