Grey (more common in Commonwealth English) or Gray (more common in American English)[2] is an intermediate color between black and white. It is a neutral or achromatic color, meaning literally that it is "without color", because it can be composed of black and white.[3] It is the color of a cloud-covered sky, of ash, and of lead.[4]
The first recorded use of grey as a color name in the English language was in 700 CE.[5] Grey is the dominant spelling in European and Commonwealth English, while gray is more common in American English; however, both spellings are valid in both varieties of English.[6]
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In Europe and North America, surveys show that grey is the color most commonly associated with neutrality, conformity, boredom, uncertainty, old age, indifference, and modesty. Only one percent of respondents chose it as their favorite color.[7]
Grey comes from the Middle English grai or grei, from the Old English gr, and is related to the Dutch grauw and German grau.[8] There are no certain cognates outside Germanic languages; terms such as Spanish gris and Italian grigio are considered Germanic loanwords from Medieval Latin griseus.[9] The first recorded use of grey as a color name in the English language was in 700 AD.[5]
In antiquity and the Middle Ages, grey was the color of undyed wool, and thus was the color most commonly worn by peasants and the poor. It was also the color worn by Cistercian monks and friars of the Franciscan and Capuchin orders as a symbol of their vows of humility and poverty. Franciscan friars in England and Scotland were commonly known as the grey friars, and that name is now attached to many places in Great Britain.
During the Renaissance and the Baroque, grey began to play an important role in fashion and art. Black became the most popular color of the nobility, particularly in Italy, France, and Spain, and grey and white were harmonious with it.
Grey was also frequently used for the drawing of oil paintings, a technique called grisaille. The painting would first be composed in grey and white, and then the colors, made with thin transparent glazes, would be added on top. The grisaille beneath would provide the shading, visible through the layers of color. Sometimes, the grisaille was simply left uncovered, giving the appearance of carved stone.
Grey was a particularly good background color for gold and for skin tones. It became the most common background for the portraits of Rembrandt van Rijn and for many of the paintings of El Greco, who used it to highlight the faces and costumes of the central figures. The palette of Rembrandt was composed almost entirely of somber colors. He composed his warm greys out of black pigments made from charcoal or burnt animal bones, mixed with lead white or a white made of lime, which he warmed with a little red lake color from cochineal or madder. In one painting, the portrait of Margaretha de Geer (1661), one part of a grey wall in the background is painted with a layer of dark brown over a layer of orange, red, and yellow earths, mixed with ivory black and some lead white. Over this he put an additional layer of glaze made of mixture of blue smalt, red ochre, and yellow lake. Using these ingredients and many others, he made greys which had, according to art historian Philip Ball, "an incredible subtlety of pigmentation".[10] The warm, dark and rich greys and browns served to emphasize the golden light on the faces in the paintings.
Grey became a highly fashionable color in the 18th century, both for women's dresses and for men's waistcoats and coats. It looked particularly luminous coloring the silk and satin fabrics worn by the nobility and wealthy.
Women's fashion in the 19th century was dominated by Paris, while men's fashion was set by London. The grey business suit appeared in the mid-19th century in London; light grey in summer, dark grey in winter; replacing the more colorful palette of men's clothing early in the century.
The clothing of women working in the factories and workshops of Paris in the 19th century was usually grey. This gave them the name of grisettes. "Gris" or grey also meant drunk, and the name "grisette" was also given to the lower class of Parisian prostitutes.
Grey also became a common color for military uniforms; in an age of rifles with longer range, soldiers in grey were less visible as targets than those in blue or red. Grey was the color of the uniforms of the Confederate Army during the American Civil War, and of the Prussian Army for active service wear from 1910 onwards.
Several artists of the mid-19th century used tones of grey to create memorable paintings; Jean-Baptiste-Camille Corot used tones of green-grey and blue grey to give harmony to his landscapes, and James McNeill Whistler created a special grey for the background of the portrait of his mother, and for his own self-portrait.
