Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of PRINCE, PRINCE / Dan Padilla Split, "Slow Dip" demos, PRINCE, and Prince. , and , . Purchasable with gift card Buy Digital Discography $17.25 USD or more Send as Gift   Share / Embed   1. Baton Rouge 02:17 2. Grand & Adeline 02:16 about Recorded and mixed by Prince in Brandon's bedroom. $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released July 16, 2015 license all rights reserved tags Tags punk rock indie pop power pop Austin Shopping cart subtotal USD taxes calculated at checkout Check out about PRINCE Austin, Texas

I actually record LPs in my listening room with a Macbook Pro. But then I move to Windows 10 to edit and export. For some reason, sometimes I get these really drastic peaks and dips, but they seem to not affect the sound. They do effect the use of filters on the samples. Reflect artificially high and low peaks. How do I get rid of them with going all the way down to sample view and writing them smooth? Please see the attachment. This is my first post. Kinda noobie.



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"Dip" is a song recorded by American rapper Tyga for his seventh studio album Legendary (2019). It was released on September 19, 2018, by Last Kings Records and Empire Distribution as the third single from the album. An alternate version of the song featuring rapper Nicki Minaj was released on October 29, 2018, along with an accompanying music video.[1]

"Dip" debuted at number 83 on the Billboard Hot 100, becoming the 100th entry on the Hot 100 for Nicki Minaj. Minaj also became the fifth act to do so and the first female artist to achieve this feat. It moved 20 spots to number 63 the following week. On January 22, 2019, Dip was certified Gold By RIAA after selling 500,000 units in the United States of America. The certification is Tyga's third after "Taste" and "SWISH", prior to his 2019 album Legendary.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Helical Structures, Phyalla, Tethered, Metamorphosis, Schematics, Beijo Eletrico Remixes, Enter the Maragrillo, Rootless, and 29 more. , and , . Purchasable with gift card Buy Digital Discography 131.40 GBP or more (40% OFF) Send as Gift  Black vinyl with handstamped sleeve Record/Vinyl + Digital Album   200 copies on black vinyl with a hand-stamped sleeve. Small amount available here on Bandcamp. 


 Includes unlimited streaming of Bergsgatan Tapes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. $(".buyItem .bd").last().bcTruncate(TruncateProfile.get("buyItem"), "more", "less"); Sold Out  Limited edition sky-blue vinyl Record/Vinyl + Digital Album     Limited to 100 copies on Bandcamp with sky-blue vinyl and a hand-stamped black sleeve. There will be a black version distributed via the usual retailers. 


 Includes unlimited streaming of Bergsgatan Tapes via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. $(".buyItem .bd").last().bcTruncate(TruncateProfile.get("buyItem"), "more", "less"); Sold Out   Share / Embed   1. Bergsgatan Acid Jam 06:03 buy track 2. Acid Saturday Confusion 06:35 buy track 3. Dom Med Rda Jackor 05:40 buy track 4. Svedala Corn Flakes 06:30 buy track 5. In the Middle of an resunds Meditation 03:26 buy track about Originally recorded to cassette, these five acidic tracks from Spanish-born producer and record store owner Dip Shim are a paean to his neighbourhood in Malm, Sweden.


The breadth of styles across the EP is impressive, taking in uplifting techno, mid-tempo electro, banging acid, and ambient, all created with classic analogue machines, suffused throughout with that warm tape sound and sweet sweet 303. $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released October 17, 2020 


Mastered by Francisco Cueto $(".tralbum-credits").last().bcTruncate(TruncateProfile.get("tralbum_long"), "more", "less"); license all rights reserved tags Tags electronic idm braindance breakbeat electro techno London Shopping cart subtotal USD taxes calculated at checkout Check out about Gated London, UK

Cojum Dip is the first "mathematical jazz-metal from outer space" album by Cojum Dip, released on January 12th, 2014. It is made up of primarily songs from the Turk Off EP, those being performed live for many years before their official studio recordings.

