I play live ambient music with a combination of midi controllers/ etc. No looping or backing tracks. Each pad has a particular melodic sound on it. Every time I hit a pad it steps through a predetermined note sequence on a one to one basis. One pad/pedal could be a 4 notes bass line. Another an eight note lead line. Another could be a four chord sequence. I then am in full charge of which get played as well the phrasing. I need midi processing for each instrument/sample.

FWIW, I've been searching for Mozaic scripts and workarounds in Drambo these past couple days after reading your other posts. I've found a number of Mozaic sequencers, that are so close, but in theory should be modifiable. I don't know how difficult it would be, but if one could add an 'advance sequencer 1 step by midi note on" then you'd have your script.


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Sifting through the numbers, it seems as though contestants get more warmed up as they go through each rack. Looking at all rounds, players have made the first ball at a 44.9 percent rate. On the second ball that jumps up to 52.9 percent, and then 55 percent on the third ball. This peaks with the fourth ball at 56.5 percent, and then settles back slightly to 54.7 percent on the final ball.

While watching all of the old Three-Point Contest broadcasts, whenever a player would seem to waver as the contest went along, fatigue was quickly cited as the definitive factor. And this would seem to be an obvious reason, as the players are often out of breath at the end of rounds.

On a per-round basis, as the rounds go on in the Three-Point Contest, shooting averages go up. In the first round of all the contests we looked at, players make an average of 50 percent (1,991 out of 3,968) of their shots. In the second round, that number goes up to 57 percent (1,080 of 1,893), and it edges up to 58 percent in the third round (233 of 400).

A twist was added beginning with the 2014 Three-Point Contest, as players were allowed to select one rack and make it entirely money (or 2-point) balls. In the three contests since this rule change, players have shot 59.4 percent (91-153) on those designated racks.

Made in collaboration with TASCAM for their 50th anniversary, this collection includes 4 of their most popular and iconic tape machines. Some of these are part of music history. Some still have fan pages all over the web. But all of these are incredibly sounding examples of tape recorders that can add warm textures and colors to your recorded tracks.

The TEAC A-3340S is the 4-track tape recorder behind some of the most famous demos and songs in history. For example, The Doobie Brothers used a A-3340S to record several of the song demos that earned them a record deal, while Brian Eno and others still use it today for its sonic qualities.

The TASCAM 388 was a huge success, combining a mixing console and tape machine in one to create a real winner. Kelley Stoltz made the 388 famous again around 2001 when he used it to record some hit songs and their sound went viral. Ever since, the 388 has kept its magic status.

Racks And Rounds Lyrics by Sidhu Moose Wala and Sikander Kahlon from the album Moosetape is brand new Punjabi song with music given by The Kidd. Racks And Rounds song lyrics are written by the singers themselves.

In the 2010s, technology made creating, distributing, and listening to music easier than at any previous point in history. Producers and artists collaborated through the cloud, mixing styles like potions, from emo trap to EDM ballads to indie R&B to bedroom pop. A million modes of distribution meant you could hear those songs milliseconds after they were born. Artists started releasing music at an unprecedentedly rapid pace. The infinite scroll of social media made listeners insatiable. The result of all this was both a blessing and a curse: There was more great music out there than ever before, but it was nearly impossible to keep up. Here at Pitchfork, we sure tried. Here are our top 200 songs of the decade.

The song describes a woman through the use of advertising slogans. The slogan "So round, so firm, so fully packed, so free and easy on the draw" was used in the Lucky Strike brand cigarette advertising of the time, first heard in 1944 on the Jack Benny and Your Hit Parade radio programs.[citation needed] "I'd walk a mile" is a slogan for Camel cigarettes. "Just ask the man who owns one" refers to Packard automobiles.[4] "She's got the pause that's so refreshing" is a reference to the Coca-Cola slogan "The Pause that Refreshes".

adri: thank you! did you like the song choice?! it wasn't my first choice. i actually thought to use the theme song from flashdance. even though the song itself has nothing to do with "flaming" or "torching," there are scenes from the movie that would have been perfect because the main character was a WELDER.

The performance information for each track is usually mapped out on a timeline, a space in which time is displayed horizontally and tracks are displayed vertically. When you press play, a vertical line called a playhead moves through the song from left to right, and when it reaches an event within a track, the associated sound is heard.

To adjust the volume of each of the tracks, your DAW also contains a mixer. A hardware mixer is a device used to balance the volumes of separate sound sources, and combine or 'mix' them all to be played through just one set of speakers.

The software equivalent in a DAW works on exactly the same principle. Each of the sequencer's tracks has something called a channel strip, and each track's channel strip is where the volume, panning (where the sound sits in the stereo field, ie, left or right), routing (where the sound comes from and goes to) and more are all controlled.

It's also worth noting that, as of Logic Pro 10.7, Apple's DAW enables you to create tracks in the company's Dolby Atmos-powered spatial audio format. There are new mixer and panner controls for this, and 12 other Logic Pro plugins are now spatial audio-ready, too.

"Backwoods," the third single from Moore's eponymous debut album, became his second Top 10 hit, and it's not hard to see why. Any country music lover with a penchant for the backwoods will relate wholeheartedly to this song: "Rifle in a gun rack hanging in the back glass / Buck knife on my belt, ain't no land for sale 'round here," sings Moore. The song took 20 minutes to pen -- and with an uptempo beat, it can get any hunter fired up for another day (or night) out in the backwoods.

A double-barrel 12-gauge sits above the mantle on a couple of rusty nails, and though it's worth a lot of money, Shelton sure isn't going to give it up -- because it's grandaddy's gun. The last track on Shelton's Based on a True Story ... album is one of the record's highlights. "Grandaddy's Gun" is one of Shelton's more personal and introspective songs; it showcases nostalgia in the form of a gun, and someday, Shelton sings, he'll give it to his son.

"Been here all day / All I killed is a twelve pack," sings Bryan in this rather hilarious hunting song. As any avid hunter knows, sometimes the only deer you see is a green John Deere -- but even if that happens, it was still a good day ... even if your only target is empty beer cans -- and for some strange reason, they keep moving.

Adkins' "Just Fishin'" received a Grammy nod for Best Country Song, and it's not hard to see why. The track is utterly heartwarming: It's a song about a father fishing with his daughter -- and so much more. They're not "just fishin'," as his sweet little girl thinks.

The way to a country girl's heart? A late-night fishing trip. The Nitty Gritty Dirt Band had huge success with "Fishin' in the Dark" when they released it in 1987, from their record Hold On, and to this day, the song is as catchy as the day it dropped. The chorus brings sweet romance to a night on the lake: "You and me, going fishing in the dark / Lying on our backs and counting the stars / Where the cool grass grows."

Which country tunes make your playlist when you're headed down to the water or out into the woods? Share your favorite country songs about hunting and fishing with us in the comments section below!

\"Backwoods,\" the third single from Moore's eponymous debut album, became his second Top 10 hit, and it's not hard to see why. Any country music lover with a penchant for the backwoods will relate wholeheartedly to this song: \"Rifle in a gun rack hanging in the back glass / Buck knife on my belt, ain't no land for sale 'round here,\" sings Moore. The song took 20 minutes to pen -- and with an uptempo beat, it can get any hunter fired up for another day (or night) out in the backwoods. 2351a5e196

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