Use your computer mouse or keyboard to play the virtual piano keyboard (or the device touch screen for mobile devices). You can view the corresponding computer keyboard letters by activating the Real Keys feature. For the entire keyboard spectrum, click it twice.
A virtual piano keyboard is perfect when there isn't a real piano or a keyboard at home or when your piano or keyboard isn't next to a computer. The online piano keyboard simulates a real piano keyboard with 7 1/4 octaves of 88 keys (only five octaves for mobile devices), a sustain pedal, ABC or DoReMe letter notes representation, a Metronome, zoom-in, and a full-screen mode.
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Use your computer mouse or keyboard to play the virtual piano keyboard (or the device touch screen for mobile devices). You can view the corresponding computer keyboard letters by activating the "Real Keys" feature. For the entire keyboard spectrum, click it twice.
Use your computer keyboard or click the piano keys to play the piano. The keyboard's top row of letters corresponds to the white keys, and the row of numbers corresponds to the black keys. You can play multiple notes simultaneously.
Click "Hide note names" above the piano to hide the note names. Click "Mark" to mark notes on the piano. Play the marked notes by clicking the "Play" button (only visible after notes have been marked) or pressing the spacebar on your keyboard.
Try our free piano exercises and learn to play notes, intervals, chords, and scales on the piano. You'll also find a variety of other exercises that will expand your musical understanding and help you become better at playing the piano.
The Bachelor of Music degree has a two-credit keyboard skills requirement that may be fulfilled by taking classes chosen from MUSC 100, 136, 200 (with the approval of the Director of Undergraduate Studies), and 236. In most cases, B.Mus. majors with no prior keyboard experience will enroll in MUSC 136 and MUSC 236.
For music majors with limited piano training who need to fulfill the piano skills requirement. Students may place out of this requirement through examination (see below). To sign up for an exam time, click here.
With an award-winning faculty and the resources of one of the largest music departments in the country, the College of Music offers exceptional performance training as well as many options for elective courses and specializations across numerous areas for portfolio diversification.
Our students and alumni regularly earn national and international recognition in performance, teaching and research. They have been accepted to prestigious graduate study programs throughout the world; have won numerous competition awards, internships and fellowships; and have earned positions as full-time academic faculty, as artist-faculty and collaborative pianist-performers at summer music festivals in the U.S. and abroad.
The musical lineage represented by our keyboard faculty honors the finest classical music traditions in the world: our teachers, and their teachers, stand among a legacy of legendary artist-pedagogues. The vast performing experience of our keyboard faculty is broadened by their ongoing engagement in a wide range of creative scholarship in fields that integrate performing, teaching and scholarship.
FSU offers the unique combination of a large comprehensive music program with committed professional mentoring between faculty and students. This fosters a learning environment uniquely suited to equip students to collaborate effectively with one another and promote excellence in their professional spheres of influence.
In addition to degree programs for performance majors, organ students in the BA Sacred Music degree pursue rigorous musical training with special emphasis on sacred music, coupled with substantial coursework in areas of study outside of music. College of Music students can also audition to study the organ as a principal study instrument. Further opportunities for secondary study exist for students in the larger College and University, by instructor permission.
The Graduate Certificate in Piano Performance provides a strategic credential to supplement and enhance the degrees of graduate-level music majors enrolled at the Florida State University College of Music who are already advanced in their classical piano skills, but who have chosen to pursue degrees in musical subjects other than piano performance.
In the Music app on your Mac, you can quickly accomplish many tasks using keyboard shortcuts. Shortcuts are listed below, as well as in Music menus in the menu bar. In app menus, keyboard shortcuts are represented by symbols.
All music graduate students, including those whose principal or proficiency instrument is piano, must pass a keyboard proficiency examination or its equivalent. Most students will take the examination on piano, coordinated by the secondary piano program.
