Download Rolling Stones New Album

The English rock group The Rolling Stones have released 31 studio albums, 13 live albums, 28 compilation albums, 3 extended plays, 122 singles, 31 box sets, 51 video albums, 2 video box sets and 77 music videos. Throughout their career, they have sold over[1] 200 million records worldwide, making them one of the best-selling music artists of all time.[2] Billboard ranked them as the 2nd Greatest artist of all time (behind The Beatles).[3] The Rolling Stones have scored 38 top-10 albums (9 No. 1 albums) on the Billboard 200 and 8 No. 1 hits on the Billboard Hot 100.[4] According to the Recording Industry Association of America, they have sold 66.5 million albums in the US, making them the 16th best-selling group in history.[5]

Prior to 1967, it was common practice for British releases to be reconfigured for the American market. In some cases, the US version would be an entirely different album with different tracks, cover photos and liner notes. The first five British Rolling Stones studio albums were converted into seven studio albums for the American market, adding material from singles and the UK EPs (for example, the tracks on the band's third British album Out of Our Heads were spread across three American albums, The Rolling Stones, Now!, Out of Our Heads and December's Children (And Everybody's)). The first two greatest hits albums, Big Hits (High Tide and Green Grass) from 1966 and Through the Past, Darkly (Big Hits Vol. 2) from 1969, also differ in each nation. The 1966 live album Got Live If You Want It! and the 1967 compilation album Flowers were US-only releases. Studio and live albums from Their Satanic Majesties Request in December 1967 forward are uniform in both the UK and the US, although compilation albums sometimes vary.

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The Rolling Stones is the debut studio album by the English rock band the Rolling Stones, released by Decca Records in the UK on 17 April 1964.[2] The American edition of the LP, with a slightly different track list, came out on London Records on 29 May 1964, subtitled England's Newest Hit Makers, which later became its official title.

Recorded at Regent Sound Studios in London over the course of five days in January and February 1964, The Rolling Stones was produced by then-managers Andrew Loog Oldham and Eric Easton. The album was originally released by Decca Records in the UK, while the US version appeared on the London Records label.

First pressings of the album, with matrix numbers ending in 1A, 2A, 1B, and 2B, have a 2:52 version of "Tell Me (You're Coming Back)", which was pressed from the wrong master tape. Subsequent pressings include the 4:06 version. Early labels and covers also have misprints with the fourth track on side 1 listed as "Mona", which was later changed to "I Need You Baby", the subtitle of "Now I've Got a Witness" written "Like Uncle Gene and Uncle Phil", the word 'If' omitted from "You Can Make It If You Try", and 'Dozier' spelt 'Bozier'. "Route 66" is listed as "(Get Your Kicks On) Route 66" on some versions of the album, and some later versions of the album have "I Need You Baby" listed as "Mona (I Need You Baby)" and the subtitles of "Now I've Got a Witness" and "Tell Me (You're Coming Back)" removed entirely.

The US version of the album, originally self-titled but later officially called England's Newest Hit Makers, was the band's debut US album and was released by London Records on 29 May 1964, a month and a half after the British version. The track "Not Fade Away" (the A-side of the band's third UK single) replaced "I Need You Baby",[5] and the titles of the tracks "Now I've Got a Witness (Like Uncle Phil and Uncle Gene)" and "Tell Me (You're Coming Back)" were shortened to "Now I've Got a Witness" and "Tell Me" on most versions of the American release. Upon its release, The Rolling Stones reached No. 11 in the US, going gold in the process. To date, this is the Rolling Stones' only American studio album that has failed to place in the top five on the Billboard album charts.[6] In August 2002, the album, by now officially called England's Newest Hit Makers, was reissued as a new remastered CD and SACD Digipak by ABKCO.[7]

Please Please Me / With The Beatles vs. The Rolling Stones: The Beatles had a 2-album head start on the Stones, and while the Beatles debut has a lot of originals and the Stones' does not, they completely nail the covers on theirs - whereas the Beatles covers often sound sort of... dull. Objectively it could be either, but to me, the Stones' debut is a much more entertaining listen.

A Hard Day's Night vs. 12 X 5 / No. 2: I have to give it to The Beatles here. A Hard Day's Night is their first solid, cohesive work - and it's very good. Plus, it's all originals. Both Stones records have very good songs on them, but also a lot of... filler, frankly - if they'd cut those songs out and compiled the good ones from both on one single album, then this may have been another story.