The entire album was written and performed by front member Bora Karaca, with additional work from Blake Gower, Joe Hawley, Jacob Hurley, Brian McCorkle, Matt Sever, Mandy Wilson, Courtney Flynn, and Gregtronic. Artwork for the album was done by Bora and Homestuck creator Andrew Hussie, many of it appearing in the PDF included with the Bandcamp version of the album.[1]

The album's biggest problem is that it's terribly unbalanced, opening with three droning, very similar tracks, one of which lasts 12 minutes with only the introduction of a plinky drum machine halfway through for variation. Human voice sounds, seemingly sampled into a synthesizer, lie very, very still while trumpets meander on top of them, creating the sort of sound that might play when the pearly gates appear in a movie, except that it lasts a really long time and never goes anywhere. It's a long way from the thump and dread of the first Lucky Pierre album.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Vox Interruptus, the long song, Leorca di Souca, sance, cold tip for dna, the stilling, mappa mundi, a perfect blind, and 3 more. , and , . Purchasable with gift card Buy Digital Discography 36.80 GBP or more (20% OFF) Send as Gift    about Photo: Maria von Hausswolff $(".tralbum-about").last().bcTruncate(TruncateProfile.get("tralbum_about"), "more", "less"); credits released December 22, 2016 license all rights reserved tags Tags experimental classical drone experimental modular synth short wave radio Los Angeles Shopping cart subtotal USD taxes calculated at checkout Check out about drne Los Angeles, California

If you'd like us to avoid duplication, please forward your confirmation of purchase to LSOLive@lso.co.uk, and let us know about any albums you already own. We'll make sure to send you something different.

Despite spanning many decades and variants of Parisian music, this album never breaks its own spell. The great Charles Trenet eulogises about Douce France in a voice like satin, and Lucienne Delyle drizzles her dulcet come-to-bed timbre over C'est Magnifique. Francis Lemarque's warm, grainy singing brings to life his own Un Gamin de Paris, and Raphael Bas offers an instrumental waltz in the manouche style, his keening harmonica sharing the lighter-than-air soloing with clarinet and his own guitar. Singer/accordionist Norbert Slama sustains the waltz feel on Sous Les Ponts de Paris, and of course La Mer is here, played by Gypsy Jazz Caravan. Duo Gadjo, featuring the sweet-voiced Isabelle Fontaine, floats across La Complainte de la Butte, and a highlight is accordionist Odile Lavault leading Baguette Quartette on the rippling melody of Flambee Montalbanaise. Finally Francesca Blanchard and Giorgis offer modern twists, without imperilling that spell. The only frustrations are the album's brevity, and that recording dates aren't provided.

Early on in Heavy Light, on spoken-word collage Advice to Teenage Self, a voice says: \\u201CEveryone says life is short, life is long, there\\u2019s lots of room to be many different ways.\\u201D It's good advice, but it\\u2019s also a pretty good encapsulation of Meghan Remy\\u2019s US Girls, an ever-evolving project that has seen the Toronto-based musician reassemble the history of American music to craft her own strange, subversive and novelesque songs. Heavy Light is the follow-up to her ambitious breakthrough album In a Poem Unlimited, which melded bright jukebox pop with seething stories of male power, submission and revenge. Heavy Light finds Remy\\u2019s political commentary more radical than ever, but this time looking inward, offering a sobering and sometimes dark-humoured portrayal of survival and work. While dipping into disco and soul, the album largely contains stomping, twisted piano numbers that place Remy\\u2019s compelling vocals (which toggle between Kylie Minogue sweetness and PJ Harvey theatrics) at their centre. Working with 20 session musicians, including E Street Band saxophonist Jake Clemons, the album also contains plenty of orchestral moments and swelling choruses that both uplift and haunt.

The lead single Paper Cup is Real Estate\\u2019s first foray into collaboration: Sylvan Esso\\u2019s Amelia Meath lends a welcome edge to the synth-drenched, disco-inspired tune, while the instrumental sections of the spacey opener Friday wouldn\\u2019t sound entirely out of place on an Air record. The addition of a string quartet lends a rustic quality to the sound, and wordless tracks, like the closer Brother, build a self-contained universe in just minutes. All the signature elements of a classic Real Estate album are here: lush, heaped vocals, steady, addictive bass-lines, and Martin Courtney\\u2019s plainly honest, storytelling voice. As has often been the case across the band\\u2019s catalogue, the tracks often bleed into each other and sound like one long song \\u2013 and while this is perhaps repetitive on the surface, for the careful listener it offers a reliability with secrets to reveal, as long as one pays close enough attention. 2351a5e196

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