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This award is presented to the songwriter for a first-ever recording of a song initially released to the public during the eligibility period which best portrays the blues by means of theme, structure, and overall feeling.

That album released to the public during the eligibility period with a majority of songs that best portrays the Blues Rock genre, that hybrid that combines elements of blues with elements of rock, generally employing heavy amplification and driving rhythms, and which may employ non-traditional blues song structures.

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That album released to the public during the eligibility period that best portrays blues in which elements other than those traditionally found in blues are part of the mix, e.g., different rhythms, different harmonies, more elaborate production values, etc., and which may offer a different approach to sounds, lyrics, instrumentation, arrangements, etc.

That album released to the public during the eligibility period that best portrays Southern Soul Blues, a type of soul music that emerged from the Southern United States. The music originates from a combination of styles, including blues (both 12 bar and jump) with a strong gospel influence.

That album released to the public during the eligibility period with a majority of songs that best portrays Traditional Electric Blues employing traditional blues song structures, harmonic structures and rhythms, and which may also employ instruments such as electric guitar, piano, organ, amplified harmonica, electric bass and drums. This category includes subgenres such as jump/swing blues and Chicago blues.

That musician whose vocal skills in performance and/or on recordings during the eligibility period best portray the blues. This category is open to all vocalists on recordings and stage as well as to vocalists who also play an instrument.

That blues album or collection released during the eligibility period, with all recordings at least five years or older, which serves to preserve historical blues recording and/or performance. In addition to recording and performance content, liner notes and general packaging of the content will be taken into consideration. Submissions for this category are reviewed by a special committee of blues historians, journalists, and ethnomusicologists. This category is not included as part of the nominations announcement or the BMA ballot.

Any blues recording released between November 1, 2022 and October 31, 2023 is eligible for 2024 Blues Music Award consideration.Submission ProcessThe submission process for Blues Music Award consideration begins with artists and record companies submitting entries in the following ways:

The submission process will close on October 20, 2023.

You must upload your music and artwork and complete payment for your submission transaction no later than OCTOBER 20TH to be considered for a Blues Music Award nomination. All music must be uploaded as a WAV file with album artwork uploaded as a JPEG or PDF file. If you need assistance with uploading your music, contact Joe Whitmer at joe@blues.org will be available to help you and walk you through the process. The submission process officially closes on October 20, 2023 at 8:00am CST. You must upload your music and artwork and complete payment for your submission transaction no later than OCTOBER 20 to be considered for a Blues Music Award.NominatingThe Blues Foundation enlists a group of approximately 100 blues nominators who work extensively in all areas of the blues industry. This includes individuals with blues expertise as producers, engineers, radio DJs, journalists, academics, club owners, promoters and others with a deep knowledge of blues music. The identity of the nominators is not made public in order to protect them from outside influences. Nominators must recuse themselves from any categories in which they have a conflict of interest.

Blues is a music genre[3] and musical form that originated in the Deep South of the United States around the 1860s.[2] Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.

Blues, as a genre, is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans.[4]

Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery. Later, the development of juke joints. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into a wide variety of styles and subgenres. Blues subgenres include country blues, Delta blues and Piedmont blues, as well as urban blues styles such as Chicago blues and West Coast blues. World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music.

The term Blues may have originated from "blue devils", meaning melancholy and sadness. An early use of the term in this sense is in George Colman's one-act farce Blue Devils (1798).[5] The phrase blue devils may also have been derived from a British usage of the 1600s referring to the "intense visual hallucinations that can accompany severe alcohol withdrawal."[6] As time went on, the phrase lost the reference to devils and came to mean a state of agitation or depression. By the 1800s in the United States, the term "blues" was associated with drinking alcohol, a meaning which survives in the phrase blue law, which prohibits the sale of alcohol on Sunday.[6]

In 1827, it was in the sense of a sad state of mind that John James Audubon wrote to his wife that he "had the blues."[7] The phrase "the blues" was written by Charlotte Forten, then aged 25, in her diary on December 14, 1862. She was a free-born black woman from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she "came home with the blues" because she felt lonesome and pitied herself. She overcame her depression and later noted a number of songs, such as "Poor Rosy", that were popular among the slaves. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that the songs "can't be sung without a full heart and a troubled spirit," conditions that have inspired countless blues songs.[8]

Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, when Hart Wand's "Dallas Blues" became the first copyrighted blues composition.[9][10] In lyrics, the phrase is often used to describe a depressed mood.[11]

Early traditional blues verses often consisted of a single line repeated four times. However, the most common structure of blues lyrics today was established in the first few decades of the 20th century, known as the "AAB" pattern. This structure consists of a line sung over the first four bars, its repetition over the next four, and a longer concluding line over the last bars.[12] This pattern can be heard in some of the first published blues songs, such as "Dallas Blues" (1912) and "Saint Louis Blues" (1914). According to W.C. Handy, the "AAB" pattern was adopted to avoid the monotony of lines repeated three times.[13] The lyrics are often sung in a rhythmic talk style rather than a melody, resembling a form of talking blues.

Hokum blues celebrated both comedic lyrical content and a boisterous, farcical performance style.[20] Tampa Red and Georgia Tom's "It's Tight Like That" (1928)[21] is a sly wordplay with the double meaning of being "tight" with someone, coupled with a more salacious physical familiarity. Blues songs with sexually explicit lyrics were known as dirty blues. The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries. Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues.[22]

The writer Ed Morales claimed that Yoruba mythology played a part in early blues, citing Robert Johnson's "Cross Road Blues" as a "thinly veiled reference to Eleggua, the orisha in charge of the crossroads".[23] However, the Christian influence was far more obvious.[24] The repertoires of many seminal blues artists, such as Charley Patton and Skip James, included religious songs or spirituals.[25] Reverend Gary Davis[26] and Blind Willie Johnson[27] are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals. 2351a5e196