PORTABLE Download Nigeria National Anthem Sound

I've been thinking lately as I watch the World Cup, why does every national anthem fall into the classical music genre? I understand they are all not in the same style, but to my untrained ear, they are on the whole built in similar fashions.

I have some ideas, but I have no idea if any of then are true. Can it really be that almost every nation feels that an orchestral composition best represents them? Did all of these nations have independently sufficient classical movements to warrant that as their anthem? Are countries that didn't have a significant classical history just emulating countries that did? Am I mistaken, or do a bunch of them have militant undertones? How did this become the defacto anthem sound?

Download Nigeria National Anthem Sound

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One sound is going to dominate this year's Olympics: national anthems, those minute-long songs that can make grown men cry. And for a handful of people, it means millions will finally hear their music.

In fact, they're an ageing calypso singer; a recent graduate currently fixing up a house; a chemical engineer; and one of the world's leading anaesthesiologists. All of them just happen to have written one of the 216 national anthems that will be played at this year's Games.

A national anthem is a patriotic musical composition symbolizing and evoking eulogies of the history and traditions of a country or nation.[2] The majority of national anthems are marches or hymns in style. American, Central Asian, and European nations tend towards more ornate and operatic pieces, while those in the Middle East, Oceania, Africa, and the Caribbean use a more simplistic fanfare.[3][failed verification] Some countries that are devolved into multiple constituent states have their own official musical compositions for them (such as with the United Kingdom, Russia, and the former Soviet Union); their constituencies' songs are sometimes referred to as national anthems even though they are not sovereign states.

In the early modern period, some European monarchies adopted royal anthems. Some of these anthems have survived into current use. "God Save the King/Queen", first performed in 1619, remains the royal anthem of the United Kingdom and the Commonwealth realms. La Marcha Real, adopted as the royal anthem of the Spanish monarchy in 1770, was adopted as the national anthem of Spain in 1939. Denmark retains its royal anthem, Kong Christian stod ved hjen mast (1780) alongside its national anthem (Der er et yndigt land, adopted 1835). In 1802, Gia Long commissioned a royal anthem in the European fashion for the Kingdom of Vietnam.

Following the reinstating of La Marseillaise in 1830, in the wake of the July Revolution, as the national anthem of France, it became common for newly formed nations to define national anthems, notably as a result of the Latin American wars of independence, for Argentina (1813), Peru (1821), Brazil (1831) but also Belgium (1830). Consequently adoption of national anthems prior to the 1930s was mostly by newly formed or newly independent states, such as the First Portuguese Republic (A Portuguesa, 1911), the Kingdom of Greece ("Hymn to Liberty", 1865), the First Philippine Republic (Marcha Nacional Filipina, 1898), Lithuania (Tautika giesm, 1919), Weimar Germany (Deutschlandlied, 1922), Republic of Ireland (Amhrn na bhFiann, 1926) and Greater Lebanon ("Lebanese National Anthem", 1927). Though the custom of an officially adopted national anthem became popular in the 19th century, some national anthems predate this period, often existing as patriotic songs long before their designation as national anthem.

The Olympic Charter of 1920 introduced the ritual of playing the national anthems of the gold medal winners. From this time, the playing of national anthems became increasingly popular at international sporting events, creating an incentive for such nations that did not yet have an officially defined national anthem to introduce one.[a]

The United States introduced the patriotic song The Star-Spangled Banner as a national anthem in 1931. Following this, several nations moved to adopt as official national anthem patriotic songs that had already been in de facto use at official functions, such as Mexico (Mexicanos, al grito de guerra, composed 1854, adopted 1943) and Switzerland ("Swiss Psalm", composed 1841, de facto use from 1961, adopted 1981).

By the period of decolonisation in the 1960s, it had become common practice for newly independent nations to adopt an official national anthem. Some of these anthems were specifically commissioned, such as the anthem of Kenya, Ee Mungu Nguvu Yetu, produced by a dedicated "Kenyan Anthem Commission" in 1963.[7]

A number of nations remain without an official national anthem adopted de iure. In these cases, there are established de facto anthems played at sporting events or diplomatic receptions. These include the United Kingdom (God Save the King) and Sweden (Du gamla, Du fria; the country also has a royal anthem, Kungssangen). Countries that have moved to officially adopt de iure their long-standing de facto anthems since the 1990s include: Luxembourg (Ons Heemecht, adopted 1993), South Africa (National anthem of South Africa, adopted 1997), Israel (Hatikvah, composed 1888, de facto use from 1948, adopted 2004) and Italy (Il Canto degli Italiani, composed 1847, de facto use from 1946, adopted 2017).

