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On the heels of the excitement about the recent announcement of the upcoming Fall co-headline tour, industrial music icons Static-X are releasing a music video for the first original track from the upcoming album Project Regeneration: Vol. 2. The song...

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Static-X was founded in 1994 after the disbandment of Wayne Static's prior band, Deep Blue Dream. Static played in the band in the late 1980s with future Smashing Pumpkins frontman Billy Corgan.[6] However, when the Smashing Pumpkins began to gain popularity, Corgan made the choice to commit all of his attention to The Smashing Pumpkins, and Deep Blue Dream eventually disbanded.[7] Static and Ken Jay later moved to Los Angeles to start a new band with guitarist Emerson Swinford, whom they had met through their mutual friend, Chicago singer-songwriter, PJ Olsson. They formed a band called Drill,[8] which included Tony Campos on bass and started performing in the LA music scene. After Swinford left to pursue touring and session work, they recruited guitarist Koichi Fukuda, and renamed the band Static; however, during the recording of their debut album, they realized there were multiple other bands named Static, and subsequently renamed the band to Static-X.[9][7]

In 2002, Static was contacted by Jonathan Davis of the nu metal band Korn. Davis had recently signed on to provide the soundtrack for the Queen of the Damned film soundtrack, but due to contract limitations with Sony, was legally unable to actually perform the music he had written for the soundtrack.[14] As a remedy of this, Davis contacted a number of metal vocalists, Static included, to sing on the songs he had written.[15] Static provided vocals for one track, "Not Meant for Me", with the Queen of the Damned soundtrack releasing in February 2002.[15]

The contribution was a turning point for the band; the track, which was much more melodic than much of the band's music up until that point, would attract the attention of Warner Brother's executive Tom Whalley, who pressured the band as a whole to pursue a melodic sound.[7] Personnel and line-up changes would further alter the band's sound. The label would not allow the band to work again with record producer Ulrich Wild as they had for their prior two albums, instead arranging for them to work with Josh Abraham, a producer known for working with more commercially melodically mainstream bands such as Staind, Filter, and Velvet Revolver.[7] The album was the first to feature Eisen's songwriting contributions and performances, and the only to feature sessions drummer Josh Freese, of A Perfect Circle, due to Jay leaving the band two days before beginning the formal recording process.[7] Jay has been reluctant to talk about his reasons for leaving.[16]

In 2012, Wayne Static decided to reform Static-X, but none of the original members would join him. Instead his solo band would tour under the name Static-X.[29] In June 2013, Static announced Static-X's official break-up.[30] Static blamed it on a disagreement with Campos over the rights of the band; citing that Campos was paid by Wayne for the use of the name while touring, but during that tour, Wayne took ill; in a 2019 post, former tour manager Eric Dinkelmann claimed, however, that the illness was just an official cover and the real reason for the tour cancellation was "a drug bust",[31] which Campos would later also allude to.[22] Static ended the band soon afterwards.[32] Despite breaking up the band, Static still performed the band's music under his own name and solo band in 2014, most notably playing the Wisconsin Death Trip album in its entirety to celebrate the album's fifteenth anniversary.[10] In a 2022 interview, Edsel Dope, who was on the same tour bill as Static at the time, recalled that the tour experience revealed to him the depths of Static's drug addiction, and that while he made an effort to convince Static to reform the full band, he was "not sure without rehab it will be possible".[33]

Static-X has been described as industrial metal,[58][59][60] nu metal,[61][62][63] alternative metal,[64][65] rap metal,[66] hard rock,[67] industrial music[68] and industrial pop.[69] Self-described as "evil disco", Static-X's style, according to The Washington Post, "combines electronic elements influenced by industrial artists such as Ministry and Skinny Puppy with the harshness of bands like Pantera".[60] Static-X's style also has used elements of genres such as techno, speed metal, and thrash metal.[70][71]

Wayne Static has cited house music as an influence on Static-X's music.[72] Static also has said that throughout 1994 to 1996, he listened to the Prodigy and the Crystal Method.[72] Static has said that he "imagined Static-X was gonna be like a Prodigy or a Crystal Method and more of an electronic-based thing".[7] Static-X's influences include the Crystal Method, the Prodigy, Prong, Pantera, Ministry, Korn, the Sisters of Mercy, the Chemical Brothers, Joy Division, Kiss, Mortician, Fear Factory and Crowbar.[73] Despite being labeled in the nu metal category, Campos noted that the band never felt the genre applies to them, explaining that they were more about blending industrial and electronic aspects of music into a heavy metal sound, and that they were influenced more by the music of Ministry, Prong, and the Spawn soundtrack.[74]

King's X is an American rock band formed in Springfield, Missouri in 1979. They were first called the Edge and later became Sneak Preview before settling on their current name in 1985.[4] The band's current lineup has remained intact for more than four decades, consisting of vocalist and bassist Doug Pinnick, drummer Jerry Gaskill and guitarist Ty Tabor. Their music combines progressive metal, funk and soul with vocal arrangements influenced by gospel, blues, and British Invasion rock groups. Despite a largely underground reputation as the "musician's musicians", King's X was pivotal in the early development of progressive metal, and produced a series of early records considered essential within the genre.[5][6] The band's lyrics are largely based on the members' struggles with religion and self-acceptance. King's X was ranked No. 83 on VH1's 100 Greatest Artists of Hard Rock.[7]

The group traces its beginnings to 1979 in Springfield, Missouri, when bassist Doug Pinnick and drummer Jerry Gaskill were brought together to take part in a musical project coordinated by Greg X. Volz of the Christian rock band Petra. Within a month of Pinnick's arrival from Illinois, the project folded and he and Gaskill were left without a band. They soon landed a job as rhythm section for guitarist Phil Keaggy's live band. The two toured the country for several months in support of Keaggy's album Ph'lip Side. During the group's show in Springfield, Gaskill was approached by Ty Tabor who was a member of the opening band that night. The drummer for Tabor's band had quit the night before the show and Tabor had volunteered to take over on drums for the gig. However, seeing as he had no drums, he was forced to ask Gaskill if he could borrow his kit for the show. Gaskill obliged and the show went on.[17]

When the tour ended, Pinnick and Gaskill returned to Springfield and set about looking for more work. Gaskill landed a job doing demo work for the Tracy Zinn Band that happened to include Ty Tabor on guitar. The two became friends and were involved off and on together in different musical projects. 006ab0faaa