Printed music for flute and violin are the same - except that music that is well written for each instrument will generally be a bit different to take advantage of what falls more easily "under the fingers." AO- if you find the same solo for flute and for violin, you may find it has been transposed into a different key for each for this reason.
I don't agree that it is easier to play high notes on a flute than on a violin. Flutes don't have the disadvantage of changing positions but you are putting down different combinations of fingers for each note - rather than one finger at a time. Also there are breath control issues, and directing the air, and intonation that we have to worry about especially way up top.
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I also play the flute. But I disagree with fatcat about high notes not being easier. I think that they are easier on flute(not that they are easy) simply becuse that you know, if you have resonsble control of your air, that as long as you have the right fingers down you at leat have the right note (intonation can still be hard though). But on violin your finger has to be in the exact fraction of an inch in the right place to even have the right note.
As far as music is concerned much of the music can be played on both violin and flute. But it usually sound better and is easier to play on the one it's written for. My advice to fellow violinists never perform anything written for "Flute or violin" it usually sounds better on flute.
If the music is written in bass clef (for low instruments), then you 100% cannot play it on the flute. Unless of course you are able to read bass clef. In which case just play the music up an octave or two (or three!).
Also, music written for low instruments is in a totally different style to music written for flute. There will be less notes written (because fast notes down low sound muddy), and it will rarely be the melody. So in a nutshell, not very exciting to play alone on the flute!
Every instrument has a particular range that it is capable of. Plus, in reality, not all players can yet play the whole range of notes, so they will have their own "range" that they are comfortable playing.
If the music goes lower than the flute can play, it will be impossible to play (or even read) those notes. Unless you play those low notes up the octave, in which case, it will work, but will just sound a bit weird.
If two instruments in different keys both play an A, they will sound as different notes. Crazy I know! If you've never encountered this concept, it's super weird at first to wrap your head around. (There is a reason behind this craziness. Basically it keeps fingerings similar across instruments.)
Ok, now we're getting into some (good) details! Articulation is basically the TONGUING and SLURRING in the piece. There are finer details too, like how delicate or smooth or robust the style of playing should be...
Because it's basically flute music. It has almost the same range as the flute. It's in the same key. The articulation is identical in style. The downside is that you won't really find much piccolo music out there!
Yes, there is lots of it around. And it totally fits the bill in all the categories I talked about above. Recorder music won't have a great range of dynamics (because the recorder can't vary its volume very much), but I think most flute players can live with that!
If you have Piano music lying around, you can play the top line (the right hand) on the flute. Just take into account what I said about piano above. You can even play it with someone playing the bottom line (the left hand) on the piano at the same time. So an easy-made duet.
If you happen to have some Clarinet, Trumpet, Saxophone music around, this will mostly work fine on the flute. Just don't try playing it with anyone else on a different instrument because it will sound very strange indeed, since those instruments are in a different key to the flute.
If you love playing the flute, but you don't love your fluffy sound, come and join me in this free mini-course, where you'll learn the 3 tweaks that instantly make your flute sound stronger and clearer!
Your weekly private instruction focuses on performance. With practicing professionals you'll study not only flute, but also have opportunities to study auxiliary instruments such as piccolo and baroque flute. The woodwind department's carefully balanced enrollment ensures you ample performance experience in groups including two orchestras, new music ensemble and chamber music.
Sally Horak Hundemer is the principal flute of the Shreveport Symphony Orchestra. She earned her BM in flute performance from CIM in 1971 studying with Maurice Sharp. She is a member of the Baroque Artists of Shreveport and the Shreveport Symphony Woodwind Quintet and has performed with orchestras in San Francisco, Minneapolis, Guadalajara and Veracruz, Mexico.
Flute pre-screening requirement: By December 1, all flute applicants must upload a pre-screen video. The pre-screening recording must include each of the following items. The pre-screen video can be recorded either with or without piano accompaniment.
