Download Rihanna Song Woo

It opens on a sly interpolation of the Geoff Mack country standard "I've Been Everywhere," a song that truly has been everywhere, to the extent that when a version done by Johnny Cash in 1996 resurfaced in a U.S. Postal Service ad last year, a lot of listeners may have been surprised to hear him "covering" Rihanna. Not that anything about this track feels even slightly country. It's a dancefloor-packing banger with a thumping house beat and an urgent vocal from RiRi, who's been everywhere, man, looking for someone. It topped the Billboard dance charts and won best dance performance (deservedly so) at the Soul Train Awards.

A brooding ballad driven by a nagging dance beat, RiRi's 12th chart-topping entry on the Billboard Hot 100 was written by Sia in collaboration with the song's producers, Benny Blanco and Stargate. You may tempted, in fact, to believe that's actually Sia repeating "Shine bright like a diamond" but that's just Rihanna doing all she can to channel what she liked about the character in Sia's vocal on the demo. The rest of the vocal is pure Rihanna, impassioned and soulful and fully committed to making the audience want to see themselves in the single's empowering lyrics.

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You may have seen the power trio of Rihanna, Kanye West and Paul McCartney do this on the Grammys. And by power trio, I mean a trio of powerful figures, including an actual Beatle (still bigger than Yeezus). McCartney's contributions here are kept to strumming an acoustic guitar and possibly contributing some harmony. The lead vocals are shared by Rihanna, who brings soulful grit to the proceeding after starting the song with an endearing squeak, and West, who brings requisite swagger to slang-heavy lyrics that are, frankly, on the hit-or-miss side. 'Hold me back, I'm 'bout to spaz?!' The good news is the hook is undeniable enough to make the weaker lines worthwhile.

Is this a song about Rihanna having fallen for a ska fan? Or is there some other kind of rude boy? There is a certain dancehall vibe at work here, but I'm pretty sure she means a less specific kind of rude boy, one who might respond well to her sexual advances, which range from taunts of "Is you big enough?" to promises of "I'm-a let you be the captain." Christina Aguilera may have dressed more like a dominatrix in 2010, but no one asserted her sexual dominance with more success than Rihanna on this track, the 16th-biggest single on the year-end Hot 100.

Some people found this shocking. What's shocking is how long it took Rihanna to realize that she hadn't done a song called "S&M" yet. Is it kinky by the numbers? Sure. She seemingly couldn't come up with a line more quintessentially Rihanna than "I may be bad but I'm perfectly good at it." But then she turned around and followed through with "Sticks and stones may break my bones but chains and whips excite me." A remix starring Britney Spears spent one extremely kinky week at No. 1 on Billboard's Hot 100.

As a child, Rihanna had many CT scans for the excruciating headaches she suffered, recalling, "The doctors even thought it was a tumor, because it was that intense."[15] By the time she was 14, her parents had divorced, and her health began to improve.[10][18] She grew up listening to reggae music.[15][19] She attended Charles F. Broome Memorial Primary School and Combermere School, where she studied alongside future international cricketers Chris Jordan and Carlos Brathwaite.[20][15] At age 11, Rihanna was a cadet in Barbados' Cadet Corps; the later Barbadian singer-songwriter Shontelle was her drill sergeant.[21][22] She initially wanted to graduate from high school, though chose to pursue a musical career instead.[23]

Rihanna's demo was shipped out to Def Jam Recordings, where Jay Brown, an A&R executive at the record label, was one of the first to hear the demo. Brown played the demo tape for rapper Jay-Z, who had recently been appointed as president and CEO of Def Jam.[26] When Jay-Z first heard the track "Pon de Replay", he felt the song was too big for her.[27] Despite being skeptical, he invited Rihanna to audition for the label. In early 2005, Rihanna auditioned for Def Jam in New York City, where Jay-Z introduced her to music mogul Antonio "L.A." Reid.[24][28] At the audition, she sang Whitney Houston's cover of "For the Love of You", as well as the demo tracks "Pon de Replay" and "The Last Time".[24] Jay-Z was absolutely certain about signing her after she performed her future single "Pon de Replay".[27] His boss, L.A. Reid, was also impressed with her audition, telling Jay-Z not to let Rihanna leave the building until the contract was signed.[29] Reid left it to Jay-Z and his team to close the deal which resulted in a six-album record deal with Def Jam. She waited in Jay-Z's office until 3:00 in the morning to get lawyers to draft up a contract because he wanted to prevent her from signing with another label.[27]Rihanna canceled other meetings with record labels and relocated from Barbados to the United States to live with Rogers and his wife.[30]

