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I've noticed that songs coming up in the search results are occasionally greyed out, and I can't play them.This happens on mobile devices, the web player and the desktop player. I originally figured those were premium-only or something, but having started a trial I noticed they're still greyed out. I also noticed that the amount of greyed out songs seems to be increasing. At first I thought this was a regional block (I'm currently in Germany, and some of the greyed out music works in the Netherlands); in many cases, this applies to entire albums (such as this album). However, I'm increasingly seeing it on individual songs on an album (e.g., the first and eighth song on this album), and even on songs that I used to be able to play in the past. Also of note- songs aren't greyed out consistently. For example, the album I linked above was added to a playlist by the band, and the songs look normal there.
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This solved question supports the idea that a regional block is the cause, but I'm really confused as to how that relates to individual songs being blocked (as compared to full albums, which I understand). See also here and probably many similar questions.
Hey there @namnatulco and welcome to the community! The greyed out tracks just mean that for whatever reason, they are unavailable in your country. This could be due to licensing or the request of the record label or artist. Unfortunately, this is something that Spotify doesn't have control over as it is up to the individual music companies.
Thanks for the response! Having moved to Germany fairly recently, I thought this might be related to the pretty strict censorship laws here, rather than due to the labels, but I guess that isn't the case then.
Not necessarily impossible! Follow that link at the bottom. You can enquire about it there. Sometimes you can find out, other times you cannot very easily. In some cases like Taylor Swift's, it makes the news, so sometimes you can Google it to find out.
This is not particular to Spotify. I had songs by Dogg Master saved to playlists in Spotify and had even paid for them in iTunes store where for a period of weeks they were unavailable at the same time. Out of curiosity, I checked Amazon UK and the same album was also withdrawn for sale there. These tracks have since reappeared so I would say this is strictly a licencing issue.
As I said above, I have even had this with music bought and paid for on iTunes. This is a rights issue and if the artist or publisher changes their position on rights the track can be lost to the listener. Streaming and the rights associated with it are a complex issue and the only way to ensure you have access is to buy the music on disc or download
I lost access to The Best of Black President 2 (Fela Kuti) in Spain a few days ago, so sad... I really liked this album. On the other hand, a song by Prince that had been greyed out "came back" a few days ago.. I know it's producer's / record label's choice in most cases but it is really annoying for customers... Maybe Spotify should pay attention to this, negotiate deals or whatever...
For example 16 years ago I bought the official soundtrack CD of the movie Le Fabuleux Destin Amelie Poutain with music from Yann Tiersen. I bought this CD in my home country the Netherlands, when I want to listen to this album on Spotify some songs are unplayable(greyed out) like the first one and I'm still in the Netherlands.
 Singers Mahendra Mistry's work cherishes India's celluloid inheritance. It includes traditional painting and digital wizardry and depicts movie stars, film scenes, songs and sentiments. This is done with precise, careful drawing and soft, old world tones on canvas. Tints of sepia, old gold, brass, bronze and charcoal with highlights, like studio spotlights, abound. This is work where we need not guess the meaning, we know immediately that it is real, emotional and deeply evocative of the way the world used to be.
Indian movies are loved across the world. One is amused to find Sudanese, Irish or Russians and folk from the deepest Chad, Congo or New Guinea speak knowledgeably and affectionately about them. (Some time ago, the British declared Amitabh Bachchan their favorite actor!) "Oh how much we laughed and oh, we never recovered from Rajesh Khanna's death in Anand," are common comments. No one has accused old Indian movies of overriding local art or destroying local culture. To the contrary, everyone seems to identify with their depictions of universal situations. 'Universal' maybe but also filled with unbelievably gorgeous men, unbelievably holy and divine looking women (and well before plastic surgery): a golden corridor of nostalgia when love between the genders was a fact of life, when children were considered everybody's and movies were still highlighting humanity's highest values. This universe brimming with drama, villains, contrasts between the rich and poor, empathy, and the new joy of independence is the world that Mahendra Mistry has recreated. He has used time and talent: first remembering, then filtering memories into sharp drawings, adding special effects with software, printing them on canvas, and again drawing and painting on them. The result is many layers of work, old fashioned, realistic and recognizable albeit combined with the latest Photoshop techniques and finished with actual paint. Every Indian (and many an African, Arab or Afghan) who sees them will be overwhelmed with memories. Remember Shashi Kapoor and Simi in 'Siddhartha', remember Nutan in Milan', and the glorious Dev Anand and Waheeda Rehman in 'Guide' were the sighs and whispers in the gallery. These stories, these collective memories and emotions are captured here in pictures: a national family affair, possibly an international one, as these movies often traveled to remote Africa, the Far East, South America and mostly everywhere. Anyone who saw Hindi movies from this golden era will enjoy these paintings, a diary of collective memory, beloved stories, songs sung often, diamond eyes, legendary directors and the golden spotlight of fortune.