Applicants who are selected based on faculty review of the pre-screening round will be invited to audition. If an applicant is unable to audition in-person, they may upload a video audition by February 1st with each movement and each excerpt recorded in its own separate, unedited track.
Flute Pre-screening requirement: By December 1, all flute applicants must upload a pre-screen video. The pre-screen video can be recorded either with or without piano accompaniment, and must include each of the following items.
Applicants who are selected based on faculty review of the pre-screening round be invited to audition in Rochester. If an applicant is unable to audition in-person, they may upload a video audition by February 1st with each movement and each excerpt recorded in its own separate, unedited track. Applicants in this category may also have a follow-up Zoom interview with faculty.
Associate Professor of Flute Karen McLaughlin Large teaches flute lessons, flute ensemble, low flutes, Baroque flute, and Wind and Percussion Pedagogy at the FSU College of Music. Large is passionate about helping students navigate their unique paths in the music world. She does this in her lessons and classes through activities in areas such as music entrepreneurship, audition and competition preparation, community outreach, and grant-writing. Large previously served as Associate Professor of Flute and Music Theory at Kansas State University.
Large enjoys performing in concerto, solo, chamber, and large ensemble settings. She plays regularly with Traverso Colore: Baroque Flute Ensemble, Tornado Alley Flutes, and the Florida Flute Orchestra. She also previously performed with the Konza Wind Quintet, Topeka Symphony Orchestra, Tallahassee Symphony Orchestra, Northwest Florida Symphony Orchestra, and Pensacola Symphony Orchestra. As a guest artist, she has enjoyed performing and teaching at universities in Kansas, Oklahoma, Missouri, Nebraska, Tennessee, and Florida.
Welcome to the Frost Flute Studio. We are a supportive and energetic group of flutists who come to study at the University of Miami from all over the world. Students in the flute studio can receive undergraduate degrees in instrumental performance, music therapy, music education, and music industry, while Master of Music, Doctor of Musical Arts, and Artist Diploma degrees are available to graduate students.
Students take weekly lessons, studio classes, and have the option to take extra topic classes, such as technique, pedagogy and literature, baroque flute, and orchestral excerpts. Students are also able to play in the Frost Flute Ensemble and chamber music.
Our studio has a long tradition of excellence with attention to each individual. We are proud of our graduates who are teaching privately; in public schools, colleges and universities; and performing in chamber music groups, military bands and orchestras, among other careers in non-profit management and development, body mapping and others. They are working for arts organizations and volunteering in settings such as the James Cancer Hospital on our campus. Most importantly, music is an ongoing part of their daily lives.
Students in the studio receive private lessons which are geared towards both performance and pedagogy. All students perform in both large and small ensembles during each semester. In addition, students participate in studio classes, perform in the Ohio State Flute Troupe and participate in the Central Ohio Flute Association, a student organization that presents an annual flute festival. Students also may participate as counselor/coaches at the annual Flute Workshop for high school students held each summer for five days.
Register and pay the non-refundable $20 registration fee. The registration fee is used to cover the cost of lunch, supplies, music, and instruction. Those who register prior to March 18 will receive flute choir parts and assignments prior to Flute Choir Day.
The TCU Flute Studio is currently comprised of 16 undergraduate, masters, artist diploma, and doctoral students. They are pursuing degrees in flute performance, music education and the bachelor of arts in music. We have students from all over the state of Texas, all over the country, and even all over the world with students from China, Taiwan, and Iran.
Flute students participate in a large variety of ensembles including wind symphony, marching band, symphony orchestra, flute choir, woodwind quintets, the new music ensemble, and the Baroque Collegium. For information on applying to the flute studio please see our audition requirements.
The flute choir offers an opportunity for members to develop their intonation, rhythm, sight-reading, expression, flexibility, sound production and chamber playing. These skills provide students with invaluable tools to strengthen their confidence as performers and music educators. 152ee80cbc
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