I heard this song in the mid 2000s on the way to school when my dad played it, so I don't know what year it could be from. I think it started with a heartbeat and then a guy starts to talk over the beat. As he talks he introduces new instruments until it builds into an actual song.

One day, Nate asked Brian about a project Brian had been working on. As part of his work as a music therapist, Brian had been recording the heartbeats of babies and children near the end of their lives, then layering the rhythmic pulses over melodies.


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Music therapist Brian Schreck began working with Nate Kramer after he was diagnosed with leukemia. Together, they recorded a song of Nate's heartbeat layered over melodies. Courtesy of Brian Schreck  hide caption

honestly i would rate this higher than nine.i because the vocal processing here is soooo much better although the production is equally as awe-inspiring. it is really not THAT hard to release a decent boy group song like tan and nine.i did but kpop companies keep lowering the bar for themselves and grasping the song demos at the bottom of the trash can

Heartbeat songs are a popular music therapy intervention in medical settings, and a fantastic legacy project that we are now able to offer our patients and their families in Southeastern Kentucky, thanks to a grant through the Berea College Appalachian Fund Folk Arts and Cultures Initiative. With help from the Mountain Arts Center, we were able to complete our first heartbeat song with a hospice patient this Spring.

"Since joining Bluegrass Care Navigators, one of my goals has been to implement a heartbeat song program as a legacy project offering to our patients and their families. Heartbeat songs are a popular music therapy intervention in medical settings, and I first learned about them during my internship at University of Kentucky Healthcare. To create a heartbeat song, a music therapist meets with the patient and their family to record the patient's heartbeat using a special stethoscope. During this visit, the family chooses a special song that holds meaning for them. The music therapist then takes the recording of the patient's heartbeat and pairs it with an original recording of the chosen song so that the heartbeat becomes the percussion, or "beat", in the background.

"I knew this would be meaningful to our patients and families, and I was so glad when we received a grant through the Berea College Foundation to implement the project. With help from the Mountain Arts Center (MAC), we were able to complete our first heartbeat song this quarter.

Audra [Mae] sang on the demo and did an amazing job. It started to sound like Kelly Clarkson, so that was a natural place for the song to go. I know Kelly and we have a good connection. Whatever I was feeling, she felt, too."

Composed and donated to UNICEF by Dirani, the song is performed by 10 year-old Ansam, an internally displaced girl in Syria who was born blind. The video clip of the song was filmed in an area heavily damaged by the fighting in Syria and features other displaced children painting the rubble around them in bright colours.

This is only the second song I've had the patience to complete, even though it's made with the same, simple program as my first song. None of my songs are final products, so I'm always open to constructive feedback.

"Heartbeat songs," music that incorporates patients' heartbeats, have become increasingly popular at University of Michigan's C.S. Mott Children's Hospital. Music therapists work with heart transplant families to create customized songs with both the heartbeat from a patient's original and transplanted hearts.

Using a Bluetooth-enabled stethoscope, therapists record patients' heartbeats on an iPad. Patients or their families choose a song to record over the beat. For babies, parents may choose a favorite lullaby. Teens may choose an empowering pop song. Families also have the option of composing original music.

"It just blew our minds," Matthew's mother, Ashley Myers, says of hearing Matthew's heartbeat song. "We didn't know anything like that was even possible. It's something really special that we can keep from this experience and memories from our time here.

"There are so many parts of this process that are still difficult for him to understand," Myers adds of Matthew's transplant. "I think hearing his old and new heartbeat in music and being a part of creating it helped make him more comfortable with everything. It helped get him through it."

After the young patient showed an interest in piano, Schlabig incorporated the instrument during music therapy sessions. His first heartbeat song included his own piano rendition of the Harry Potter theme song over the beat. He performed it during a holiday recital in the hospital's lobby.

Matthew created his own song using 10 different available beats in the music creation app GarageBand and asked his second heartbeat to be incorporated into that song. He directed timing of when he wanted the music to start and fade in and out.

