"Make It Rain" is a song by American rapper Fat Joe, released in 2006 as the first single from his seventh album Me, Myself & I. It features American rapper Lil Wayne, who only raps the chorus (but contributes a verse on the remix), and was produced by Scott Storch. The song peaked at number 13 on the US Billboard Hot 100.[1] It was released through EMI, Virgin Records, and Fat Joe's Terror Squad Entertainment.
It was nominated for a Best Rap Performance by a Duo or Group at the 50th Annual Grammy Awards. The Exclusive Def Jam Version, which does not feature Lil Wayne and instead has a hook by Fat Joe, is featured in the game Def Jam: Icon and is Fat Joe's fighting song.
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Make It Rain debuted at number 55 on the US Billboard Hot 100 chart, on the week of November 18, 2006.[2] After climbing the chart for 13 weeks, the song reached its peak at number 13 on the chart dated February 17, 2007.[1] On May 15, 2007, the single was certified platinum by the Recording Industry Association of America (RIAA) for sales of over a million downloads in the United States.[3]
DJ Khaled, Cool & Dre, Scott Storch, Birdman, Diddy, Rick Ross, Trina, Oliver Coats, Triple C, Hennessi, Emry L Moore and Young Money make cameo appearances in the video. Some of the scenes of the video pay homage to the late Big Pun's classic video "Still Not a Player". The video was directed by Chris Robinson and VinCock and produced by Nicole Acacio for production company Robot Films.
A remix was recorded in December 2006 and released as a single in 2007. It features American singer R. Kelly and American rappers T.I., Lil Wayne, Birdman, Rick Ross and Ace Mac, as well as uncredited vocals by DJ Khaled, and was produced by Scott Storch. There is also an official video for the remix. Sean Kingston has made his own version.
[Lil Wayne:]
Blat, blat, blat, blat, hey Joe uh let me git 'em
It's young money and we on like the television
The weather channel, but I do not broadcast
I throw up more cash, and change the forecast
Your boyfriend is lame, I make it rain on ya
He never make it rain, like Southern California
Where's your umbrella? Now get your raincoat
Baby I make it flood, now you gon' need a boat
[T.I.:]
Come see me an Crack in, in the club flossin'
40 thou' in my stacks, 20 stacks in my jeans
No real boss niggaz do real boss things
We bout that shit, you just talkin'
You'nna slang rocks? Then how with my girls
In the 430 down the strip I zoom?
Gonna drop it day real but I feel like Joe
Big glock I carry make a real big BOOM
Make moves like a young tycoon
I come through like a young typhoon
Category 3, don't be category me
Like you can get a better salary to me
El capitan, *king* Numbero Uno
I flood pussy clubs, ask any stripper you know
[Ace Mack:]
Ace mizzy get all the hoes
Gonna teach them shit they want to know
Like fuck that pussy ass 9-4 girl
Make that bucket a pot of gold
It ain't no money like custom money
It ain't no bitch like a hustle bunny
Ain't no bitch gettin' none of my money
That why the money gotta clear to protect it from me
She gotta ride for the A, hop for the A
Live for the minute or be out for the day
Hop the metal while lookin hot in stilettos
Gotta rock with a bezzle on the trigger finger
Boss bitch of the ghetto, my Spanish Trina
Talk shit to a nigga with the 'blama beamed up
When I see her gotta handle my bui-nah
I gotta give her one of these in the back of the team truck
Maroon 5 are up for two nominations this year. They have nine prior nominations and three GRAMMY wins. Wiz Khalifa is up for two nominations this year. He has two prior GRAMMY nominations.
"We are honored to welcome GRAMMY GO, our first entertainment partner, to the Coursera community," said Marni Baker Stein, Chief Content Officer at Coursera. "With these self-paced online specializations, aspiring music professionals all over the world have an incredible opportunity to learn directly from iconic artists and industry experts. Together with GRAMMY GO, we can empower tomorrow's pioneers of the music industry to explore their passion today."
While in a studio, Andrew Watt bounces off the walls. Just ask Mick Jagger, who once had to gently tell the 33-year-old, "Look, I can deal with this, but when you meet Ronnie and Keith, you have to dial it down a little bit."
As Watt's hot streak has burned on, reams have rightly been written about his ability to take a legacy act, reconnect them with their essence, and put a battery in their back. His efficacy can be seen at Music's Biggest Night: Ozzy Osbourne's Patient Number 9 won Best Rock Album at the 2023 GRAMMYs. At the last ceremony, the Rolling Stones were nominated for Best Rock Song, for Hackney Diamonds' opener "Angry."
As such, Watt had a lightbulb moment: to not record any demos, and have them write together in the room. "They're all playing different stuff, and it makes up what Pearl Jam is, and singer Eddie [Vedder] rides it like a wave."