The keyboard proficiency requirement may also be satisfied by passing the examination at any of the times it is offered or by receiving a grade of B or higher in MUS-P 715 Keyboard Review for Graduate Students. The option of MUS-P 715 is not available to majors in collaborative piano, guitar, harp, historical performance, jazz, music theory, organ, piano, or MS Music Education students. To avoid a delay in degree completion, students who are beginning their last semester of coursework and have not yet satisfied the keyboard proficiency requirement are strongly advised to enroll in MUS-P 715.
Organ majors fulfill the keyboard proficiency by passing C504 Keyboard Skills Review and/or C510 Service Playing Review, if necessary. For details, see the secondary piano coordinator or the departmental chairpersons (for guitar, harp, historical performance, jazz, music theory, and organ).
Keyboard proficiency exams for music theory majors are heard by the theory faculty near the end of each fall and spring semester. Theory majors are no longer required to complete a keyboard hearing for the secondary piano faculty.
The USC Thornton Keyboard Studies Department seeks to enhance the artistic and technical development of aspiring pianists through comprehensive mentorship, study and performances of solo pianists and collaborative artists. Courses offered by the department include guidance in solo performance, keyboard literature, piano pedagogy, piano four-hands and duo repertoire, as well as collaborative performance with singers and other instrumentalists and harpsichord. Keyboard studies faculty welcomes and encourages repertoire composed by marginalized and/or under-represented groups, including but not limited to BIPOC, LGBTQ+ and women.
The MM in piano performance is a two-year, 30-unit program consisting of individual piano instruction, piano pedagogy, piano literature, ensemble, music history and electives. Two graduate recitals are required.
The Graduate Certificate in performance is a two-year, 16-unit program consisting of individual instruction, studio class, and two ensembles, or the equivalent thereof, each semester. This graduate-level program is designed for students who have completed their undergraduate education in music, or its equivalent, and intend to concentrate their energies on the full-time development of their discipline.
This program is designed for young artists of exceptional ability and musical sensitivity who plan careers as solo performers. The Artist Diploma Program provides young artists with the opportunity to devote their full time to concentrated study and practice for the duration of their assigned programs. A minimum of 16 units at the 754 level (from MPEM, MPGU, MPKS, MPST, MPVA or MPWP) and four full-length recitals are required. This program typically requires two to three consecutive years of study for completion.
The Musical Studies minor is for students who already have a background in music performance and want to continue to develop their skills. Musical Studies minors have the opportunity to study their instrument in private lessons and participate in ensembles, as well as study music theory and music history. Through the electives, students may explore their own unique musical interests. Students may apply on virtually any instrument, including voice.
There are many different keyboard controllers available. If you do not currently have a keyboard that you can bring to Berklee, you will need to purchase one. There are several important points to consider.
Four octave or 49-note keyboards are the minimum size needed to play two-handed keyboard parts. Anyone who plans on accompanying themselves or playing keyboard parts in an ensemble should consider a keyboard of this size.
While Berklee does not endorse any particular brand or model of keyboard, below are three manufacturers that offer models incorporating the suggested considerations and a comparison chart that you might consider. The cost of these can vary, so check local and online retailers for current pricing.
The arrangement of longer keys for C major with intervening, shorter keys for the intermediate semitones date to the 15th century. Many keyboard instruments dating from before the nineteenth century, such as harpsichords and pipe organs, have a keyboard with the colours of the keys reversed: the white notes are made of ebony and the black notes are covered with softer white bone. A few electric and electronic instruments from the 1960s and subsequent decades have also done this; Vox's electronic organs of the 1960s, Farfisa's FAST portable organs, Hohner's Clavinet L, one version of Korg's Poly-800 synthesizer and Roland's digital harpsichords.
Some 1960s electronic organs used reverse colors or gray sharps or naturals to indicate the lower part (or parts) of a single keyboard divided into two parts, each controlling a different registration or sound. Such keyboards accommodate melody and contrasting accompaniment without the expense of a second manual, and were a regular feature in Spanish and some English organs of the renaissance and baroque eras. The break was between middle C and C-sharp, or outside of Iberia between B and C. Broken keyboards reappeared in 1842 with the harmonium, the split occurring at E4/F4. 006ab0faaa
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