They are played on national holidays and festivals, and have also come to be closely connected with sporting events. Wales was the first country to adopt this, during a rugby game against New Zealand in 1905. Since then during sporting competitions, such as the Olympic Games, the national anthem of the gold medal winner is played at each medal ceremony; also played before games in many sports leagues, since being adopted in baseball during World War II.[8] When teams from two nations play each other, the anthems of both nations are played, the host nation's anthem being played last.

In some countries, the national anthem is played to students each day at the start and/or end of school as an exercise in patriotism, such as in Tanzania.[9] In other countries the state anthem may be played in a theatre before a play or in a cinema before a movie. Many radio and television stations have adopted this and play the national anthem when they sign on in the morning and again when they sign off at night. For instance, the national anthem of China is played before the broadcast of evening news on Hong Kong's local television stations including TVB Jade.[10] In Colombia, it is a law to play the National Anthem at 6:00 and 18:00 on every public radio and television station, while in Thailand, "Phleng Chat Thai" is played at 08:00 and 18:00 nationwide (the Royal Anthem is used for sign-ons and closedowns instead).The use of a national anthem outside of its country, however, is dependent on the international recognition of that country. For instance, Taiwan has not been recognized by the International Olympic Committee as a separate nation since 1979 and must compete as Chinese Taipei; its "National Banner Song" is used instead of its national anthem.[11] In Taiwan, the country's national anthem is sung before instead of during flag-rising and flag-lowering, followed by the National Banner Song during the actual flag-rising and flag-lowering. Even within a state, the state's citizenry may interpret the national anthem differently (such as in the United States some view the U.S. national anthem as representing respect for dead soldiers and policemen whereas others view it as honouring the country generally).[12]

Various solutions may be used when countries with different national anthems compete in a unified team. When North Korea and South Korea participated together in the 2018 Winter Olympics, the folk song "Arirang", beloved on both sides of the border and seen as a symbol of Korea as a whole, was used as an anthem instead of the national anthem of either state.[13]

Most of the best-known national anthems were written by little-known or unknown composers such as Claude Joseph Rouget de Lisle, composer of "La Marseillaise" and John Stafford Smith who wrote the tune for "The Anacreontic Song", which became the tune for the U.S. national anthem, "The Star-Spangled Banner". The author of "God Save the King", one of the oldest and best-known anthems in the world, is unknown and disputed.

Very few countries have a national anthem written by a world-renowned composer. Exceptions include Germany, whose anthem "Das Lied der Deutschen" uses a melody written by Joseph Haydn, and Austria, whose national anthem "Land der Berge, Land am Strome" is sometimes credited to Wolfgang Amadeus Mozart. The music of the "Pontifical Anthem", anthem of the Vatican City, was composed in 1869 by Charles Gounod, for the golden jubilee of Pope Pius IX's priestly ordination. When Armenia was under Soviet rule, its anthem, the "Anthem of the Armenian Soviet Socialist Republic" used a melody by Aram Khachaturian.

The committee charged with choosing a national anthem for the Federation of Malaya (later Malaysia) at independence decided to invite selected composers of international repute to submit compositions for consideration, including Benjamin Britten, William Walton, Gian Carlo Menotti and Zubir Said, who later composed "Majulah Singapura", the national anthem of Singapore. None were deemed suitable. The tune eventually selected was (and still is) the anthem of the constituent state of Perak, which was in turn adopted from a popular French melody titled "La Rosalie" composed by the lyricist Pierre-Jean de Branger.

A few anthems have words by Nobel laureates in literature. The first Asian laureate, Rabindranath Tagore, wrote the words and music of "Jana Gana Mana" and "Amar Shonar Bangla", later adopted as the national anthems of India and Bangladesh respectively. Bjrnstjerne Bjrnson wrote the lyrics for the Norwegian national anthem "Ja, vi elsker dette landet". e24fc04721