It didn't really matter whether I liked "Can't Fight This Feeling" or not; I listened to it over and over and over, much as people do now with their very favorite songs. Top 40 was relentless (and, you'll notice, rather white), so if that was the direction you went, as it was for me, you heard what you heard and you didn't customize the experience. And, for the record, radio was more genuinely local; this was before the entire structure changed in the 1990s.

I wonder sometimes what the current version of this kind of nostalgia is. Obviously, people who are now the age that I was then will have these pangs about something, but it can be hard to know what. It's not as if it's always Top 40 songs for me. The other week, I was singing to myself a jingle from the Van Scoy jewelry stores. It dates back to at least the early '80s, and it starts, "I'm a lucky girl, hooray, oh boy!" Because, of course, she has a diamond from Van Scoy. I always found this music extremely annoying, but now, if you sing it, I will fully belt along. (And I am not alone. I had no idea, but this delighted me.)

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Perhaps that's the appeal of 80s Chillpill. Perhaps because I was rarely hearing these songs by choice, they are stapled indifferently to the widest variety of memories: being sad, happy, bored, frantic, lonely, with friends, in the car, in my room, studying, reading, hanging out. Doing things that were meaningless, but doing them in good company.

Mine does this a lot. A trick I do is change all the songs that won't sync in some subtle way. I add a comment to them all. Then sync, delete the comment, and resync again. That works for me every time.

I am having the same issue here, and am tired of having to look through a library of 28,000 songs EVERY SINGLE TIME time to see if iTunes decided to not sync random songs (and I ALWAYS find some). While these workarounds do work, I do not have time to do scour my device every time I sync my music. Very disappointed that Apple has not found a way to fix this syncing glitch, despite multiple updates, none of which seem to address this issue.

I'll say it more clearly, random songs from different CD's are not syncing. For example, a couple of songs from a single CD won't sync, where as the whole CD is on itunes. The burned CD will have all tracks 1-11 & they all play on itunes, but on the iphone it's just a few out of the 11 that actually get transferred, I've tried so so many things to fix this! And, out of almost 4000 songs, It's only a couple hundred that don't transfer, & it's extremely random, not limited to one specific artist, but it's same tracks that don't transfer.

If you're not seeing one of the errors listed in the resource above, have you noticed if the songs that are not syncing to your iPhone are in a different format than the other songs? This may be able to help determine if there's an incompatible issue with the songs you're trying to sync.

Recently I have not been able to view my liked songs in Android Auto. It just says "No items". I can search within my liked songs and find results but I can't just play my liked songs. Other playlists (discovery and my own) seem to work fine

Yup same issue here, started Friday I think. Was just about to post and saw yours. Tried everything, resetting AA, clearing data/cache in Spotify, clean reinstall etc... Nope. Just tried again and all my liked songs are gone, and all playlist empty, when you click anything says "no items".

Desktop is fine, and if in my truck now and AA can only get it to work on phone, no problem with liked songs or playlist, but in AA now just says no items. Was working fine like normally till few days ago, no AA or phone update either (S21+).

Same here, just started for me on Friday. I can't search my liked songs in AA either. Every other playlist seems to show up fine, I was wondering if I had too many Liked songs but I don't even think I added anything new before this problem started. Waze also stopped working Friday too, clearing the cache for waze and AA worked but not for Spotify

Hi- I'm having the same problem as well. It worked just fine the other day and then bam, can't view my liked songs. Mine just comes up saying no content but I can go to app on my phone and it shows them and will play them in my car but only if I have the shuffle button on. Othetwise, it plays the one song I picked and then nothing after that. I have no issue with anything else on the app. It's my liked songs only. It also does the same thing with the spotify app on my car screen. I more less listen to my liked songs when in the car and I have over 2000 downloaded.

My "Liked Songs" playlist is no longer showing any music and displays a message that reads "No Items". This only happens in Android Auto. All other playlists seem to be loading fine, its only liked songs that doesn't load.

