Download //TOP\ Nkoda

I was able to do this because I was using an early beta of the nkoda music subscription service, which launched earlier this month for iPad on the iOS App Store. With an incredible library of scores and parts, and a promising application, nkoda could quickly become an indispensable resource for me as a composer, teacher, and performer.

Once you find a work you like, you can save it to your library, download it for offline use, or add it to your own playlists, which are shareable to other nkoda users. This could allow a string quartet to have playlists of prepared repertoire for a program, or teachers to have a set of scores to study for a class.

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Once you enter the Score View by tapping a page, nkoda looks like any other viewer you might use for PDF files. Navigation will take some getting used to for those with experience in other score readers. You can move forward by tapping in either the top or bottom right corners, and backward by tapping in the top or bottom left corners. There are no swipe gestures, as I would have expected. Exiting a score requires tapping on a very small area in the vertical center of the screen along the right edge. It usually takes me more than one try to hit this spot, and I hope the feature gets some refinement. It seems like a bad design decision when the help documents need to include a diagram for such a simple and common action.

Thankfully, this is another issue that the nkoda team is planning to resolve very soon. My expectation, based on my conversation with Sundar Venkitachalam, is that screenshots will still be prevented, but that AirPlay and other forms of presentation will be allowed. This will be a great help for me, and I hope it will be resolved before classes start in the fall.

If the basics of annotation improve, the layer and sharing features could be a major win for lots of different kinds of musicians. One thing to keep in mind, though: your annotations are locked to nkoda. There is no way to export them, so if you ever decide to part ways with the service, you lose access to that data until you resubscribe. If nkoda goes away or changes their business model, you could lose your annotations entirely. forScore, by comparison, allows exporting in its own 4SC format, clean PDF with no annotations, and annotated PDF.

This is just the beginning for nkoda, and the team has great ambitions to launch improved search, reading, annotation tools, and more, on top of their planned applications for desktop and mobile platforms. The library is continuing to expand on a regular basis to include new publishers and more works from existing publishers. There is a lot of data to go through, and processing each new score will take time, but knowing that there are already deals in place for most major publishers makes me optimistic that more of my favorites (Karel Husa, anyone?) will be showing up soon.

Select the "Sign up with an Institution" option on app.nkoda.com. Make sure you select Carnegie Mellon University Libraries from the institution option. Here are step-by-step instructions, -institutional-access-openathens-shibboleth-authentication.

If you are unable to access music while in the nkoda app, reach out to support@nkoda.com and ask them to delete your account so you can start fresh with the "Sign up with an Institution" instructions.

Nkoda also has the option to upload your own sheet music in PDF format. These are private to you and not discoverable in the nkoda library, but you can share the link with friends, colleagues and collaborators. You can also use the detailed annotation tools and lossless zoom functionality that makes the nkoda library so unique.

Please be aware that some sheet music and scores are available on nkoda as rental music for which you will see the above notice. These are not permitted for use in performance without permission from the publisher. We recommend you contact your Programme Leader should you need material for performance.

nkoda is a database of sheet music with thousands of resources that aid in finding, playing and annotating music by pulling materials from all around the world and straight to your phone, tablet or computer.

To determine if nkoda is a resource the library should add, we need you to try it out and then complete our brief survey to let us know what you think. Your feedback will help us determine if this is the right resource for the community.

2: Download the nkoda app. On your personal device or computer, download the app. For iOS devices (iPad & iPhone), download here. For Mac devices, download here. For Microsoft devices, download here. For Samsung and Google devices, download here. Note: to navigate nkoda you will have to use the app.

6: Tell us how it was. Complete the survey below. To determine if nkoda is the right resource for this community, tell us how you feel by completing this very short survey before Jan. 1, 2024.

Lorenzo Brewer. "Growing up, academic brats like me are just exposed to so many ideas, often radical ideas, all the time. Synthesizing them into a new whole is something I try to do every day. The whole nkoda project comes out of that." Anna Swords

In December, Lorenzo Brewer made Musical America's list of 30 Professionals of the Year, a cohort defined as "Innovators, Independent Thinkers, and Entrepreneurs." As founder and CEO of nkoda, which some have called a Netflix and/or Spotify for music scores, Brewer scored on all three vectors. He was, at the time, all of 23 years old.

The facts and figures of nkoda stagger the imagination. Musical America cited a knowledge base of 35 million pages of music, licensed from 50 of the world's leading music publishers, free and clear to subscribers for study, sharing, and annotation at the fire-sale rate of $9.99 a month. The catalogue includes masses of contemporary materials that used to be very hard to get. "They were expensive, they were exclusive, and they weren't available to people," Brewer has said, citing as textbook cases Arvo Prt and Gyrgy Ligeti. Since December, the nkoda universe has only kept expanding, but who's counting? In house, I suppose someone must be; in the real world, who can keep up? These numbers are galactic.

At one level, you could say nkoda has been spreading like wildfire. Launched little more than a year ago, the app is now available in 11 languages. It has been downloaded in 135 countries, and the subscriber base is approaching six figures. At another level, that's all a drop in the bucket. Brewer positions nkoda as a "resource for the 100 million people on this planet who play, practice, and perform music."

The more I found out about nkoda, the more intrigued I was to get to know the personality whose stamp it bears. By a stroke of fortune that may be a story for another day, the opportunity came my way. A wide-ranging conversation ensued, extending, by telephone and email, over several weeks. Excerpts are strung together below to mimic the regulation Q-&-A we never had.

My composition teacher Raymond Yiu owns some 5,000 scores he collected over 25 years. His collecting was a hoarding of knowledge, not books. From understanding you can make something new. I guess in some ways nkoda is also a tribute to him. I hope that we are giving people some of that same opportunity he gave me to find, learn, practice, and play things that otherwise would never be available.

I didn't know this when I founded nkoda, but it's not the first time someone in my family has done something like this. A many-great grandfather of mine, Charles Edward Mudie, ran a subscription library here in London. The Mudie Library circulated novels and non-fiction to a new and much wider audience. He bought 500 copies of The Origin of Species and was Darwin's principal library source. Without my even knowing this, our last office was a two-minute walk from where the Mudie subscription library used to be.

For young people who are exploring music, learning, analyzing and composing for the first time, I hope nkoda is their companion in discovery and creation. Something that means that they feel there are no limits to what is possible, and what they can make.

I've come to think that startups are built on a series of accidents. nkoda wouldn't exist without our amazing CTO, Sundar Venkitachalam. I met him through Nik Silver who was ex head of technology at the Guardian newspaper. We met, clicked, and started working together. Somehow, nkoda attracts people. The idea has a magnetism. The concept is simple, and the potential outcome is tangible. It was easy to imagine a world in which nkoda existed, even before we built it.

The nkoda site features a far-ranging interview with the mezzo-soprano Joyce DiDonato. She has quite a bit to say about how she has been using nkoda in preparing Schubert's Winterreise, a major addition to her repertoire and an unconventional one. In December, she'll be performing the cycle at Carnegie Hall. How did she come to be nkoda's poster child?

It's an interesting question, and hopefully yes. Principally, I think of nkoda as a library. By that I mean: nkoda was conceived as a space for active consumption, a place for you to go and learn, practice, play, perform as well as arrange, assemble, and collect your music. ff782bc1db