Amapiano, a Nguni word loosely translated to "the pianos", is a south african subgenre of house music that emerged in South Africa in the mid-2010s. It is a hybrid of deep house, jazz, and lounge music characterized by synths and wide percussive basslines.

The genre's popularity has created a proliferation internationally, where producers attempt to replicate or fuse the sound with other genres for their next hit.Examples of such is Nigerian artist Davido's "Champion Sound" with South African artist Focalistic. This track was a major hit that led to the surge of Nigerian artists attempting to use the south African sound. The track "Monalisa" by Lojay featuring Chris Brown contains the signature "log drum", also known as the slit drum and other amapiano percussive elements.[23]


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One of the key elements of amapiano is its use of piano melodies that are often played live, with a focus on improvisation and experimentation. This makes each performance unique and different, and it is not uncommon for DJs to incorporate other musical elements like drums, saxophones, and basslines into their sets.

Kabza De Small is widely regarded as one of the first popular amapiano artists and a pioneer of the genre. He began his music career in 2009 as a DJ, and eventually transitioned to producing amapiano in the early 2010s. As for where he first performed, it is difficult to pinpoint the exact location or event.

Amapiano is a unique and distinctive genre of house music that has gained popularity in South Africa and beyond. Its early emphasis on piano melodies has evolved but its slower rhythms, and heavy bass grooves combined with its fusion of different musical elements, has made it a favorite in clubs and music festivals around the world. With artists like Kabza De Small, DJ Maphorisa, MFR Souls, Focalistic, and Lady Du leading the charge, the future looks bright for the amapiano scene.

In this Op-Ed, Matuba Mahlatjie explores the cultural significance and unintended political implications of the amapiano music genre in South Africa. He also expands his thoughts on the profound impact amapiano has had on our cultural landscape, developing into a symbol of social cohesion, uniting people from diverse backgrounds while showcasing the talent and creativity of South African youth on the world stage. 


"I am glad that my people do so much with so little," is a quote from a BBC documentary where Cassper Nyovest lauds the pioneers of amapiano and those who continue to produce sounds that have revolutionised dance music in South Africa and the world.

My friends also know me as a music snob who loves classical music, opera and choral music to be precise, but amapiano has topped the chart in my personal life as something that makes me want to wake up and live my purpose.

I have already confessed to being a lover of Western classical music, and I think a collaboration with an orchestra and a live log drum should happen in my lifetime. Not necessarily to appease me but to showcase how amapiano is a global product that fits anywhere.

In the same way we felt connected to amapiano, I'd like everyone to take this as a personal note of thanks for composing the beautiful music, supporting the artists, and everything else that has elevated us and earned us respect worldwide.

One of my personal goals as a storyteller with an interest in youth culture is to regularly travel to, learn more about, and then report on Africa. Why? It has the youngest population in the world. Right now, 70% of sub-Saharan Africa is under 30. The direct impact of that is an unrivalled energy, a new crop of tastemakers with a drive to innovate, and to push the possibilities of where the continent can go next. That is palpable in its musical rebirth. Apple Music reported a 500% overall streaming increase for African DJ mixes between August 2021 and August 2022. South African genres like amapiano are dominating dance music and soundtracked our dancefloor reunions in clubs after the lockdown lifted in the UK. DJs started mixing amapiano into their festival sets, Notting Hill Carnival set up its first-ever amapiano stage last year, the sound has been interpreted by Wizkid and Jorja Smith and viral Tik Tok dance crazes have chauffeured amapiano far and wide. While the earlier sound was characterised by jazz-infused high-pitched piano, it has morphed into an electronic force with a pounding log drum and local languages, ululations and ad-libs.

The key to his appeal lies in his embrace of sounds from all over the continent, especially amapiano. His album Work of Art mixes the popular Afro-house offshoot with Mauritian sga music as well as fj, an Indigenous Yoruba genre from Nigeria.

In 2019, the South African singer found success with her vibey debut single "Getting Late," but her global breakthrough this year came from the universal catchiness of "Water." Serving as just a sample of the 21-year-old's incredible musical talent, the viral amapiano track also earned the singer her first GRAMMY nomination this year in the newly minted Best African Music Performance category, alongside ASAKE & Olamide's "Amapiano," Burna Boy's "City Boys," Davido and Musa Keys' "UNAVAILABLE," and Ayra Starr's "Rush."

If you travel to South Africa, you will hear house music, and you'll hear different versions of it in every corner of the country like amapiano, it's the latest subgenre to take over the country. From Johannesburg, NPR's Eyder Peralta explores why house music is so beloved.

PERALTA: In the rest of the world, house music receded, but here, it's ebbed and flowed. And at the moment, it's a flood. The beats per minute dropped. It became more chill, the lyrics more mature. And no matter where you go, you'll hear a new mutation called amapiano.

PERALTA: DJ Booj was getting ready for his set. He says house music did fall a little out of favor in the mid-aughts, but amapiano was incubated in homes during the pandemic. And now the beats are coming to life on newly reopened dance floors.

PERALTA: As DJ Booj sees it, amapiano reaches back to kwaito, the music South Africans were dancing to when segregation ended. Like kwaito, amapiano is jazzy. It's sung in African languages. And it's also chill. Not long ago, house was being played at 128 beats per minute.

Today, the most exciting celebrities to be found in the South African music scene come from amapiano. Focalistic, DBN Gogo, Pabi Cooper, Reece Madlisa, Zuma, Daliwonga, Lady Du, Nkosazana Daughter, Sir Trill and many more new heavy hitters all drink from the fount of amapiano.

These diverse exploits and activities foreground a much-needed independent mindset because amapiano still lives in a space somewhere between underground and mainstream. From production to promotion, there is a can-do, do-it-yourself attitude among amapiano artists that promises to shift paradigms of how music is both appreciated and consumed. It also reflects how the most interesting developments in music such as jazz, punk, grunge, hip-hop and now amapiano, invariably emerge from underground scenes.

Sometimes it is easy to think that amapiano is evolving much too fast for its own good. Already, the corporates are no doubt lurking over its fresh offerings, dreaming up ways to exploit the amapiano craze. After all, other youth music movements like hip-hop in the US and K-pop in South Korea have become ultra-commercialised.

By early 2019, amapiano, a style of house music that emerged in South Africa in 2012, had taken over the radio and clubs of South African townships and made stars of artists such as DJ Stokie, Junior Taurus, MFR Souls, Mr JazziQ and Josiah De Disciple, and Kabza De Small.

Producer DJ Maphorisa credits De Small, a 28-year-old DJ and producer from Pretoria, with being one of the first acts to lay vocals over amapiano beats. Amapiano borrows from the South African genre of Kwaito, while the music itself blends elements of Kwaito with jazz and deep house.

Vocally, my influences are all over the place. I like a lot of different music. I would say Bjrk is the biggest influence for me. Kelela is also a big influence for me. In South Africa, the biggest influence would have been Lebo Mathosa, a big kwaito vocalist, which is a predecessor genre to amapiano. She was fabulous. I think I echo her in a lot of the ways that I present myself and music.

While preceding genres and music movements have taken advantage of the ready availability of software that can be purchased or digitally cracked to mimic a physical studio, amapiano has been the most radical departure from established and entrenched ways of making, marketing, and distributing music in South Africa thus far. 9af72c28ce

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