Jazz is a kind of music in which improvisation is typically an important part. In most jazz performances, players play solos which they make up on the spot, which requires considerable skill. There is tremendous variety in jazz, but most jazz is very rhythmic, has a forward momentum called "swing," and uses "bent" or "blue" notes. You can often hear "call--and--response" patterns in jazz, in which one instrument, voice, or part of the band answers another. (You can hear Ella Fitzgerald and Roy Eldridge do "call and response" in Ella's Singing Class.) Jazz can express many different emotions, from pain to sheer joy. In jazz, you may hear the sounds of freedom-for the music has been a powerful voice for people suffering unfair treatment because of the color of the skin, or because they lived in a country run by a cruel dictator.
Jazz developed in the United States in the very early part of the 20th century. New Orleans, near the mouth of the Mississippi River, played a key role in this development. The city's population was more diverse than anywhere else in the South, and people of African, French, Caribbean, Italian, German, Mexican, and American Indian, as well as English, descent interacted with one another. African-American musical traditions mixed with others and gradually jazz emerged from a blend of ragtime, marches, blues, and other kinds of music. At first jazz was mostly for dancing. (In later years, people would sit and listen to it.) After the first recordings of jazz were made in 1917, the music spread widely and developed rapidly. The evolution of jazz was led by a series of brilliant musicians such as Louis Armstrong, Duke Ellington (listen to Ellington in Duke's Music Class), Charlie Parker, and Miles Davis. Jazz developed a series of different styles including traditional jazz, swing (listen, for example, to Benny Carter, who got his start in swing music, in Benny's Music Class) bebop, cool jazz, and jazz?rock, among others. At the same time, jazz spread from the United States to many parts of the world, and today jazz musicians--and jazz festivals--can be found in dozens of nations. Jazz is one of the United States's greatest exports to the world.
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Elliot had also told Melody Maker that "It's Getting Better" was "musically ... not quite what I want to be doing ... It's a good recording for what it is, but you wouldn't exactly call it social commentary."[3] "Make Your Own Kind of Music", while similar in structure to "It's Getting Better",[5] could be considered social commentary:[6] Steve Barri would rank "Make Your Own Kind of Music" in with "pop songs [that] really kind of say something".[2] Released in October 1969, "Make Your Own Kind of Music" swiftly ascended the Hot 100 in Billboard, and in November 1969 Dunhill reissued Elliot's second solo album reformatted to include "Make Your Own Kind of Music", the album's title being changed to It's Getting Better/ Make Your Own Kind of Music.[7] Steve Barri considered "Make Your Own Kind of Music" to be a guaranteed Top Ten hit; the single would garner heavy radio airplay but comparatively meager sales,[1] stalling at #36 on the Hot 100 ("Make Your Own Kind of Music" would reach #6 on the airplay driven Billboard Easy Listening chart).[8]
So what type of music reduces stress the best? A bit surprising is that Native American, Celtic, Indian stringed-instruments, drums, and flutes are very effective at relaxing the mind even when played moderately loud. Sounds of rain, thunder, and nature sounds may also be relaxing particularly when mixed with other music, such as light jazz, classical (the "largo" movement), and easy listening music. Since with music we are rarely told the beats per minute, how do you choose the relaxation music that is best for you? The answer partly rests with you: You must first like the music being played, and then it must relax you. You could start by simply exploring the music on this web page. Some may relax you, some may not. Forcing yourself to listen to relaxation music that irritates you can create tension, not reduce it. If that happens, try looking for alternatives on the internet or consult with Counseling Service staff for other musical suggestions. It is important to remember that quieting your mind does not mean you will automatically feel sleepy. It means your brain and body are relaxed, and with your new calm self, you can then function at your best in many activities.
Influenced in part by Evans, who had joined the ensemble in 1958, Davis departed further from his early hard bop style in favor of greater experimentation with musical modes, as on his previous album Milestones (1958). Basing Kind of Blue entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies; Coltrane later expanded on this modal approach in his own solo career.