"These songs are often reflective of their hospitalization, their mood and how they feel waiting for a heart transplant and again post-transplant," she adds. "It gives me an opportunity to reach patients using music in a new way to relate to their journey here."

Schlabig notes that heartbeat songs can also be created as legacy pieces for families grieving the loss of a child. Special recordings of a child's heartbeat can be played through teddy bears given to families.

Music therapy can be many things, such as playing instruments, listening to music and songwriting. But music can preserve special memories as well. At St. Jude, music therapist Amy Love uses recording technology to forever capture a patient's heartbeat in a song.

A clinical and evidence-based practice, music therapy can be used to achieve both musical and non-musical goals. One musical goal might be learning to play piano. A non-musical goal might be using drums to improve motor skills. Music therapist Amy Love also helps patients attain emotional goals, such as learning to express themselves by writing and performing songs and discussing song lyrics. Creativity also helps patients cope with disease and its treatment.

Background: Music is a powerful therapeutic intervention to promote physical and psychological health, healing, and well-being. In pediatric palliative care, music therapists are often involved in preloss care. Heartbeat recordings (HBRs) synchronize the rhythm of the heartbeat into a favorite song. In preloss care, HBRs show promise in helping parents of children with progressive neurodegenerative illnesses (PNDI) cope with their chronic sorrow and the loss of their child. Objective: To explore the lived experience of HBRs for bereavement in the lives of parents of children with PNDI. Design: Phenomenological study. Setting/Subjects: Purposeful sample of 11 English-speaking parents of children with PNDI receiving palliative care services in an academic pediatric hospital were interviewed three months after receiving their child's HBR. Measurements: A semistructured interview guide was used to collect data concurrently with the mind mapping process. Results: Data from interviews revealed 4 major themes and 10 subthemes: (1) Bifocal View (parental lens vs. medical lens); (2) Navigating Life and Relationships (caregiver fatigue, grief and loss, marriage, job, brought us together, paying it forward); (3) Coping through Spirituality; and, (4) Legacy Creation (HBR as a connection, song selection). Conclusions: Parents of children with PNDI experience chronic sorrow. The HBR assisted in meaning-making that validated the child's life and supported the parents' expression of grief and their ability to cope. Further research is needed to validate the impact of HBRs in diverse populations.

I had heard of other music therapists in the medical field adding recordings of in utero heartbeats to lullabies created with high-risk pregnant mothers to increase bonding between the mother and baby.

Heartbeat Sessions builds on the music education and enrichment Arts For Life provides in hospitals through this unique experience that connects the participating young musician with our larger community and thriving music industry by creating one-of-a-kind musical moments: professionally recorded songs set the rhythm of their heartbeats.

Over fifty professional musicians have contributed their expertise to the program since its inception. Each young participant gets to choose a favorite song or write an original for the recording session.

In all capital letters to adequately convey their immense joy, Elevation Rhythm shares, "WE ARE SO EXCITED FOR YOU TO HEAR THIS SONG!" Original Master MultiTracks and other worship leading resources are now available for this declarative and stirring song "Heartbeat." The compelling and energetic lyrics sing out, "I have found what love is / I won't stop for nothing / Got me dancing through the trial / To the rhythm of your heartbeat!" "Heartbeat" truth-packed song is perfect for any youth group gathering. "Now I'm living in a brighter day / You picked up all the pieces of my shame / You see my wrongs but still love me the same."

"I have been making music out of patients' heartbeats," said Bridget. "I chop a stethoscope a couple inches from the chest tube and place a lapel mic inside. The other side plugs into my computer and I am able to record heartbeats."

Bridget said when she began the technique, it was more for terminally ill patients. The idea was to record patients' heartbeats before they passed away so their friends and loved one could listen to it as a source of comfort and remembrance.

She quickly came to the realization that this technique should also be used for patients who aren't facing terminal illness. She says recording a patient's heartbeat, then building their favorite song around beat of the heart, then allowing the patient to hear the music, can go a long way to raising spirits of patients who are facing concerns about their ongoing health issues. e24fc04721

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