After the war, the grey business suit became a metaphor for uniformity of thought, popularized in such books as The Man in the Gray Flannel Suit (1955), which became a successful film in 1956.[13]
The whiteness or darkness of clouds is a function of their depth. Small, fluffy white clouds in summer look white because the sunlight is being scattered by the tiny water droplets they contain, and that white light comes to the viewer's eye. However, as clouds become larger and thicker, the white light cannot penetrate through the cloud, and is reflected off the top. Clouds look darkest grey during thunderstorms, when they can be as much as 20,000 to 30,000 feet high.
Stratiform clouds are a layer of clouds that covers the entire sky, and which have a depth of between a few hundred to a few thousand feet thick. The thicker the clouds, the darker they appear from below, because little of the sunlight is able to pass through. From above, in an airplane, the same clouds look perfectly white, but from the ground the sky looks gloomy and grey.[14]
The color of a person's hair is created by the pigment melanin, found in the core of each hair. Melanin is also responsible for the color of the skin and of the eyes. There are only two types of pigment: dark (eumelanin) or light (phaeomelanin). Combined in various combinations, these pigments create all natural hair colors.
Over the centuries, artists have traditionally created grey by mixing black and white in various proportions. They added a little red to make a warmer grey, or a little blue for a cooler grey. Artists could also make a grey by mixing two complementary colors, such as orange and blue.
Today the grey on televisions, computer displays, and telephones is usually created using the RGB color model. Red, green, and blue light combined at full intensity on the black screen makes white; by lowering the intensity, it is possible to create shades of grey.
In printing, grey is usually obtained with the CMYK color model, using cyan, magenta, yellow, and black. Grey is produced either by using black and white, or by combining equal amounts of cyan, magenta, and yellow. Most greys have a cool or warm cast to them, as the human eye can detect even a minute amount of color saturation. Yellow, orange, and red create a "warm grey". Green, blue, and violet create a "cool grey".[17] When no color is added, the color is "neutral grey", "achromatic grey", or simply "grey". Images consisting wholly of black, white and greys are called monochrome, black-and-white, or greyscale.
There are several tones of grey available for use with HTML and Cascading Style Sheets (CSS) as named colors, while 254 true greys are available by specification of a hex triplet for the RGB value. All are spelled gray, using the spelling grey can cause errors. This spelling was inherited from the X11 color list. Internet Explorer's Trident browser engine does not recognize grey and renders it green. Another anomaly is that gray is in fact much darker than the X11 color marked darkgray; this is because of a conflict with the original HTML gray and the X11 gray, which is closer to HTML's silver. The three slategray colors are not themselves on the greyscale, but are slightly saturated toward cyan (green + blue). Since there are an even (256, including black and white) number of unsaturated tones of grey, there are two grey tones straddling the midpoint in the 8-bit greyscale. The color name gray has been assigned the lighter of the two shades (128, also known as #808080), due to rounding up.
Until the 19th century, artists traditionally created grey by simply combining black and white. Rembrandt Van Rijn, for instance, usually used lead white and either carbon black or ivory black, along with touches of either blues or reds to cool or warm the grey.
In the early 19th century, a new grey, Payne's grey, appeared on the market. Payne's grey is a dark blue-grey, a mixture of ultramarine and black or of ultramarine and sienna. It is named after William Payne, a British artist who painted watercolors in the late 18th century. The first recorded use of Payne's grey as a color name in English was in 1835.[18]
The substance that composes the brain is sometimes referred to as grey matter, or "the little grey cells", so the color grey is associated with things intellectual. However, the living human brain is actually pink in color; it only turns grey when dead.
In sound engineering, grey noise is random noise subjected to an equal-loudness contour, such as an inverted A-weighting curve, over a given range of frequencies, giving the listener the perception that it is equally loud at all frequencies.
In the Christian religion, grey is the color of ashes, and so a biblical symbol of mourning and repentance, described as sackcloth and ashes. It can be used during Lent or on special days of fasting and prayer. As the color of humility and modesty, grey is worn by friars of the Order of Friars Minor Capuchin and Franciscan order as well as monks of the Cistercian order.[20] Grey cassocks are worn by clergy of the Brazilian Catholic Apostolic Church. 152ee80cbc
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