In the face of recent heart-wrenching acts of targeted violence, ongoing attempts by legislatures to undermine queer rights, and the continued dehumanization endured by transgender folx, the pursuit of this project becomes even more essential. It stands as a resolute testament to the strength and unity of our community, boldly asserting that our existence will not be diminished or silenced. Through the creation and promotion of queer music and art, we unleash the powerful resonance of our voices, aiming to ignite profound and lasting change within society. By showcasing the vibrant tapestry of queer artistic expressions, we transcend barriers and defy attempts to marginalize us. We firmly believe in the extraordinary capacity of art, in all its boundless forms, to challenge societal norms, evoke empathy, and stimulate meaningful conversations that bring about transformative shifts. By advocating for the recognition and appreciation of queer culture, we strive to foster a world where acceptance, equality, and understanding prevail.
Nicholas Edward Cave AO FRSL (born 22 September 1957[2]) is an Australian musician, writer and actor. Known for his baritone voice and for fronting the rock band Nick Cave and the Bad Seeds, Cave's music is characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love and violence.[3]
Download Music Dj Nick Project
DOWNLOAD 🔥 https://urluss.com/2y2GsK 🔥
The 1990s saw Cave move between So Paulo and England, and find inspiration in the New Testament. He went on to achieve mainstream success with quieter, piano-driven ballads, notably the Kylie Minogue duet "Where the Wild Roses Grow" (1996), and "Into My Arms" (1997). Turning increasingly to film in the 2000s, Cave wrote the Australian Western The Proposition (2005), also composing its soundtrack with frequent collaborator Warren Ellis. The pair's film score credits include The Assassination of Jesse James by the Coward Robert Ford (2007), The Road (2009) and Hell or High Water (2016). Their garage rock side project Grinderman has released two albums since 2006. In 2009, he released his second novel, The Death of Bunny Munro, and starred in the semi-fictional "day in the life" film 20,000 Days on Earth (2014). His more recent musical work features ambient and electronic elements, as well as increasingly abstract lyrics, informed in part by grief over his son Arthur's 2015 death, which is explored in the documentary One More Time with Feeling (2016) and the Bad Seeds' 17th and latest album, Ghosteen (2019).
After his secondary schooling, Cave studied painting at the Caulfield Institute of Technology in 1976, but dropped out the following year to pursue music.[15] He also began using heroin around the time that he left art school.[16]
Cave attended his first music concert at Melbourne's Festival Hall. The bill consisted of Manfred Mann, Deep Purple and Free. Cave recalled: "I remember sitting there and feeling physically the sound going through me."[15] In early 1977, he saw Australian punk rock groups Radio Birdman and the Saints live for the first time. Cave was particularly inspired by the show of the latter band, saying that he left the venue "a different person";[17] a photograph by Rennie Ellis shows Cave in the front row, appearing awestruck by the Saints' frontman Chris Bailey.[18]
They were a leader of Melbourne's post-punk scene in the late 1970s, playing hundreds of live shows in Australia before changing their name to the Birthday Party in 1980 and moving to London, then West Berlin. Cave's Australian girlfriend and muse Anita Lane accompanied them to London. The band were notorious for their provocative live performances which featured Cave shrieking, bellowing and throwing himself about the stage, backed up by harsh pounding rock music laced with guitar feedback. Cave used Old Testament imagery with lyrics about sin, debauchery and damnation.[19] Cave's droll sense of humour and penchant for parody is evident in many of the band's songs, including "Nick the Stripper" and "King Ink". "Release the Bats", one of the band's most famous songs, was intended as an over-the-top "piss-take" on gothic rock, and a "direct attack" on the "stock gothic associations that less informed critics were wont to make". Ironically, it became highly influential on the genre, giving rise to a new generation of bands.[20] Cave attended a gig of the Pop Group and was so inspired by their performance, he stated that: "...It was one of those moments we just feel the cogs of your mind shift and your life is going to be irreversibly changed forever."[21]
In mid-August 2013, Cave was a 'First Longlist' finalist for the 9th Coopers AMP, alongside artists such as Kevin Mitchell and the Drones. The Australian music prize is worth A$30,000.[25] The prize ultimately went to Big Scary.[26] In a September 2013 interview, Cave explained that he returned to using a typewriter for songwriting after his experience with the Nocturama album, as he "could walk in on a bad day and hit 'delete' and that was the end of it". Cave believes that he lost valuable work due to a "bad day".[15]
Cave's musical work was featured in a scene of the 1986 film, Dogs in Space by Richard Lowenstein.[30] Cave performed parts of the Boys Next Door song "Shivers" twice during the film, once on video and once live.
