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"Be Alone No More" is the debut single by British R&B vocal quartet Another Level, released on 16 February 1998 by Northwestside Records. It is from their eponymous debut album (1998), and features American rapper Jay-Z.[1] The song was written by Steven Dubin, Andrea Martin and Ivan Matias. In 1999, it was released a second time in remix form together with a cover of the Simply Red song "Holding Back the Years". The two releases peaked at number six and number eleven in the UK respectively.[2] Several UK garage remixes were also released, such as the 'Dubmonsters Mix' and 'Another Groove Mix'. The latter is a mashup with Double 99's "RipGroove".[3]

Powers had been toying with the idea of remixing "Be Alone No More" for several years before meeting George who suggested it be a good idea. They then covered the song, with George producing the single and Powers singing the lyrics.

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In the late 1980s, no clique in New York seemed more dominant than the Juice Crew. Assembled by producer Marley Marl, the group's core included the larger-than-life spectacle that was Big Daddy Kane, the slippery tongued Masta Ace, the profanely prickly Roxanne Shante and the clown prince, Biz Markie. By 1993 though, the Crew's ascendency was on the wane, with Kane and Shante both in mid-career slumps and Ace off building a new family around him, The I.N.C. As for Biz, he was content to be surviving, especially after two years of legal hell.

His 1993 album, All Samples Cleared!, was neither his most successful nor most critically acclaimed, but its mere existence was a triumph of sorts, with Biz waggling his famous tongue in celebration. To understand all this, we need to go back a couple years, to his 1991 album I Need a Haircut, and, more specifically, the song "Alone Again."

Thematically, "Alone Again," is like other Biz songs where he sets himself up as a "lovable loser," the kind of guy whose friends ditch him to hang out with girls or who rocks a show only to have to walk home by himself after. Musically, "Alone Again," samples several bars of the familiar piano riff from Gilbert O'Sullivan's 1972 hit, "Alone Again (Naturally)" and Biz sings part of O'Sullivan's hook for his own chorus (off-key, naturally). On the surface, "Alone Again," seemed to follow a very similar template to Markie's biggest hit, 1989's "Just a Friend" which also riffed off a piano loop and song hook borrowed from Freddie Scott. Behind the scenes though, a storm began to brew.

When sampling technology and practices became hip-hop's musical blueprint in the late 1980s, the business and legal rules were a thoroughly gray area. Since the techniques created digital copies of source material, copyright holders could argue that unauthorized sampling violated their intellectual property. Those doing the sampling could argue they were repurposing fragments of recorded music to create something entirely new. Up until 1991, disputes around whose argument carried more weight tended to be settled outside of court. This is where Biz comes back in.

In 1991, O'Sullivan sued Markie over the "Alone Again" sample. This case came hot on the heels of a $1.7 million settlement between members of '60s rock group The Turtles and the rap group De La Soul all stemming from a few seconds of a Turtles' song sampled by De La. With the O'Sullivan/Markie case, one complication was that Markie and his label did initially try to clear the sample through O'Sullivan but when the singer-songwriter declined to do so, the label released the song anyway. This set up the eventual legal showdown which, unlike the previous cases, didn't get settled out-of-court but instead, ended up being decided by judge Kevin Duffy in a far-reaching decision for future sampling practices.

Those changes took on any number of different forms. Major labels were forced to dedicate additional staff and resources toward scouring releases to make sure all samples had proper clearance. In fact, there's an entire shadow catalog of rap songs that went unreleased specifically because they couldn't get that clearance. Artists, especially underground producers, more frequently altered recognizable lifts or sought out obscure samples in attempts to avoid detection. Either way, the "anything goes" era of sampling had essentially come to an end.