"I hope what makes it fresh and modern comes down to the way it's mixed, with focus on low end and making sure the drums are big," Watt, who wore a different Stones shirt every day in the studio, has said about Hackney Diamonds. "But the record is recorded like a Stones album."
But aside from bright spots like 2016's Josh Homme-produced Post Pop Depression, his late-career output has felt occasionally indulgent and enervated. The 11 songs on 2023's eclectic Watt-produced Every Loser, on the other hand, slap you in the face in 11 different ways.
"We would jam and make tracks and send them to Iggy, and he would like 'em and write to them or wouldn't like them and we'd do something else," Watt told Billboard. "It was very low pressure. We just kept making music until we felt like we had an album." (And as with Pearl Jam and Vedder's Earthlings band, Watt has rocked out onstage with Pop.
You dropped your crown, O Prince of Darkness. When he hooked up with Watt, the original Black Sabbath frontman hadn't released any solo music since 2010's Scream; in 2017, Sabbath finally said goodbye after 49 years and 10 (!) singers.
On 2020's Ordinary Man and 2022's Patient Number 9, Watt reenergized Ozzy; even when he sounds his age, Ozz sounds resolute, defiant, spitting in the face of the Reaper. (A bittersweet aside: the late Taylor Hawkins appears on Patient Number 9, which was written and recorded in just four days.)
"I had started working with 5 Seconds of Summer, and a lot of people looked at them as a boy band, but they're not," Watt told Guitar Player. "They're all incredible musicians. They can all play every instrument. They love rock music. They can harmonize like skyrockets in flight. They just were making the wrong kind of music."
A year after Britney Spears was unshackled from her highly controversial conservatorship, it was time for a victory lap with the God of Glitter. What resulted was a curious little bauble, which became a megahit: "Hold Me Closer," a spin on "Tiny Dancer," "The One" and "Don't Go Breaking My Heart" that briefly launched Spears back into the stratosphere.
"Britney came in and she knew what she wanted to do," Watt recalled to The L.A. Times. "We sped up the song a little bit and she sang the verses in her falsetto, which harkens back to 'Toxic.' She was having a blast."
The singer was just 15 years old when she met producer Evan Rogers, who was vacationing with his wife in Barbados. Rogers recognized Rihanna's potential, and invited her to an audition in his hotel suite.
Shortly after her 16th birthday, Rihanna left her home country for the U.S. to record a demo, which included her breakthrough hit "Pon de Replay." The demo found its way into Jay-Z's hands, and Hov signed the teen artist to Def Jam and the label expedited her 2005 debut album, aptly titled Music of the Sun.
Twenty years later, Rihanna is a renowned entertainer-turned-mogul. She has sold over 40 million albums worldwide, garnered over 12 billion Spotify streams, achieved 14 Billboard Hot 100 chart-toppers, and won nine GRAMMY Awards. Even her business ventures have been a massive success, as her Fenty Beauty brand is worth $2.8 billion.
True to her Carribean heritage, Rihanna's dancehall-inspired debut single "Pon de Replay" earned the then 17-year-old Barbados native her first entry on the Hot 100 at an impressive No. 2. Her official introduction to the world also hit No. 1 on the Billboard Dance Club Songs chart; she boasts 33 on the tally, second behind only the Queen of Pop herself, Madonna.
A mere eight months later, Rihanna's sophomore effort, 2006's A Girl Like Me, arrived to an eager audience. Defying the sophomore slump, she celebrated her first No. 1 with the ubiquitous lead single "SOS," which famously samples Soft Cell's 1981 hit, "Tainted Love." While A Girl Like Me is filled with high-energy, danceable tracks (including the nostalgic "Break It Off" with Sean Paul), Rihanna's second single was the melodramatic ballad "Unfaithful."
Penned by then-labelmate Ne-Yo, "Unfaithful" peaked at No. 6 on the Hot 100. More importantly, it showed a different side to Rihanna, proving that she could channel deep emotion when the performance calls for it. It also marked Rihanna's first time veering away from her "girl next door" image, as the song's subject matter deals with infidelity.
A Girl Like Me contains many fan favorites, from the laid-back "We Ride" to standouts "Dem Haters" and "Kisses Don't Lie." The latter is a reggae-rock hybrid that sounds like a catalyst for some of Rihanna's edgier tunes like "Breakin' Dishes" from 2007's Good Girl Gone Bad era. Touching ballads"Final Goodbye" and "A Million Miles Away" showcase her voice beautifully, foreshadowing later big-vocal numbers like "Love on the Brain."
Produced by Tricky Stewart, the LP's juggernaut lead single "Umbrella" featuring Jay-Z skyrocketed to No. 1 in 17 countries. Between striking images of Rihanna's silver-painted silhouette in the accompanying video and the now-iconic "ella-ella, eh, eh, eh" hook, "Umbrella" thrust the then 19-year-old into another stratosphere. Her confident delivery also commanded attention in a way fans and critics hadn't heard before. 152ee80cbc
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