The Song of Songs is considered one of the five megillot (scrolls), which are read on major festivals. It is traditionally chanted in the synagogue during Passover, due to its thematic connection with springtime. Following the mystical tradition, some Sephardic and Hasidic Jews have a custom to recite it each week on Shabbat evening, as Shabbat serves as a renewal of loving vows between God and the Jewish People. While the tradition ascribes the its authorship to King Solomon (Song of Songs Rabbah 1:1), who lived in the 10th century BCE, modern scholars note the many literary parallels with other love poetry and wedding songs from both Babylonia and Egypt and suggest a later date of composition, perhaps around the fourth through sixth centuries BCE.

The introduction calls the poem "the song of songs",[13] a phrase that follows an idiomatic construction commonly found in Scriptural Hebrew to indicate the object's status as the greatest and most beautiful of its class (as in Holy of Holies).[14] The work is also referred to as the "Song of Solomon", meaning the song 'of', 'by', 'for', or '[dedicated] to' Solomon.[15]

The Song was accepted into the Jewish canon of scripture in the 2nd century CE, after a period of controversy in the 1st century. This period of controversy was a result of many rabbis seeing this text as merely "secular love poetry, a collection of love songs gathered around a single theme",[36] and thus not worthy of canonization. In fact, "there is a tradition that even this book was considered as one to be excluded."[37] It was accepted as canonical because of its supposed authorship by Solomon and based on an allegorical reading where the subject matter was taken to be not sexual desire but God's love for Israel.[38][39][40] For instance, the famed first and second century Rabbi Akiva forbade the use of the Song of Songs in popular celebrations. He reportedly said, "He who sings the Song of Songs in wine taverns, treating it as if it were a vulgar song, forfeits his share in the world to come".[41] However, Rabbi Akiva famously defended the canonicity of the Song of Songs, reportedly saying when the question came up of whether it should be considered a defiling work, "God forbid! [...] For all of eternity in its entirety is not as worthy as the day on which Song of Songs was given to Israel, for all the Writings are holy, but Song of Songs is the Holy of Holies."[42]

The Fortunoff Archive asked musician-in-residence, Zisl Slepovitch, to locate these songs, conduct research about the origins of each song, and then arrange and record versions with his ensemble, featuring Sasha Lurje.

In addition to private occasions on which Jews played music, sang and even danced, music was performed publicly in some ghettos. Street singers performed in d, Warsaw, and Krakw. Professional musical performance was censored and controlled by the authorities, but theater revue shows took place and concerts of classical music were performed in several ghettos. In Warsaw, Adam Furmanski (1883-1943) organized small orchestras in cafs and soup kitchens. A symphonic orchestra played in the ghetto until April 1942, when the Nazi authorities closed it down for performing works by German composers. In d, the head of the Jewish Council, Chayim Rumkowski, oversaw musical activities. The culture center was especially adapted for musical and theatrical performances by a revue theater, a symphony orchestra, and the Zamir choral society. In the Krakw ghetto, chamber and liturgical musical selections were performed. The Vilna ghetto had an extensive program of musical activities, with a symphony orchestra, several choirs, and a conservatory with 100 students. A revue theater presented many popular songs about ghetto life.

For this album 13 songs were selected for a new musical arrangement and performance. The songs were sung by survivors in three languages: Yiddish, Polish and French. The singers sang the songs during their interview with a smile on their face. Some of the songs are humorous, some realistic, and some are pre-war songs that received new meanings as a few songs are parodies (contrafact) i.e., new lyrics to known melodies are created to express the circumstances and emotions of that time.

The song patterns of humpback whales (Megaptera novaeangliae) depend on where they live, with populations inhabiting different ocean basins normally singing quite distinct songs. Here we record a unique and radical song change in the song of humpback whales in the Pacific Ocean off the Australian east coast. Their song was replaced rapidly and completely by the song of the Australian west coast population from the Indian Ocean, apparently as a result of the introduction of only a small number of 'foreign' singers. Such a revolutionary change is unprecedented in animal cultural vocal traditions and suggests that novelty may stimulate change in humpback whale songs. 0852c4b9a8

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