"Space Cadet" is a song by American record producer Metro Boomin, featuring vocals from American rapper Gunna. It was sent to rhythmic contemporary radio through Boominati and Republic on January 29, 2019, as the second single of Metro's debut studio album, Not All Heroes Wear Capes (2018).[1]

"Space Cadet" is primarily produced by Metro Boomin and Wheezy, with Allen Ritter as an additional producer. Meanwhile, the vocals are handled by Gunna, with background vocals at the end from American rapper and singer Travis Scott, a close friend and frequent collaborator of both Metro and Gunna. On the song, Gunna raps about his lavish lifestyle. It is mostly a reference to the Rolls-Royce Wraith, an expensive car that is known for its starry ceiling. A space cadet is a trainee astronaut.


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It marks the second official collaboration between Metro and Gunna, following Gunna's 2018 song "Car Sick", which also features Canadian rapper Nav, who is a close friend and frequent collaborator of both artists. The song is from Gunna's commercial mixtape, Drip Season 3, to which Metro served as an executive producer on and also produced four other songs from the project, "Helluva Price", "Pedestrian", "My Soul", and "No Joke". Gunna also makes another appearance on the album alongside American rapper and label boss Young Thug on the song "Lesbian".

"Space Cadet" debuted and peaked at number 51 on the US Billboard Hot 100 chart, on the week of November 17, 2018.[3] The single also debuted at number 22 on the US Hot R&B/Hip-Hop Songs chart.[4] On November 7, 2023, the song was certified four-times platinum by the Recording Industry Association of America (RIAA) for combined sales and streaming equivalent units of over four million units in the United States.[5]

The official music video for "Space Cadet" premiered on April 22, 2019. It was directed by Zac Facts.[6] Metro Boomin and Gunna are dancing and floating around in lasers and bright lights, like a simulation of outer space. Young Thug, a close friend and frequent collaborator of both artists, makes a cameo appearance.[7]

On February 11, 2019, Metro Boomin and Gunna performed the song live on The Tonight Show Starring Jimmy Fallon.[8] In tribute of American rapper 21 Savage, a longtime close friend and frequent collaborator of Metro, the latter wore a jacket with the words "Free 21 Savage".[9] The rapper was in jail at the time of the performance for illegally being in the United States of America, but was released the following day.[10]

Rather than stepping outside and letting the crowd do an encore chant, this time they just performed the songs straight up and then went to the merch booth to take pictures and sign autographs. Mayday! proved to be class acts as usual, seeming humble with the slightly bigger crowd than last year and motivated to come back next year for an even bigger one. They stayed behind to meet every fan in the building.

This was my first exposure to anything Zappa. I was just starting to play and was so excited to see a record with a kid right around my own age on the cover. Crunchy Water was the first song I learned to play all the way through! Little did I know then that it was the start of a lifelong obsession.

Something I learned early on from working with kids is that they'll take in a really simple, saccharine-type song, and they'll memorize it. But they'll also take in whatever you give them. So, I just tried to make stuff that I enjoy as an adult.

But then, as I was working with kids, I just found that they love anything. I started writing songs in ska or whatever kind of style that I wanted, and I just tried to make it honest. And it seemed to be something that they wanted to hear again and again.

That's a good question. I mean, there's a big difference between what I do on an album and what I do live. Because after I write the songs, I have to figure out a way to perform them. Because a kid's show is such an interactive thing that you have to constantly keep the audience engaged.

To Pimp a Butterfly singles "Alright" and "These Walls" earned Lamar three more GRAMMYs that night, the former winning Best Rap Performance and Best Rap Song and the latter taking Best Rap/Sung Collaboration (the song features Bilal, Anna Wise and Thundercat). He also won Best Music Video for the remix of Taylor Swift's "Bad Blood."

From the beginning, Wilson connected with the strengths of each member: basso profundo Mike Love's wordplay and swagger; brother Carl's punchy midrange and gleaming guitar; resident folkie Al Jardine's earthiness and likeability; brother Dennis' straightforward attack on the drums, powering the whole operation. (Within a few years of their inception, Dennis would blossom as a lead vocalist and songwriter in his own right.)

"[I] started picking out the melodies of songs that I heard on the radio," Wilson recalled in his 2016 memoir, I Am Brian Wilson, citing tunes by the Chordettes, the Hi-Los, Nat King Cole, and more. Harmony singing soon grabbed his attention. The Four Freshmen were also something of an obsession, particularly for the colors in their harmonies.

