The major third may be derived from the harmonic series as the interval between the fourth and fifth harmonics. The major scale is so named because of the presence of this interval between its tonic and mediant (1st and 3rd) scale degrees. The major chord also takes its name from the presence of this interval built on the chord's root (provided that the interval of a perfect fifth from the root is also present or implied).
The major third is classed as an imperfect consonance and is considered one of the most consonant intervals after the unison, octave, perfect fifth, and perfect fourth. In the common practice period, thirds were considered interesting and dynamic consonances along with their inverses the sixths, but in medieval times they were considered dissonances unusable in a stable final sonority.
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The major third is used in guitar tunings. For the standard tuning, only the interval between the 3rd and 2nd strings (G to B, respectively) is a major third; each of the intervals between the other pairs of consecutive strings is a perfect fourth. In an alternative tuning, the major-thirds tuning, each of the intervals are major thirds.
Third Angle\u2019s mission is to perform and record the masterworks of the twenty-first century while commissioning new works from regional and nationally recognized composers. Its bold and innovative programming, high artistic standards, and tireless efforts to bring music of the 20th and 21st centuries to a diverse audience have earned it abundant critical acclaim.
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Material and methods: A systematic review modeled according to the PRISMA guidelines was conducted. The MEDLINE/PubMed, Cochrane Library, Embase, and Scopus databases were searched for relevant reports. To be included in the study sample, the studies were required to be randomized controlled trials (RCT) on the effects of listening to music on outcomes of third molar extraction. Two reviewers independently extracted the relevant data from the reports.
Results: A total of 1882 studies were retrieved after the duplicates were removed. After applying the inclusion criteria, five studies were included for qualitative analysis. In 4 studies, music was played before and during the extraction of the impacted third molars. In one study, music was played only before the procedure. The genres varied from classic piano music to rock, pop, jazz, folk, and even hymns. Overall, music listening was beneficial for patients in reducing preoperative anxiety or anxiety during the procedure compared to control. However, only one study demonstrated a statistically significant decrease in systolic blood pressure.
Conclusions: Music may be an effective non-pharmacological measure to reduce preoperative anxiety in patients scheduled for third molar extraction; however, the hemodynamic effects and the effects on pain (both perioperative and postoperative) should be further explored.
It looks like you would like to listen to music from Spotify or Pandora on your Apple Watch. Here are a couple of articles that will guide you through playing content from those apps on your Apple Watch.
In addition to the weekly live music, Third Place Commons partners with dozens of local nonprofit organizations, public agencies, and small businesses to bring a wide variety of free public events to our stage and our space.
After a bit of exploration into quarter-tones I thought I'd add to my collection of EDO-based 12-note tunings by exploring third-tones, which split the gap between (say) C and D into three equal parts rather than the usual two. The EDO made entirely of this interval is 18-EDO, which we can think of as three equally-spaced whole-tone scales.
Ferrucio Busoni experimented with these sounds but as far as I know never composed for them; in his time it would have been prohibitively hard to get satisfactory acoustic instruments capable of producing them reliably. But note that third-tones are, at least in theory, less difficult to hear than their smaller relatives the quarter-tones, and with modern electronic instruments we can produce them with ease. Well, with two caveats: the instrument must support re-tuning (which most worth their salt do these days) and the notes must be playable using some practical interface. The latter is the main problem, since most of us don't have fancy controllers or don't want to invest the time in developing a skill on a proprietary instrument that will probably go out of production before long, hence the attraction of 12-note subsets of the tuning.
I had a hard time finding any music in third-tones, partly because internet search results are full of very interesting results about Chinese languages. But apparently Xenakis called for them from the clarinets in "Antikhthon", which is a good enough excuse to throw in a video link so you've got something heavy to play in the background:
As an aside: I don't really guitar these days but I know lots of readers of this blog do. On guitar 18EDO isn't hard to pull off, at least for melodic purposes. Using a slide or similar, you just have to stop seeing every alternate fret and fill in the gap with two notes instead of one. Low down on the fretboard this is pretty easy. It helps if you tune the guitar so that all the strings are separated by some number of whole tones -- for example, the tuning E-Ab-C-G#-C-E will do it. And of course visualization is easier if you pull out half the frets, but that's a bit more radical. Technically both notes should be a tiny bit sharper than they would be if you divided the distance exactly equally; practicing with guide notes played by a computer helps nail the intonation, but wobbly tuning that sounds good is better than perfect tuning that doesn't.
If, on the other hand, we want to play third-tones on an ordinary black-and-white keyboard then we'll need to choose 12 notes from the available 18. There are 476 ways to do this, which isn't very helpful, so instead we'll take a hint from Wyshnegradsky and look at just the semi-regular options.
These start by dividing the 18 notes into a number of equal parts, then subdividing those in the same way for each part. The factors of 18 are 2, 3, 6 and 9. Of these we have to reject 9 because it isn't a factor of 12, but the others are OK. There are 10 such tunings based on the tritone, 3 based on the augmented triad and -- as usual -- just one based on the whole-tone scale.
Of the augmented ones, two contain a pair of 12-EDO augmented triads and another one offset by a third-tone; the other is the opposite, containing one 12-EDO augmented triad and two offset by a third-tone. The tritone-based ones are more of a mixed bag.
So there we go: another 14 interesting tunings to play around with. You can see them individually here or download the whole project and get my whole collection of Scala files in one batch -- look for the "12_from_18EDO" folder under "scala".
There are two categories of performers who play at Third Place Commons. The first are bands that perform as part of our Weekend Music program on Friday and Saturday nights. These paid gigs focus on bands with three or more members and a danceable style and repertoire. We have a large, open dance floor that is often filled with dancers. We make careful selection among applicants for these slots to ensure best fit.
There are, of course, many bands and performance groups who are very talented and entertaining, but not a fit for the Weekend Music program for various reasons such as musical style, group size, etc. For these performers, we offer community event slots. These offer local performers a chance to perform on our stage with staff support and our professional sound system. These are unpaid performances that usually take place during the day on Saturdays and Sundays.
The major third interval consists of two notes with two whole steps distance. For example, C to E note will result in this musical interval.
The major third interval is abbreviated M3 whereas the minor third is abbreviated m3. An alternate spelling of major third is diminished fourth.
A major third with C to E on the keyboard.
Listen to major third interval (C-E):
To being able to distinguish this interval by ear, a good idea is to think about a familiar song which two starting notes are matching the interval. An ascending example is "When the Saints Go Marching In" (C-E).
This interval is rare in scales and known as a quadra step. It can be found in some exotic scales such as the Balinese and Chinese.
The major third has on the other hand a key role in chords. It is the third that decides if a chord has a major or minor quality. Chords with a major third interval between the first and second notes are in general major chords. For example, C consisting of the notes C, E, G and Cmaj7 consisting of the notes C, E, G, B.
Major thirds result in a pleasant sound and are often part of the harmonic in compositions. Below is a simple example with only major thirds intervals (some are inverted):
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Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come. 152ee80cbc
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