The world is filled with different types of music because it is filled with different kinds of people. From music genres to lists of music styles, discover how many types of music there are in the world.
ASCAP's customer licensees include: Airlines, Amusement Parks, Bars, Restaurants & Nightclubs, Colleges & Universities, Concert Presenters, Music Venues & Clubs, Convention & Trade Shows, Fitness Clubs, Hotels, Local Government Entities, Radio & Television Stations and Networks, Mobile Entertainment, Websites, Retail Stores and music users in a wide variety of other industries. See the complete list of ASCAP license types on this website. There are over 100 different ASCAP rate schedules covering almost all businesses that perform music.
Of course, this exemption is limited to those radio or television performances; the law requires that public performances of copyrighted music by other means such as live music, karaoke, CDs, MP3 and digital files, background music services and DVDs require permission obtained either from the copyright owners or from their performing rights licensing organizations.
Pay attention to how you react to different forms of music, and pick the kind that works for you. What helps one person concentrate might be distracting to someone else, and what helps one person unwind might make another person jumpy.
"It's all love songs this time," says Mac DeMarco when we connect over Skype (cell reception at his place in Far Rockaway, Queens, is spotty) to talk about Another One, his latest mini-album. Make that love songs with little problems: Each of the songs on this charming, scruffy collection takes on love that's just out of reach, whether it's doomed from the start or just run its course. "It's just kind of like every angle of how somebody might feel if they're having strange feelings in their chest," DeMarco says.
This one is a little more of a narrative, so the singer is saying, "There's this girl out there, and she is in some kind of relationship thing," and then perhaps the singer's perspective is being the other man in sort of an entanglement.
3. No Other Heart
This one is another one I wrote on the piano, or I mean the synthesizer. I feel like this one is kind of bop-y. For some reason, the chord progression reminds me of a John Lennon chord progression because he had very simple, chunky piano parts in his songs. I like the chorus. I feel like the chorus is quite cute.
This one I kind of thought of a little more musically, because the lyrics are pretty simple and quite repetitive. As the music's gone on over the years, I've always tried to keep simplifying. I've pretty much just stopped writing bridges altogether. It's like verse-chorus-verse-double chorus. Keep it simple, keep it really short. Then on this one, I took it even a step further. There is a discernible chorus in it and there are different sections, but it's the exact same chord progression both times. It's kind of like a train rolling along. Maybe I didn't do the best job of it, but to have something that's extremely repetitive but also have it change in different ways slightly over the course of the recording is really interesting to me. That's another thing that I was kind of trying to play with as well.
5. A Heart Like Hers
This is, I think, the first song I wrote for this album. I think was trying to make a little bit of a kind of R&B-style song, but it didn't really turn out that way. It's kind of that gloomy, pumping organ sound. I don't think I've got the funk in my bones enough to make something really funky or R&B or whatever. The thing that pushed [me] towards synths was I got into Yellow Magic Orchestra. But I can't play like that, so instead, I tried to do these chord changes and stuff. But I don't really know. For this one, it's got a different melody style in terms of the vocals than I usually go for. I was kind of surprised I was able to come up with it. It kind of reminds me of my music from a really long time ago, but that was all on guitar, so to be able to come up with that on synthesizer, it was kind of refreshing.
6. I've Been Waiting For Her
I didn't know if I was going to put [this one] on the album. It kind of had a little bit of a different vibe. But I figured, hey, a beach song, you know? I wanted to do maybe like a DBs feel or something, or quick little clean power pop stuff. This one's pretty self-explanatory, I guess. This is the, "I found her and I'm so excited," you know. It's like, "This is great. Here she is. What was I doing before?" It's just fun loving, easy, no harsh feelings in this song.
7. Without Me
I think it's a nice song to end everything with. Say you go through some kind of feelings of this nature, and then at the end, when you're finally like... "You know what? This isn't going to work out and that's totally fine." It's like coming to terms with that. It's like "Hope she's happy. It's okay. It's for the best, in a way." So yeah, I don't know. I think it made sense to me that it was one of the last songs on the EP. e24fc04721
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