"I tried to understand the way their voices were working," he continued. "To take their songs apart like they were clocks and then rebuild them for me and Dennis and Carl." The latter brother connected deeply with Black R&B, like the Penguins and Johnny Otis: "We had never heard anything like it," Wilson wrote. "They were just as sophisticated as the Four Freshmen, but different."

A harbinger of Pet Sounds-era Wilson: Murray would bring tape machines home, and Wilson seized upon their possibilities: not just as a method of getting ideas down, but for overdubbing. In the book, Wilson describes the first "real song" he ever wrote as the still-luminous "Surfer Girl," which drew inspiration from "When You Wish Upon a Star." It's hard to imagine him splicing that DNA without these simple machines.

Indeed, there are pockets of greatness throughout their entire 60-year run. Sure, you've heard "Catch a Wave," but are you hip to "Add Some Music to Your Day," their impossibly lovely gospel song from Sunflower? "Fun, Fun, Fun" is a staple, but have you beheld the head-spinning "Surf's Up," from the aborted Smile album?

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Super Lone Survivor Original Soundtrack, VENUS, TDROST, NIGHT, ECHO PARK, clouds, GHOST DRIVES, Galaxyflip / The Range, and 12 more. , and , . Purchasable with gift card Buy Digital Discography 46.40 GBP or more (60% OFF) Send as Gift   Share / Embed   1. Space Cadet (ft. Silver) 07:16 info buy track 2. Road Movie 07:16 info buy track about Originally released in 2003. Remastered in 2016. $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released May 2, 2016 license all rights reserved tags Tags ambient drum & bass drum'n'bass electronic jungle liquid funk synthwave techno disco liquid dnb United Kingdom Shopping cart subtotal USD taxes calculated at checkout Check out about space recordings UK

Lil Uzi Vert's had a busy weekend. On Saturday the rapper shared a new single called "Space Cadet," available exclusively to SoundCloud as of Monday afternoon. It's the first song from the Red & White EP, the prelude to the long-promised project P!nk Tape.

Even after dropping a new song, Uzi wasn't done making news: on Sunday, Uzi changed the pronouns on their Instagram profile to "they/them." They haven't expanded on that decision just yet, but it's already yielded at least one classic post from the Twitterverse:

The song "Space Cadet" by beabadoobee reflects a feeling of detachment and escapism from reality. The lyrics convey a sense of melancholy and disconnection from the world. The protagonist describes feeling down and unmotivated, symbolized by not leaving their bed and neglecting their appearance. They communicate a lack of concern or apathy towards others, as indicated by the line "if you look me in the eyes you'll see that I don't care."

The chorus introduces the concept of using space as a metaphorical escape from their troubles. The "candy floss made spacecraft" represents a sweet and dreamlike vessel, providing temporary relief from the burden of their thoughts. By throwing the "dirt out from my brain" into outer space, the protagonist seeks to distance themselves from their worries and find solace in the vast expanse of the universe.

In the following verses, the lyrics delve deeper into this escapism. The protagonist acknowledges the fleeting nature of life and how, in the grand scheme of things, their existence is short-lived. They contemplate the possibility of extraterrestrial beings observing humanity's struggles and even potentially causing harm. This pessimistic view contrasts with the chorus's emphasis on leaving worries behind and finding peace in outer space.

The final verse reflects on the criticism the protagonist may have faced for not writing "happy" songs. They address this critique directly, suggesting that "Space Cadet" could be considered their first attempt at a positive or upbeat composition. The overall message seems to encourage embracing a more positive outlook and accepting that life's challenges are only temporary.

In essence, "Space Cadet" by beabadoobee conveys a longing for escape, a reflection of disillusionment with reality, and a desire to find solace and peace in the vastness of outer space. It explores themes of apathy, escapism, transience, and the potential for positivity amidst struggles.

I think you're all wrong. He does say room and not womb. He also says "Calms" not "Comes" or "Cums."It's very possible this song is about a woman, or a past relationship and he's very lonely. The quick pace of the world never lets him settle, or anyone else for that matter, the world it never calms.

I like this song very much, and according to me speaks about sex: "I lay on my side in the edge of the WOMB", not room! I think this passage speaks about that kind of women who are only able to have sex, not more. Always IMHO! 9af72c28ce

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