For Biz Markie, his response to all this drama came two years later with All Samples Cleared! If the album's title wasn't tongue-in-cheek enough, the cover art finds Markie playing both judge and defendant, restaging the Duffy courtroom with a smirk. On the LP version of the album, the samples are prominently, properly included on the back cover liner notes. Yet, despite these visual gestures, Markie never explicitly addresses the lawsuit or its aftermath on the album's dozen songs. There are no sideways shots at Duffy or O'Sullivan, no referencing of the case at all. On the scale of "f--- you" albums, it doesn't quite rise to the level of Marvin Gaye's Here, My Dear even though the title and art obviously nod at the O'Sullivan suit.

Was this some kind of additional riff on the lawsuit, a "watch me as I sample the same song five ways because I can" gesture? Was it a cost-saving measure, since it would have been less expensive to pay multiple clearances on the same song? Or was it merely Biz, a consummate record nerd, showing off the depth of his collection? Either way, All Samples Cleared! let the ever-comedic rapper have the last laugh.

Their father was an amateur songwriter and, when the boys started to show an interest in playing music as they grew up in Texas, he would sit them down with a yellow legal pad and encourage them to write their own songs.

Well, the creative boundary can work both ways. I know people that are Hall of Fame songwriters that have written incredible songs and they will work on a song for a month. And I know people that have written a ton of hits that write a song a day.

Living with mental or physical health issues can also increase risk for loneliness. Health concerns can be isolating, since it can be difficult to explain how you feel. Sometimes social activities demand too much emotional or physical energy, and you might end up canceling more plans than you keep.

Results of a 2017 study looking at more than 2,000 twins suggest that young adults who felt lonely tended to have a lower quality of sleep. The study also found evidence to suggest that experiencing violence could worsen feelings of loneliness.

The very next Monday, he got a call. Just as he had been touched by the performance of his own song, so had many others who had seen it. His album was going to be released. And with that beginning, McLean headed into one of the most prolific and renowned musical careers in Mormondom, with more than 30 albums, 5 books, 4 musicals, 7 movies, and more projects still in the works.

The song was rediscovered when Queen's production and archive team returned to the sessions to work on an upcoming reissue of the album, which will also include some of the band's conversations on the studio floor in London and Montreux, Switzerland.

It will be the rock group's first new song featuring Mercury to be released in more than eight years, following on from the 2014 Queen Forever album, which included three previously unheard tracks with the singer - Let Me In Your Heart Again, Love Kills and There Must Be More To Life Than This.

The Miracle reissue will be available in an eight-disc collector's edition box set format also featuring The Miracle Sessions, an hour-plus disc of further previously unreleased recordings including six unpublished songs.

On the other hand, the popularity of my post is discouraging to me because it signifies how hard it is for people to find deep songs. If people have to come to my dinky blog in search of rich worship music something is very wrong.

The song takes the deceptively simple concept that we are saved not by our own works but by the work of Jesus on the cross, and reminds us over and over again that Jesus is the one who won the war, carried the weight, and shed his blood for us. As much as we may intellectually affirm these things, to sing it together quickly shines a light on those areas in our lives where we are still trying to do the work Jesus has already finished.

Of course the chorus affirms that through Jesus that Father has won the victory and all curses are undone. However, the true power of the song is in its description of the new creation life that comes through that victory. While many worship songs have focused on the forgiving power of the cross, this song affirms the restorative power the cross. The second verse describes this beautifully:

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Later in the song, the male singers encourage those dealing with trying situations to meet them head-on and without backing down. The singers encourage listeners to walk on through both the winds and the rain in life.

Update: "Alone Yet Not Alone" has officially been disqualified in the Best Original Song category over what the board of governors has deemed an "ethical breach." On January 28, the Board of Governors convened and concluded that the song's writer, Bruce Broughton, had used improper campaigning tactics to secure Alone Yet Not Alone's nomination. Broughton, a former governor himself, "had emailed members of the branch in order to make them aware of his submission during the nominations voting period," said the Academy in a statement.

Lee always said that what he would have actually liked to do was to co-write more with MacLean, and to collaborate more equally, but that had never worked out, but MacLean insisted all his life that the main reason he only got one or two songs per album was that Lee knew that songwriting was where the money was and wanted to keep it to himself. e24fc04721