After signing with Def Jam, Jay-Z and his team did the A&R for Rihanna's debut album and spent the next three months recording and completing her debut album.[29] She worked with different producers to complete her debut studio album, primarily Rogers and his production partner Carl Sturken.[31] With several songs to pick as a lead single, "Pon de Replay" was chosen because it seemed like the best song suited for a summer release.[32] In May 2005, her debut single, "Pon de Replay", was released under her mononym "Rihanna". It charted successfully worldwide, peaking in the top five in fifteen countries, including at No. 2 on the US Billboard Hot 100 chart and the UK Singles Chart.[33] The song became a club hit in the United States, peaking at No. 1 on the Billboard Dance Club Songs.[34]

A month after the release of her debut album, Rihanna began working on her second studio album.[38] A Girl like Me was released in April 2006.[39] Rolling Stone felt that "the burning rock guitar" and haunted strings of some of the album's tracks made "A Girl like Me [...] likable."[40] The album was a commercial success, charting in the top 10 in 13 countries. The album reached No. 1 in Canada and No. 5 in the United Kingdom and the United States, where it sold 115,000 copies in its first week.[35][41] The album became Rihanna's first to be certified Platinum by the RIAA, after selling over 1,000,000 units.[42] Its lead single, "SOS", was an international success, charting in the top five in 11 countries. The song reached No. 1 on the US Billboard Hot 100 and in Australia, her first to reach this chart position.[43] "Unfaithful", the album's second single, reached the top 10 in 18 countries, including No. 1 in Canada and Switzerland.[44] Two more singles were released from the album: "We Ride" and "Break It Off".[45][46]

In early 2007, Rihanna appeared on the single "Roll It" with Jamaican band J-Status and fellow Barbadian singer-songwriter Shontelle. The song appeared on J-Status' debut album The Beginning, released in several European countries only. Around that time, Rihanna had already begun work on her third studio album, Good Girl Gone Bad.[47] With the help of producers Timbaland, Tricky Stewart and Sean Garrett she embraced a new musical direction through uptempo dance tracks.[48][49] Released in May 2007, the album charted at No. 2 in Australia and the US and topped the charts in multiple countries, including Brazil, Canada, Ireland and the UK.[50] The album received the most positive critical reviews of her first three albums.[51]

The lead single, "Umbrella", topped the charts in 13 countries and remained at No. 1 in the UK for 10 consecutive weeks, the longest-running No. 1 single there since Wet Wet Wet's single "Love Is All Around" spent 15 weeks at the top in 1994.[52][53] It was Rihanna's first single to be named one of the best-selling singles worldwide, with sales of over 8 million copies.[54][55] The songs "Shut Up and Drive", "Hate That I Love You" (featuring Ne-Yo), and "Don't Stop the Music" were also released as singles, with the latter becoming an international hit. In support of the album, Rihanna began the Good Girl Gone Bad Tour in September 2007, with 80 shows across the US, Canada, and Europe.[56] Rihanna was nominated for several 2008 Grammy Awards for Good Girl Gone Bad, winning Best Rap/Sung Collaboration for "Umbrella" alongside Jay-Z, her first Grammy Award.[57]

During the late 2000s, Rihanna experimented further with pop, dubstep, and rock music, officially shifting her musical style and image away from the Barbados island girl.[62] Throughout 2008, Rihanna performed on the Glow in the Dark Tour alongside Kanye West, Lupe Fiasco, and N.E.R.D.[63] Her third studio album's reissue, Good Girl Gone Bad: Reloaded, was released in June 2008 with three new songs: "Disturbia", "Take a Bow" and the Maroon 5 duet "If I Never See Your Face Again", plus a Spanglish version of "Hate That I Love You" featuring Spanish pop singer David Bisbal.[64] All four were released as singles and charted highly, reaching peak positions worldwide.[65][66][67] In August 2008, Rihanna and a host of other female singers recorded the charity single "Just Stand Up!", the theme song to the anti-cancer campaign Stand Up to Cancer.[68] "Live Your Life", a duet between T.I. and Rihanna, was released that November and topped the Billboard Hot 100.

In early 2009, Rihanna began working on her fourth studio album, Rated R.[74] Rated R was released in November 2009. The album had Rolling Stone magazine stating that Rihanna "transformed her sound and made one of the best pop records of the year".[75][76]Rated R featured a darker and more foreboding tone than Rihanna's previous albums.[77]Rated R debuted at No. 4 on the US Billboard 200 chart.[78][79][80]The album was supported by six singles, including "Rude Boy", which was the biggest worldwide success from the album, topping the US Billboard Hot 100 for six weeks and reaching top 10 positions in 22 other countries.[81][82]In January 2010, Rihanna released her charity cover version of "Redemption Song" for the Hope for Haiti Now campaign. She also recorded the song "Stranded (Haiti Mon Amour)" together with Jay-Z, Bono and The Edge for the same campaign to alleviate the 2010 Haiti earthquake. e24fc04721