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In 2003, Professor was signed to Kalawa Jazmee Records by Oskido and Spikiri. At Kalawa Jazmee Records Professor was pair up with an already established Kwaito singer Tzozo, and together they formed a duo which was known as Tzozo & Professor. The emergence of Tzozo & Professor also marked the emergence of the subgenre, Durban Kwaito Music, spanning from the original genre pioneered by the very label that signed them, Kalawa Jazmee Records. While together the duo released three albums: Woze Durban, Amantombazane, and Magazine.[6][7]

In 2010, Professor released his debut album as a solo artist under Kalawa Jazmee Records. The album was titled University of Kalawa Jazmee and its lead single titled "Jezebel",[8][9] It was a runaway success and catapulted to even higher levels of success as an artist and launched as an individual rather than part of the duo. The songs contained in the album were so strong that every single that came out of it was critically praised; this includes, "Jimaphi le Weight", "Imoto" and "Lento". Furthermore, at the year 2010 edition of the Metro FM Music Awards the album was nominated in three categories; Best Kwaito Album, Song of the Year (Jezebel) and Best Collaboration.[10] He went on to win Best Kwaito Album and the coveted Song of the Years Award.[11] At the 21st South African Music Awards held on 19 April 2015 at Sun City in the North West the album, University of Kalawa Jazmee, won Best Kwaito Album.[12][13]

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In 2012, Professor returned with his second solo offering titled Orientation. The album was preceded by singles "Baphi", "One Night Stand", "Ntombazam" & "I Wish". In that album Professor worked a numerous established musicians including Magesh, Speedy, AKA, Zakwe, Ishmael, Stoan, Stax and Zola among other.[14]One of the popular songs on the album was "Fingerprints" which he did with his brother, Character and legendary South African record producer Oskido. "Orientation" won Best Kwaito Album and secured Professor the Best Male Artist Award at the 12th Annual Metro FM Music Awards.[15][16]

In 2015, Professor released a hit single titled "Nguye Lona" in which he featured Sdudla no Mathousand & Heavy-K. Also in 2015 Professor he was featured on the smash hit, "KOTW anthem", by Sphectacula and DJ Naves from their debut studio album, Kings of the Weekend. In "KOTW anthem" Professor's deep husky voice features prominently. In 2017, he collaborated with Sandra Ndebele, a Zimbabwean artist on her song "Lizwile." The song debuted at number 22 in the iTunes Top 200 tracks Australia World Music.[17]

Like all Kalawa Jazmee Records artists, Professor has proven to be the artist to feature in all songs. Known as Professor, Mkhonzeni Langa has been delivering hit after hit ever since he joined Kalawa Jazmee Records. His latest album The Orientation, has dubbed him Best Kwaito Album yet again.

Instruments like the piano and keyboard were used to enhance the sound of the album. Professor is not the only artist who worked on the production of the album: Oskido co-produced it, Spikiri co-wrote some of the lyrics, and the rest of Kalawa put in their efforts to produce the album and direct videos.

I first listened to this album in December of 2016, a few weeks after Donald Trump won the election. The days were getting shorter, the weather was getting colder, and every headline made less sense than the one that came before it. The religious right were about to have their greatest victory since Reagan, and this time they were allied with a man of such inarticulate rage and petty cruelty that he made Reagan look like Mr. Rogers. We were standing on the precipice of a dark, miserable period in American history, and half the population was thrilled. Maybe I was naive to not see it coming, maybe I was rightfully shocked. In any case, what was once comforting and tangible no longer felt so secure. Everything shifted six centimeters to the right. Our country felt like another planet.

My friends claim that I am obsessed with racist objects. If they are right, the obsession began while I was an undergraduate student at Jarvis Christian College, a small historically black institution in Hawkins, Texas. The teachers taught more than scientific principles and mathematical equations. I learned from them what it was like to live as a black man under Jim Crow segregation. Imagine being a college professor but having to wear a chauffeur's hat while driving your new car through small towns, lest some disgruntled white man beat you for being "uppity." The stories I heard were not angry ones; no, worse, they were matter-of-fact accounts of everyday life in a land where every black person was considered inferior to every white one, a time when "social equality" was a profane expression, fighting words. Black people knew their clothing sizes. Why? They were not allowed to try on clothes in department stores. If black and white people wore the same clothes, even for a short while, it implied social equality, and, perhaps, intimacy.

