Download Stand Here Alone Full Album

One of Indonesia's most well-known Punk and Pop Punk musical artists is Stand Here Alone from Bandung Barat. Because of their direct and honest lyrics, upbeat live performances, and catchy melodies, their music has struck a chord with listeners. They have a number of popular songs, including "Hilang Harapan," "Kita Lawan Mereka," "Wanita Masih Banyak," "Indah Tak Sempurna," "Mantan," "Jav," "Maha Benar," "Korban Lelaki," "Move On," and "Dustai."

"Hilang Harapan," a song by Stand Here Alone that explores the difficulties of coping with disappointment and loss, is one of the album's highlight tracks. The band's skill at fusing bright, sing-along-worthy music with depressing lyrics is on full display in this song. "Kita Lawan Mereka," which means "we fight them" in English, is another noteworthy song. The topic of the song is standing up against injustice and inequality, making it a potent anthem for underrepresented groups.

Fast-paced, guitar-driven music by Stand Here Alone is known for its relatable lyrics that connect to its followers' lives. Their music gives the young people of Indonesia a voice and has given them a huge fan base there. Stand Here Alone has quickly become one of Indonesia's most well-known Punk and Pop Punk artists thanks to their distinctive sound and intriguing lyrics.

At the edge of our forsaken lands

Sign that we stand here alone

Nothing to say when the evil finally burns

We all stand in silence for the wasted and gone

One warrior standing, through a thousand years strong

Our past lives still shining, the starlight reveals

Our glory remembered, with the power of the steel

And the Winter rail will, around the brave and fallen

Like the sands of endless time, they'll never be forgotten

We all stand in silence for the wasted and gone

For the last time we cry now for freedom

Download Stand Here Alone Full Album

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From the years of our forsaken lands

Sign that we stand here alone

Nothing to say when the evil finally burns

We all stand in silence for the wasted and gone

One warrior standing, through a thousand years strong

Our past lives still shining, the starlight reveals

Our glory remembered, with the power of the steel

And the Winter rail will, around the brave and fallen

Like the sands of endless time, they'll never be forgotten

We all stand in silence for the wasted and gone

For the last time we cry now for freedom

And the years of our forsaken lands

Sign that we stand here alone

Nothing to say when the evil finally burns

We all stand in silence for the wasted and gone

One warrior standing, through a thousand years strong

Our past lives still shining, the starlight reveals

Our glory remembered, with the power of the steel

And the Winter rail will, around the brave and fallen

Like the sands of endless time, they'll never be forgotten

We all stand in silence for the wasted and gone

For the last time we cry now for freedom

Well, one reason was that nobody was really looking after the money, and that the recording studio they were building was eating up a lot of it. They were also hiring expensive help: Phil Spector was hired to scout American talent out of Apple's New York office, as well as to ruin what became the "Let It Be" album. There was an upside to this, though, probably the best Apple single that never saw a full album.

GROSS: Ed Ward reviewed the new singles compilation "Come and Get It: The Best of Apple Records." It's been released as a stand-alone album, and it's also included in a new Apple Records box set that Ed will be reviewing in an upcoming segment.

My first ever vinyl purchase was the Silver Jews album American Water when I was fourteen years old which was only the beginning of my journey as a Jews enthusiast. A few years later Bermans book of poetry, Actual Air, became my introduction into reading poetry and still stands as one of my favorite collections today, if not my favorite.

TUCKER: Isbell's album "Weathervanes" features songs about school shootings and opioid addiction, but he roots his anguish in a kind of stubborn optimism that better times are possible if we each connect with people to affect collective changes. This sense of responsibility shines through on one of the best songs here, "Middle Of The Morning."

TUCKER: Where Isbell's "Weathervanes" sounds like a new attempt to describe the world around him with unsentimental honesty and precision, Crowell's "Chicago Sessions" sounds like an old pro who's realized he has a few more hard-won life lessons to share. Crowell released his debut album in 1978, a year before Jason Isbell was born. Nevertheless, there's a youthful lilt in his voice when he swoops into the chorus of a beautiful song such as "Loving You Is The Only Way To Fly."

RODNEY CROWELL: (Singing) Can't find the strength to stand alone, can't seem to find my way back home. I fell so far, so deep - can't eat, can't breathe, can't sleep, which all comes down to one more round of me, myself and I. Loving you is the only way to fly. Loving you is the only way to fly.

TUCKER: The harmony vocal there is from co-writer Sarah Buxton. You can never tell at what moment in a career a musician will strike a new vein of inspiration. But this is one of those moments for Rodney Crowell. He's made one of the most open, least self-conscious albums of his career, recording songs full of generosity and gratitude toward the people in his life.

MOSLEY: FRESH AIR's executive producer is Danny Miller. Our technical director and engineer is Audrey Bentham. Our senior producer today is Therese Madden. Our interviews and reviews are produced and edited by Amy Salit, Phyllis Myers, Roberta Shorrock, Sam Briger, Lauren Krenzel, Heidi Saman, Ann Marie Baldonado, Seth Kelley and Susan Nyakundi. Our digital media producer is Molly Seavy-Nesper. Thea Chaloner directed today's show. For Terry Gross, I'm Tonya Mosley.

On Wednesday, June 15, 2016, the Columbia University community gathered on Low Plaza for a remembrance event and show of solidarity, love and light for Orlando. Watch here and view our album.

Tonight, I am meeting most of you for the first time. I had imagined meeting during much different circumstances. Instead, here we are; facing, together, the sorrow of this tragic loss of life. My hope for tonight is that each of us will notice we are not alone in our grief or anger or confusion over the events in Orlando; that we can come together as a university community to support each other both in this moment and as we find our way forward.

Man cannot live by champagne alone -- he also needs the music of Emmanuel Chabrier, which is the aesthetic equivalent of a chilled split of Dom Perignon. If that sounds good to you, it's not too late to catch New York City Opera's divinely silly production of Chabrier's "L'Etoile," an operetta full of surreal happenings and sparkling tunes. Mark Lamos's dizzy staging is as slapsticky as a Chaplin short, and Robert Orth, the star of the evening, not only mugs like a trouper but also does a cartwheel and a split, an event almost certainly unique in the annals of opera. Alas, there is only one performance left, Thursday at 7:30 p.m., so drop everything, pack your funny bone and head for the New York State Theater. You will return refreshed.

Barbara Lea has been singing movie songs at Judy's, the cabaret next door to the Joyce Theater in Chelsea, and I had a front-row seat for one of her Friday night shows. You probably haven't heard of Lea, an untrendy, unshowy old pro whose interpretations of standards have the poised simplicity that comes only with age and wisdom. Like too many musicians of her generation, she can't get a record label deal, but you can and should order "The Melody Lingers On," her latest CD, from www.cdbaby.com, the Web store that specializes in independently released albums. Most of what she sang at Judy's is on the new album, including a hushed version of "The Man That Got Away" that's every bit as good as Frank Sinatra's 1954 recording.

Larry Goldings, the Hammond organ whiz, took a few days off from touring with James Taylor and brought his trio into the Jazz Standard last week. I raved about "Sweet Science," his latest CD, already in this paper, so I'll say only that Goldings's group is exactly my idea of a great jazz combo -- witty, tight, daring, surprising. I'd never heard him play alone, but he did a version of Randy Newman's "I Think It's Gonna Rain Today" in between trio numbers that made me wish he'd cut a solo album one of these days. ff782bc1db