Another early fan of Cave's was German director Wim Wenders, who lists Cave, along with Lou Reed and Portishead, as among his favourites.[31] Cave and the Bad Seeds appear in the film 1987 film Wings of Desire performing "The Carny" and "From Her to Eternity".[32] Two original songs were included in Wenders' 1993 sequel Faraway, So Close!, including the title track. The soundtrack for Wenders' 1991 film Until the End of the World features, another Cave original, "(I'll Love You) Till the End of the World". Cave and the Bad Seeds later recorded a live in-studio cover track for Wenders' 2003 documentary The Soul of a Man, and his 2008 film Palermo Shooting features two original songs from Cave's side project Grinderman.[33]
Cave also took part in the "X-Files" compilation CD with some other artists, where he reads parts from the Bible combined with own texts, like "Time Jesum ...", he outed himself as a fan of the series some years ago, but since he does not watch much TV, it was one of the only things he watched. He collaborated on the 2003 single "Bring It On", with Chris Bailey, formerly of the Australian punk group, The Saints. Cave contributed vocals to the song "Sweet Rosyanne", on the 2006 album Catch That Train! from Dan Zanes & Friends, a children's music group.
In 2006, Cave and Ellis composed the music for Andrew Dominik's adaptation of Ron Hansen's The Assassination of Jesse James by the Coward Robert Ford.[55] By the time Dominik's film was released, Hillcoat was preparing his next project, The Road, an adaptation of Cormac McCarthy's novel about a father and son struggling to survive in a post-apocalyptic world. Cave and Ellis wrote and recorded the score for the film, which was released in 2009.[56] In 2011, Cave and Ellis reunited with Hillcoat to score his latest picture, Lawless. Cave also authored this screenplay based on Matt Bondurant's novel The Wettest County in the World. Set in Depression-era Franklin County, Virginia, the film was released in 2012.[57]
Cave and Ellis have also scored a number of documentary films, including The English Surgeon (2007), West of Memphis (2012), Prophet's Prey (2015) and The Velvet Queen (2021). Cave and Ellis created music for the Vesturport productions Woyzeck, The Metamorphosis and Faust.[58]
Cave has also lent his voice in narrating the animated film The Cat Piano. It was directed by Eddie White and Ari Gibson (of the People's Republic of Animation), produced by Jessica Brentnall and features music by Benjamin Speed.[71]
An announcement in February 2010 stated that Andy Serkis and Cave would collaborate on a motion-capture movie of the Brecht and Weill musical The Threepenny Opera. As of September 2019, the project has not been realised.[75]
Cave currently maintains a personal blog and an online correspondence page with his fans called The Red Hand Files which is seen as a continuation of In Conversation, a series of live personal talks Cave had held in which the audience were free to ask questions. On the page, Cave discusses various issues ranging from art, religion, current affairs and music, as well as using it as a free platform in which fans are encouraged to ask personal questions on any topic of their choosing.[78][79] Cave's intimate approach to the Question & Answer format on The Red Hand Files was praised by The Guardian as "a shelter from the online storm free of discord and conspiracies, and in harmony with the internet vision of Tim Berners-Lee."[79]
Cave is an avid reader of the Christian Bible. In his recorded lectures on music and songwriting, Cave said that any true love song is a song for God, and ascribed the mellowing of his music to a shift in focus from the Old Testament to the New. When asked if he had interest in religions outside of Christianity, Cave quipped that he had a passing, sceptical interest but was a "hammer-and-nails kind of guy".[119] Despite this, Cave has also said he is critical of organised religion. When interviewed by Jarvis Cocker on 12 September 2010, for his BBC Radio 6 show Jarvis Cocker's Sunday Service, Cave said that "I believe in God in spite of religion, not because of it."[120] Moreover, Cave has always been open about his doubts. When asked in 2009 about whether he believed in a personal God, Cave's reply was "No".[121] The following year, he stated that "I'm not religious, and I'm not a Christian, but I do reserve the right to believe in the possibility of a god. It's kind of defending the indefensible, though; I'm critical of what religions are becoming, the more destructive they're becoming. But I think as an artist, particularly, it's a necessary part of what I do, that there is some divine element going on within my songs."[122] ff782bc1db