My years at The Ohio State University were, I realize now, filled with much anger. I suppose every sane black person must be angry, at least for a while. I was in the Sociology Department, a politically liberal department, and talk about improving race relations was common. There were five or six black students, and we clung together like frightened outsiders. I will not speak for my black colleagues, but I was sincerely doubtful of my white professors' understanding of everyday racism. Their lectures were often brilliant, but never complete. Race relations were fodder for theoretical debate; black people were a "research category." Real black people, with real ambitions and problems, were problematic. I was suspicious of my white teachers and they reciprocated.

One by one segregation laws were removed in the 1960s and 1970s. The elimination of legal barriers to voting led to the election of black politicians in many cities, including former bastions of segregation such as Birmingham and Atlanta. From this period forward, white colleges and universities in the South admitted black students, and hired black professors, albeit often a token number. Affirmative action programs forced employers in both the public and private sectors to hire black people and other minorities. Some black people appeared on television shows in non-stereotypical ways. Significant racial problems remained but it seemed that Jim Crow era attitudes and behaviors were destined to die. Many white people destroyed their household items that defamed black people, for example, ashtrays with smiling Sambos, "Jolly Nigger" banks, sheet music with titles like "Coon, Coon, Coon," and children' s books like Little Black Sambo.

I am humbled that the Jim Crow Museum has become a national resource -- and the museum's Web site, an international resource. The Web site was created by Ted Halm, the Ferris State University webmaster. Two dozen Ferris State University faculty have been trained to function as docents -- leading tours and facilitating discussions about the objects. Traveling exhibits are being conceptualized and built to carry the museum's lessons to other universities and colleges. Clayton Rye, a Ferris State University professor and filmmaker, and I created a documentary about the museum. John Thorp served the museum well as its director until his retirement, as does current director Joseph "Andy" Karafa. The museum is a team effort. A vision without help is a cathartic dream.

Fonds consists of extensive records documenting the life and career of Thomas Howarth, relating primarily to his activities as an architecture student at the University of Manchester, and as a professor and administrator there and at the Universities of Glasgow and Toronto, as a professional architect, and as an authority on Charles Rennie Mackintosh.

Fonds consists of six accessions of records documenting the life of Martin L. Friedland, as a student, professor of law and administrator at the University of Toronto; as an expert on legal matters and a contributor to the formation of public policy at the provincial and federal levels; and as an author of several books and numerous articles, in particular the researching and writing of his book University of Toronto: A History (University of Toronto Press, 2002 & 2013).

Correspondence, minutes, memoranda, notes, reports, and press clippings documenting the activities of the Faculty of Arts and Science Constituency of the President's Council of the University of Toronto, as assembled by Professor Robert Spencer while a member of the Council. In addition to Council minutes and related material, there are files on several presidential advisory committees, the Advisory Planning Committee of the Board of Govemors, the University's Master Plan, the School of Hygiene, tenure (Haist Committee), and the Council's Sub-committee on Resource Planning. Included is material documenting the participation of professors C. B. Macpherson and J. B. Conacher.

B1983-0013: Records of conferences and meetings attended; drafts of and correspondence regarding articles written; correspondence relating to the writing of "Communism, National and International" and "Governments of Communist East Europe"; personal files (1961-1979) and correspondence (1974-1983); lecture notes as visiting professor, Columbia University, 1952 (9 boxes, 1952-1983).

B2001-0017: Records documenting the history of the family of Harold Gordon Skilling, including his wife, Sara (Sally) and his own life and career. Sous-fonds I: Skilling family. Documents Gordon's father, William Watt, his uncle, Ernest (a Shriner), and his brothers Donald and William, who fought in World War I (Donald was killed in action). Sous-fonds II: Sara (Sally) Bright Skilling. Her education in the United States, her travels with Gordon in eastern Europe in the 1960s and her skill in entertaining. Sous-fonds III: Harold Gordon Skilling. Focuses on his research and writing of books on T. G. Masaryk and Alice Masaryk, on his travels, especially in Eastern Europe, and on the seminars he held in his residence during the last years of his life. These records consist primarily of correspondence (personal and professional, including with Vilem Precan (1993-2000) and Vaclav Havel), diaries, drafts of books and articles, reviews, addresses, index cards, scrap books, and photo albums (64 boxes, 1828-2001). 9af72c28ce