Beatles For Sale vs. Now!: Both of these albums can be seen as rush jobs, in that they were released quickly in order to capitalize on previous success - not exactly focused efforts, and again featuring many covers. The original songs on For Sale are pretty good, but its many boring covers drag it down. Now! functions as sort of a 'best of' of 64-Stones in my opinion, so it gets the win easily.

Help! vs. Out Of Our Heads: This is where it gets tough for me, personally - as Help! was the first album I ever bought and thus 'holds a special place in my heart'. I have to say that Out Of Our Heads is much better, though. The highs on Help! are as great, some of them better than the ones on Out Of Our Heads, but side 2 is mostly comprised of duds - while Out Of Our Heads is great pretty much all the way through, except for a couple of short songs on side 1.

Rubber Soul vs. Aftermath: This is maybe the easiest one for me. Rubber Soul is, in my opinion, one of the most overrated Beatles records. The classics on the album are great. Songs like Nowhere Man and In My Life are stunning, to name a few. But so many of the other songs on it sound samey and bland, and the record gets boring very quickly. Aftermath, on the other hand, is the Stones first truly great album. All the songs stand out to me, and the album flows amazingly well. It's also much more varied, featuring a mix of their earlier blues sound with Brian Jones' newfound multi-instrumentalist tendencies, creating a very unique sound.

Revolver vs. Between The Buttons: While I do feel that Between The Buttons is one of the Stones most underappreciated albums, Revolver is the Beatles 'magnum opus'. Pure quality. Quite simply, it changed popular music forever - not much else to be said.

Sgt. Pepper's vs. Their Satanic Majesties Request: Too often Their Satanic Majesties' is dismissed as a lazy ripoff of Sgt. Pepper's, when in fact it isn't like that at all The album covers may be similar, but the music is not. TSMR is a lot more adventurous, rawer and is 'genuinely psychedelic', but some of the songs get a bit too jammy... too long and droning. Peppers also has it's misses (some big ones), but I do think it's more well structured and more concise. Peppers wins this round, narrowly. (Side note: Both albums could've been improved significantly by adding the singles produced during the sessions for them)

The White Album vs. Beggars Banquet: Another hard one. Both feature some of my favourite songs of all time and are great works, but ultimately The White Album is held down by some of its weaker detours, at least when it comes to comparing it to Beggars Banquet - which is the Stones' grand return to rock n' roll in peak shape. It's groovy, it's rootsy - it's perfect. My favourite Stones album.

Abbey Road vs. Let It Bleed: I know that Abbey Road is a very very popular and highly regarded album, but there's no competition in my eyes; Let It Bleed is another flawless album. The Abbey Road-medley is... good, but I honestly don't think it's as amazing as it's hyped up to be. And I mean, come on... side 1 has Octopus's Garden - give me a break. Let It Bleed's weakest moment is Country Honk, but I'd still much rather listen to that.

With the release of Hackney Diamonds on the horizon, now's your chance to revisit the band's discography, which has spanned more than six decades and includes numerous studio albums, compilation albums and live albums.

Ronnie Wood, from left, Mick Jagger, and Keith Richards pose for photographers at the press conference for the launch of the new Rolling Stones album 'Hackney Diamonds' on Wednesday, Sept. 6, 2023, in London. Scott Garfitt/Scott Garfitt/Invision/AP hide caption

Wood said they began brainstorming ideas for an album around Christmas last year, and gave themselves a deadline to complete it by Valentine's Day. They ended up with 23 songs spanning two albums. The upcoming album was completed in January and mixed in February.

The album's lead single, "Angry," was released Wednesday. Its video features actress Sydney Sweeney, who has starred in the HBO shows Euphoria and The White Lotus and was in the audience at the announcement.

The Stones' last album of original music was 2005's A Bigger Bang. They celebrated their 60th year as a band in 2022. The group said they don't usually think too hard about how their music will be received when they're making it.

"We wouldn't have put this album out if we hadn't really liked it," Jagger said. "Before we went in, we all said we've got to make a record that we really love ourselves, and other people may like it, other people may not. But we must say that we are quite pleased with it. I'm not saying we're bigheaded about it, but we're pleased with it and we hope you all like it." 006ab0faaa