The smaller surface of the dholak is made of goat skin for sharp notes and the bigger surface is made of buffalo skin for low pitches, which allows a combination of bass and treble with rhythmic high and low pitches.[2][3][4]

The shell is sometimes made from sheesham wood (dalbergia sissoo) but cheaper dholaks may be made from any wood, such as mango. In Sri Lanka, the Dholak has been borrowed from India and has only seen some popularity there in recent times .


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It is widely used in qawwali, kirtan, lavani and bhangra. It was formerly used in classical dance. Indian children sing and dance to it during pre-wedding festivities. It is often used in Filmi Sangeet (Indian film music), in chutney music, chutney-soca, baitak gana, taan singing, bhajans, and the local Indian folk music of Jamaica, Suriname, Guyana, Caribbean, South Africa, Mauritius, and Trinidad and Tobago, where it was brought by indentured immigrants. In the Fiji Islands the dholak is widely used for Indian folk music, bhajan and kirtan.

The dholak's higher-pitched head is a simple membrane while the bass head, played usually with the left hand, has a compound syahi to lower the pitch and enable the typical Dholak sliding sound ("giss" or "gissa"), often the caked residue of mustard oil pressing, to which some sand and oil or tar may be added.

On large dholaks, known as dhols, the high-pitched head may be played using a thin (1/4" / 6 mm or less) long (over 14" / 30 cm) stick of rattan or bamboo (rattan is preferred for its flexibility) and the low-pitched drum head using a somewhat thicker, angled stick.[citation needed]

The dholki (Hindi/Urdu: pipe or tube) is often a bit narrower in diameter and uses tabla-style syahi masala on its treble skin. This instrument is also known as the naal. Its treble skin is stitched onto an iron ring, similar to East Asian Janggu or Shime-daiko drums, which tenses the head before it is fitted. The bass skin often has the same structure as in ordinary dholak, being fitted on to a bamboo ring, but sometimes they have a kinar and pleated Gajra, as seen in tabla, to withstand the extra tension.

The dholak is the most commonly played musical instrument in Northern India. As accompaniment to song or other instruments, the dholak and other two-headed drums similar to it (nl, dholki, dhol) are used all across the subcontinent in countless folk genres, devotional traditions, and family functions. The drum heads are attached with rope that is laced through metal tuning rings. By sliding these rings up and down, players can adjust the tension in the drum heads. This early 20th century dholak is vibrantly painted with floral patterns.

It was an off-season for the tourism industry in Jaipur. The shopkeepers were trying to seek my attention. They assumed I was a foreign tourist. I was about to cross the road and walk through the Sirehdyodi Gate when a young chap caught my attention. He was standing under a banyan and trying to converse in English. Here is a picture of Sirehdyodi Gate near Hawa Mahal. e24fc04721

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