Mahendra Mistry grew up in a small town in Gujarat. He loved movies and, as a child, scraped together pocket money to see them. He said movies cost one rupee, a good sum those days. He reminisced about the poets then engaged to write songs, the authors who composed romantic tales, swashbuckling heroism, occasional suspension of possibility and the glittering gods and goddesses who acted in them. This was a time when those who worked with movies did so because of a compulsion, for while talent was abundant, money was scarce.
Movie making began in India almost as soon as movies were invented and thousands grew up loving these screen heroines. However movies were released in cities like Mumbai first and small town residents saw them much later. Meanwhile Radio Ceylon broadcasted the songs weeks in advance and so people often knew them by heart. Mistry said his friends even had cassettes with entire dialogues and songs, everything but the visuals. The first boy to see the movie would gather a rapt crowd of friends and relate the story, scene by scene: how the train engine swung into the station, how the light changed, how the sky shone, how and when the rain came down. Such skill! He would start with credit lines, then the numbers that flashed, hum out the opening music and describe how and when the hero appeared. Often when Mistry went to a movie, he had already heard the dialogues and sung the songs for hours with his pals, a traditional Indian pastime. These songs were usually exquisitely worded, written by much loved, nationally acclaimed poets.
Mahendra is a modest person with the dreamy expression of a painter and a frequent filmgoer. He wanted to paint and his family wondered how he was going to support this habit. However his father respected this wish and let the boy study at the local art college. Mistry then painted, illustrated children's stories, and today reminisces that printing books at the press filled town of Sivakashi took months. He drew pictures for small magazines like Jansatta, Chandni and Rangtarang. He remembers being restricted to four colors for this was a time long before the days of offset printing. Often requested to visit the printing presses, he refused as they were in faraway Madras/Chennai and the whole travel and printing process was pretty lengthy.
While Mahendra has different genres to his credit, this particular series is a memory chip for Indian movies, mostly Hindi ones. His first paintings were typically realistic for he did little abstract experimentation. He drew figures of tribal Adivasis, ('first inhabitants'), dabbled in folk art, and painted scenes of rural life and villagers near Ahmedabad. He saw them at various country fairs, like the Tarneter fair, Diwali melas and the festival when Gods too celebrate Diwali in heaven. He remembers going to Dang for the sugarcane festival where sugarcane is munched and the delicious fresh juice drunk. Next he did a classical dance series and went on to paint Ganesh. Traditional topics much loved by Indian schoolteachers! However he loved Mumbai and its movie culture of heroes, stories and the silver screen.
"Yes, yes," he nods excitedly thinking of its 'filmi' culture, that renowned filmmakers lurk just round the corner, where one breathes the same air as legendary heroes, where memories are made, and cheers and tears flow as values are pondered in Technicolor. Mumbai was always a place where things were possible. Tales of rags to riches and alas, riches to rags, of love beyond measure, of unselfish friendship, faith and loss were common currency, for everything was on a magical scale with really grand stories. And then over the years he decided to depict this loved inheritance in a truly novel way, painting a diary of drawings, adding printing, software, and then painting and printing again and again. Each painting takes him a month and he usually does a couple together. There are many references here for those who know the stories behind this series. This is a treasury of movie memories and a nation's emotions which still resonate across today's arbitrary political and geographical borders. 152ee80cbc
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